The Night
Before Christmas
appealed to Tasha Tudor just as it does to hosts of other people. But interpreted through Tudor's creative
genius, the book takes on a new veracity. These fantastic events could happen in anyone's home. Tudor illustrated the poem five
times in six books. Each
treatment conveys an old-time homeliness: snow on the ground, and a house anticipating
magic.
Her
first illustrations were for
My Brimful Book, Platt & Munk (1960). A 2-page (22-23) layout displays "A Visit from
St. Nicholas" across a blue background. A twig border laden with greens, gifts and food encloses both pages. The McCready family's restored Georgian home in Webster, NH, is also featured.
The Worcester, MA, miniaturist Achille
St. Onge published a
second appearance as
The
Night Before Christmas (1962). It was the
first of two books on which Tudor and St. Onge collaborated and measures a little more than 3 ½"
high. There are four variant bindings. One generally sees it in a red or deep wine
leather. Twelve hundred copies were bound in maroon
cloth. There are 22 watercolor
illustrations in 36 pages. Tudor
dedicated the book to her Pennsylvania patron E.B.H. [Edward
B. Hills] who was also her model for Santa in the illustrations. You first encounter him on the
front cover - see above. The Webster house is in two
illustrations.
The
third appearance is spread across just two
pages (58 and 59) of
Take Joy! The Tasha
Tudor Christmas Book, World (1966).
There are only 2 illustrations, and both of them were previously published in the
St. Onge publication. There are at least
28 printings of this title from 3 publishers. Dust jackets, blue or white.
The
fourth appearance accompanies the poem in
Favorite Poems of Childhood (pages 42-45) Platt & Munk (1967). There
are new illustrations, still reflective of those we saw in the St. Onge version. An elaborate watercolor border shows a bedroom with an anthropomorphic squirrel in bed
rather than a person. Stockings are
hung below a heavy pewter candle stick on a mantle. Two pencil illustrations show Santa busy
filling a stocking, and the Webster, NH, house in the moonlight sitting solidly beside Tyler Road. Look especially at the andirons drawn into
this fireplace scene. You can see them
for sale by a family member on our web site today. As well, you can see it in the St. Onge book.
Dorothy Haas, edited at Rand McNally in Chicago, and was responsible
for the
fifth appearance of the poem with Tasha Tudor illustrations. Her essay in
Tasha Tudor: The Direction of
her Dreams relates how this book-length version came
about. She first wrote to
Tudor in May 1973. Their successful endeavour took a
year and a half to produce a 60-page book published August 1, 1975. It was a standard in bookstores for almost 20
years. This
Night Before Christmas is a large format 12" x 9"
book perfect for night-time reading to small children. Each two page spread alternates between
black and white pencil drawings, and watercolor illustrations. You may have seen some of the originals in
the Norman Rockwell Museum traveling exhibit in recent years.
Working with Haas, Tasha Tudor gave us a first view of her new "old" house in Vermont - see below. The house is fully realized with barns and
out-buildings on the last four pages of the book. Only the trees and flower gardens are
smaller than we would later see them in Richard Brown's photo books of the
1990s.
Rand McNally, 1975
The Rand McNally version of the story was reprinted at least
18 times. It originally had white board
covers. Later printings change to red
boards, and then move to the publishers Macmillan and Checkerboard. Simon & Schuster reprinted it as
recently as 1997 with green cloth covers.
Their printing plates were based on a book Tudor had signed. Consequently, all
the Simon & Schuster copies appear to have been signed on the front free
endpaper. But this a printed signature,
and not an original by Tudor.
Still working in her eighties, Tudor produced
one more set of new paintings for
The
Night Before Christmas which Little, Brown published September
1, 1999.
We call this the "starry starry night" version.
Each page is a beautifully realized oval watercolor set against a
star-studded sky of the deepest blue color.
This is a late book. Tudor used the white chalk outlining to good effect, and
no so heavily as would later be seen in
Corgiville Christmas.
The andirons have changed, and the
stockings are smaller. Corgis are
prominent, people less so. This is a
lovely version and a fitting swan song.
It has already been through at least 7 reprintings. It is a large format book in which young
children can loose themselves on the night before St. Nicholas' visit. Make this your own family heirloom and a fitting reminded of Tasha Tudor's mastery of her pallette.