In This Issue
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Once again New Zealand design talent has been
recognised with international acclaim. Landscape
architect Wendy Hoddinott has won first prize in an
international design competition for a plan which
combines installation art, recreation and
conservation along Canterbury’s new rail trail.
Hoddinott was awarded her Masters degree at Lincoln
University in April 2006, received AUS$2000 in the
International Federation of Landscape Architecture's
(IFLA) Eastern Region Student Awards, announced in
Sydney. Hoddinott's entry headed off entrants from
the United States as well as students from around
the Asia-Pacific region, and her prize adds to a
series of successes in IFLA competitions by Lincoln
students in recent years.
New Zealand's ‘creative economy’ is taxiing on the
runway and our potential to export intellectual
property, design talent, and produce more world-class
outdoor products and services is grossly
underestimated. In this issue I discuss and
highlight our talent and explore this huge economic
potential.
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For many decades the New Zealand psyche has been
practical and in general ‘design wise’ lagged behind
the rest of the world. What was this national
shyness to stand and be seen internationally as
creative people? We cringed at our accents on TV,
copied international fashion design and
architectural trends. But
finally now we can withdraw our heads from the long
white cloud and smile with real pride at our
creative achievements. “Good on ya mate!”
Towards the end of last century New Zealand broke
out of a cultural adolescence, coffee went from
instant to filter to latte. Pasta, sushi and kebabs
are all consumed like they were a staple since, like
ya know forever. And we speak with pride of our
international movie, music and fashion successes.
This is contemporary New Zealand with no shame.
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