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AJF NEWSLETTER
JUNE
2010
Dear  ,
 
I'm writing this at Collect 2010, where AJF members on the annual trip are getting an all-access pass to the wonders of contemporary jewelry and the modern global craft fair. Look out for news of what we got up to on the blog and in next month's newsletter. (Unlike Vegas, what happens in London becomes very public indeed!) Meantime, take some time to look at what we're offering this month. Australian writer Kevin Murray asks questions about the future of contemporary jewelry in his essay 'Signs of change', and, speaking of craft fairs, AJF member Rachel Carren reviews SOFA NY and finds some adornment worth paying attention to. And of course we bring you a 'best of' selection from the AJF blog. Enjoy!

Mike Holmes
A LETTER FROM THE AJF BOARD CHAIR 
It's graduation time and in the past few years AJF has taken this opportunity to request images from recent graduates of the premiere jewelry schools in America. This year we are spreading out the invitation to the rest of the world. If you know a graduate or a school you think we should contact, please let our editor Damian Skinner know about them. (blogger@artjewelryforum.org) In the next few issues of our newsletter you will be able to see the work of the next generation of contemporary jewelers.
 
You will also soon be seeing the photographs and commentary from the sold out AJF London trip to Collect 2010. Keep your eyes on the blog.
 
And speaking of the blog, where are all the passionate, irate and intelligent responses to our many fascinating posts? Just click on Comments and get the dialog flowing.
 
Thanks again to the group of AJF members who help write for the website and blog, and especially to our editor Damian Skinner who, as he put it in a recent post, boldly goes where no member of AJF should ever have to in pursuit of the weird, wild and wonderful world of contemporary jewelry.
 
Wear something you love today.
 
Susan Cummins
AJF chair

JUST PUBLISHED ON OUR WEBSITE 
 
jennifer traskNEW YORK, NEW YORK! SOFA 2010 REVIEW
by Rachel Carren
New York New York! Reviewing SOFA 2010
My time at the New York SOFA show began early Friday morning. The show is located at the Park Avenue Armory.
Click to read more.
THE CHANGE WE CAN WEAR
by Kevin Murra
Since beginning of the twentieth century, modernity has witnessed waves of innovation. The predominant effect of phenomena such as mass media, industrial design, and Google has been to broaden access to cultural goods.
Click to read more.
ADORNING ARTISTS
by Jennifer Cross Gans
This just in from AJF member Jennifer Cross Gans, who reflects on Arnoldsche's new book Private Passion: Artists' Jewelry of the 20th Century, and discovers a new meaning for the phrase 'body of work'.
Click to read more.
SPEAKING OF SCHMUCK
by Zoe Brand
Here at AJF we have been extremely lucky to receive a number of reports from Schmuck 2010, the exhibition and contemporary jewelry free-for-all that takes place in Munich every March
Click to read the full review.
LINKS TO OUR MANY NEW BLOG POSTS

Beautiful Obsession linkA BEAUTIFUL OBSESSION
by Rachel Carren
At age twelve, Eugenie Benser embarked on what would become her life's passion. She bought her first piece of jewelry, a ring, and paid for it in installments of nickels and dimes earned by scrubbing the white marble stoops of East Baltimore.
 Click to read this more.

The Aha MomentTHE AHA MOMENT
by Karen Lorene
What is it that separates the contemporary jewelry and fine art worlds, and what might link them together?
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Click to read more.




Jewels on Show linkJEWELS ON SHOW
The big news was German jeweler Karl Fritsch's exhibition New in the Danner Rotunda, a purpose-built wing in Die Neue Sammlung's Pinakothek der Moderne (the Munich branch of the museum) funded by the Danner Foundation.
Click to read more.


Hidden GemsHIDDEN GEMS
submitted by Valeria Vallarta Siemelink
"My engagement ring. Eight rough diamonds (one green, one brown, one green . . .), representing the eight months of written exchange that I had with my (now) husband ... "
Click to read more.


Rock HardROCK HARD
submitted by Don Friedlich
"I use diamonds for a variety of reasons. First, as a point of focus and light within a design that helps define and highlight the form. I almost always small two millimeter stones..."
Click to read more.



WALKING THE BLACK AND WHITE AREA
by Kevin Murray
While one jewelry world was meeting at the centre, another was gathering at the western edge. As the Gray Area Symposium celebrated the mixing of North and South in Mexico, the conference titled Resources: Prospects for Contemporary Jewellery & Object Making in Perth, Australia, revealed a more black and white picture in the world of body adornment.
Click to read more.

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