The Conejo Players Theatre

Auditions



The Wiz Jr.
Adapted from "The Wonderful Wizard of Oz" by L. Frank Baum
Book by William F. Brown
Music and Lyrics by Charlie Smalls

Additional Material by Tina Tippit

Directed by ERIN FAGUNDES
Music Directed by
JOHN GASTON
Choreographed by MIRIAM DURRIE-KIRSCH
Produced by JENNIFER KILPATRICK & CHRISTY MILLER


AUDITION DATES & TIMES:
Saturday, July 9, 2011; 12:00 – 4:00 pm
Sunday and Monday, July 10 & 11, 2011; 5:30 – 9:00 pm

AUDITION LOCATION:
Conejo Players Theatre
351 South Moorpark Road
Thousand Oaks, CA 91361-1008


PERFORMANCE DATES:
Oct 1-9, 2011
Saturdays & Sundays at 1 pm and 4 pm
Friday, October 7 at 7 pm
Special School Matinee Performance: Wednesday, October 5th, 2011.
No conflicts accepted for Performance Dates or Tech Week

AUDITION REQUIREMENTS:
Auditions are open. All ethnicities and age ranges encouraged! Select ONE day from the schedule to audition. Be prepared to stay for the entire allotted time. Each person will sing by themselves, then dance and read from the script. Singing: Please prepare a one minute song, preferably not from the show. Bring either a CD (with music only, no vocals) or sheet music in the proper key (NO á cappella, please). An accompanist will be provided. For more details on the singing audition requirements for specific roles, please see SINGING AUDITION DETAILS below. Dancing: Bring comfortable clothes and shoes that you can dance in (NO sandals or flip flops or bare feet for dancing!). Acting: We will have cold readings from the script. If you are not reading yet, please memorize a story or poem to say out loud. It should last 1 minute or less. Administrative: Please be prepared to write down all of your conflicts with the rehearsal schedule at the auditions. We will also want to know which part(s) you are interested in, if there are any parts you will not accept, and if you would take a part as an ensemble member. Please be honest. No appointment necessary. There is NO PAY.

SINGING AUDITION DETAILS:   

Please bring about 1 minute of a song (preferably not from the show). Please take note of the additional requirements for those auditioning for specific roles:
  • If you are interested in auditioning for the Scarecrow, Tin Man, Lion or The Wiz, please make sure your song is close to the style of the show, as they have specific types of solos they sing (R&B, Pop, or Gospel suggested. Does not have to be from a musical. May sing from the show if desired).
  • Anyone auditioning for Dorothy should sing a song that shows a high belting range.
  • Anyone wanting to be considered for Evillene AND another role should prepare two song selections – one that shows the gospel/belt range and one more appropriate to the other characters you wish to be considered for. If only auditioning for Evillene, please prepare one selection as described above.

PLOT SUMMARY:

Theatre for Young Audiences! Dorothy's adventures in the Land of Oz are set to a dazzling, lively mixture of rock, gospel and soul music. Everybody knows the story, but this re-invented fantasy is dazzling, mysterious, and opulent. Join Dorothy and her friends as they “Ease On Down the Road” to - The Wiz! Visit www.conejoplayers.org for more details.

FOR FURTHER INFORMATION:
Please contact co-producers Christy Miller (christy@socialknit.com) or Jennifer Kilpatrick (jen@kilmil.com)

CHARACTER BREAKDOWN:


Adult Roles
  • Aunt Em: (may double as Glinda. TBD) Nurturing but firm.  Must sing well. (Mezzo/Alto) 
  • Uncle Henry/The Wiz: The ultimate showman, must be suave, smooth, and slick.  Must sing and move well and have great sense of comedy. (High Baritone or Tenor)
Teen or Adult Roles
  • Addaperle:  The Good Witch of the North who rules Munchkinland.  She must be goofy, funny, and march to her own drummer.  A mix of Joanne Worley and Phyllis Diller.  She is not stupid - just a little out there. Must sing well. (Mezzo/alto)
  • Evillene: The Wicked Witch of the West. Must be an extremely good singer and command the stage, good sense of comedy and rhythm, very sassy, takes no nonsense from anyone! (Mezzo/belter)
  • Glinda: The Good Witch of the South. Beautiful, ethereal (yet still intelligent and funny). Must sing well (Mezzo/Alto). (May double as Aunt Em depending on age.)
Teen Roles (for all below except Dorothy – might consider adults)
  • Dorothy (age 13+): Must be able to command the stage, sing and belt extremely well and move well. (Mezzo/Soprano with high belt)
  • Tin Man (age 13+): Needs to dance, specifically tap dance, and sing well. Able to adapt from stiff, rusted body to smooth and light on feet.  Gentle and kind but also courageous. (High baritone or tenor)
  • Scarecrow (age 13+): Needs to be agile and flexible, dancer - able to appear floppy.  Needs to be a strong singer who can sing soulfully and command the stage. (High baritone or Tenor)
  • Lion (age 13+): Needs to have good comedic sense and knack for physical comedy.  Must sing and move well, gymnastic ability a plus. (High baritone or tenor – big range)
  • Lord High Underling (age 13+): Evillene’s right hand man.  He is a total brown-noser. Must have a good sense of comedy.  Also should sing well, as featured soloist in “Everbody Rejoice”. Will double as other roles.
  • Gatekeeper: loud, boisterous, Gatekeeper of Emerald City.   Needs a major attitude adjustment.  Good comic timing.
Kid roles/Age-open roles
  • Toto: young child who must be able to be on stage for the whole show and stay focused.  Dancing or gymnastic ability a plus.  
  • Crows: age open, depends on vocal and movement ability.  They are the back-up singers for the Scarecrow’s big song and present like The Supremes, Dreamgirls, etc.  Also may include boys (Motown group).  Must have good rhythm, stage presence, and ability to harmonize.
  • Yellow Brick Road: 2 to 4 children to play the “Road”. They will guide Dorothy and her friends throughout the show by pointing the way. Prefer small children with great stage presence and ability to focus. Ability to dance/move well is a plus.


Produced by special arrangement with The Susan Gurman Agency


Conejo Players Theatre Donations
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