AMERICAN WOMEN ARTISTS
 A non-profit organization dedicated to the inspiration, celebration and encouragement of Women in the Arts.  
                                                                                                             

Masterstrokes

Spring 2009 - Vol 1, Issue 1
In This Issue
2008 Show
Karen Vance
Liz Wolf
Thoughts on Authenticity
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  "What was any art but a mold in which to imprison for a moment the shining elusive element which is life itself--life hurrying past us and running away, too strong to stop, too sweet to lose."

Willa Cather

 


"Reading" by Milly Tsai 2008 Annual Show held at Galerie Gabrie, Pasadena

          The art work of 32 members and 31 competition entrants was showcased at the elegant Galerie Gabrie in historic downtown Pasadena, California in December. Opening night, December 12, was held amid a block-long gallery walk and open house. Our Board and officers were on hand as well as several members and competition artists from across the country. Milly Tsai received the Best of Show award for her figure painting, "Reading" (above).  Awards of Merit went to Leah Lopez, Judith Mackey, and Lauren Mills. Runners Up were Elizabeth Pruitt and Eva Stanley. An Award of Recognition was presented to Farshid Namei and the winner of the Rogue Guirey Simpson Memorial Award was Deon Matzen.
          Jasminka Chenich Gabrie, owner and director of the gallery, had such positive response and steady sales she decided to hold the exhibition over until January 30.  Thank you, Jasminka, for your warm reception and for supporting American Women Artists in southern California.
          Without enthusiastic sponsorship that provides prizes the competition part of the show would not have the excitement and encouragement for entrants that it does. We wish to thank these prize sponsors: Airfloat Systems, Inc.; American Art Collector; Kenneth Bradley, Casper, Wyoming; Brown, Drew and Massey, LLP, Casper, Wyoming ; Chavant, Inc.; Fredericksburg Artists School; Glaser Frames; Hilltop National Bank, Casper, Wyoming; Jafe Parsons  Photography; Montgomery Frames; Sculpture Depot; Scottsdale Artists' School; Shippers Supply; Source Tek; Wind River Arts.  Thank you!

group photo


 Karen Crain, Nancy Boren, Colleen Howe, Bethanne Kinsella Cople
Karen Vance Paints for Devil's Thumb
Karen Vance
   Master Signature Member Karen Vance has been commissioned to paint 100+ paintings for the Devil's Thumb Resort, a 5,000 acre guest ranch in Tabernash, Colorado, by the owners, Bob and Susanne Fanch. 

   Karen Vance studied at the Art Institute of Chicago before moving out to Winter Park, Colorado in 1980. To make ends meet, the struggling artist worked as city clerk for the growing ski town.
   By 1986, her art career was in full swing and she quit her job with the town to paint full time.
   That turned out to be a great move for Vance, who has since won some of the highest awards in her field. And one recent work, "Another Spring," graces the cover of the beautiful coffee table book, Landscapes of Colorado which features the works of top landscape artists in the West.
    But her most notable achievement would almost certainly be her work at Devil's Thumb Ranch just a few miles down the road from her studio. When completed,  there will be  more than 100 paintings residing at the Ranch.
    This is an interview from Martin Curry of Alpenglow Magazine with Karen describing the project.

***
Karen Vance painting
Alpenglow: How did you approach such a large commission?
Vance: I had to get my "head around" such a large project. I had to complete paintings for shows that I was committed to, then I pulled back from most of the annual shows that I have participated in the past, with promises, to return when the collection is finished.  I had to "clear my slate" to totally focus on the commission.
 
Alpenglow: How long have you been working on this commission?
Vance: I started it about two and a half years ago, and it should be completed this
summer.

Alpenglow: What is the subject matter of the exhibit?
Vance: The paintings depict vast stretches of landscapes, mountains, wildlife captured in their habitat, lakes and rivers, historical buildings, old ranches and small intimate settings of native wildflowers and grasses. All the seasons are represented. With each painting I try to capture a specific place, time and emotion. All are scenes from Grand County.

Alpenglow: Could you share a few trade secrets? Like, have you developed a system to produce so many original works?
Vance: I go out exploring different areas, taking photos and doing sketches for my reference material. From these I construct my larger studio paintings.  I sketch out several small compositions in pencil on paper. When I decide on one, I sketch it onto my larger canvas in charcoal.
    With brush and oil paint, I block in the large areas with value and color. Then the finishing process begins: judging how each shape relates to each other, creating a flow for the eye to follow, with soft and hard edges, warm and cool color transitions, accent darks and lights.

Alpenglow: How long does it take you to complete a painting?
Vance:  A small painting can take anywhere from 2 to 10 hours. My large paintings can take from 20 hours to 40 hours, which doesn't include all the preliminary work. That can add days to a painting.

Alpenglow: So, you must take time off after you finish a painting?
Vance: How I wish! I paint or am involved with the painting process everyday, at least 50 hours per week  I actually "paint" 5 to 8 hours per day.
Alpenglow: Do you paint each painting from start to finish before starting another?
Vance: I usually have about 20 paintings in various stages of development that I'm working on at a time.  I only paint smaller canvases en plein air or alla prima, in one sitting.
 
Alpenglow: Where can we see these paintings?
Vance: The collection is open to the public, free of charge.
The largest paintings are in the "common areas" of the Devil's Thumb Lodge, in the lobby areas,
the hallways, Heck's Restaurant, and in the beautiful new Spa.  The smaller paintings are in the library, sitting areas, and guest rooms.

Alpenglow: One last question. With all your works out at Devil's Thumb Ranch, can we expect a book anytime soon?
Vance: Glad you asked! Yes, there will be a book. The process is quite involved but we hope to have it available by the end of 2009 or early 2010.

karenvanceart.com

  Master Signature Member  Liz Wolf talks about the inspiration for "Standing Watch"
 
Standing Watch  My love for animals in nature has always stirred my soul and has been a source of inspiration.  When spending time in Northern Wisconsin, the deer would honor me with their presence, but only for a glimpse...it was like magic.  I remember one sunny warm fall day walking in a field of high grass and finding large patches of padded down "nests" where deer had slept the night before.  I laid down and took a cat nap.
  I often find myself combining the animal spirit with the human form.  In the deer "Standing Watch" I see a very powerful deer spirit, but having gentle and guardian qualities as well.  He has great vision and clarity.  His hearing is equally acute.  The Antlers have been said to be symbols of antennae....connections to higher forms of attunement, teaching us not only to pay attention to all that surrounds us but also our inner thoughts and perceptions.
  We must pay attention to any animal that captivates us.  They are here to teach us many things.
To share animal spirit with our spirit is a blessing.

bronzesmith.com
... from the notebook of Signature Member Colleen K. Howe:
I came across these quotes from the book called, "Creative Authenticity" by Ian Roberts and thought it expressed very well some of the concerns I think about often regarding beauty in art:
 
"An artist learns by repeated trial and error, by an almost moral instinct, to avoid the merely or the confusingly decorative, to eschew violence where it is a fraudulent substitute for power, to say what he (she) has to say with the most direct and economical means, to be true to his objects, to his materials, to his technique, and hence, by a correlated miracle, to himself." -- Irwin Edman, Arts and the Man
 
  "Your own authenticity and growth ultimately are what matters. A work's resonance and truth are what will endow it with beauty. And hence lasting relevance."
 

colleenhowe.com
News and Tips

Present your work in the most polished, professional manner possible when entering competitions and increase your chance of success. Find great tips in Juried Competitions: 44 Things You Need to Know on the Art Calendar website.  http://www.artcalendar.com/article.asp?ID=149

On days when your artistic fire is nil would you like an email from an established artist with ideas to ignite your spark? Or on days when your creative energy is flowing would you like to hear about new techniques or plein air painting spots? You can get all that and more by signing up (it is completely free and no strings attached) to receive Canadian artist Robert Genn's twice weekly email. His thought-provoking musings touch on creativity, marketing, art trips, everything that makes up the life of a lifetime artist. Go to robertgenn.com and click to subscribe.
AWA is proud to announce two new Signature Members: Painter Judith Mackey of Kansas and Sculptor Kim Kori of Arizona. We look forward to the exciting new dimension their work will bring to our exhibitions.
 

American Women Artists Board for 2009:
Bethanne Kinsella Cople, President, Alexandria, VA
Nancy Boren, Vice-President, The Colony, TX
Joy Beckner, Treasurer, Chesterfield, MO
Ginger Bowen, Paradise Valley, AZ
Carol Swinney, Casper, WY
Bonnie Conrad, Woodland Hills, UT
Kris Westerson, Executive Director, San Antonio, TX

Contact us at mail@americanwomenartists.org