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'some things looming'
January 16, 2011 |
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Saturday Samplers -
On Line Registration Links | |
- Jan 29 - Knitting - Introduction to
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Saturday Sampler -
Winter Schedule | |
Note: These classes do not have online registration set up yet. To register now, call 610-373-7337.
- 2/26- (BB) Kool-Aide Dying
- 3/5
- (BB) Tunisian Crochet - Learn a new stitch
- How to read a crochet pattern.
- 3/12 - Triangle Loom Weaving
- 3/19 - Embroidery
- 3/26 - (BB) Printing and Painting with Dye
- 4/2 - (BB) Fabric and Paper Bead making
- 4/9 - Crochet wire flower embellishment
- 4/16- (BB) Knotted Beads
- 4/23 - Easter (Closed)
- 4/30 - Shibori
- 5/7 - Mini-tapestry using a pin loom
- 5/14 (BB) - From Old to New Again - Jewelry make over.
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Baa baa black sheep have you any wrapping paper...yes ma'am, yes ma'am three bags full! Amy, coworker and preschool mommy sent me that line in an email the day after Christmas. I unashamedly hit up my colleagues at my 'day' job to bring me in their wrapping paper. I returned to work after the holidays to find a 10x10 cubicle nicely crowded by bags of discarded wrap.
And its not too late, if you saved some wrapping paper for us, you can still drop it off next week. Catch the team between 11:00 and 2:00, Tuesdays through Friday.
We've had a lot of curious questions about what we are actually doing and what in the world do we mean by installation art. To help explain, Melanie wrote a blog around the subject. You can find it at the following link:
PS- To know Kathryn is to love her, her work, her heart.... I've just touched a couple of highlights in this newsletter. Come see her exhibit on January 23rd and have an opportunity to meet this amazing artist.
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| Introducing Kathryn Pannepacker |
Kathryn Pannepacker is a textile/visual artist living in Philadelphia, PA. She graduated from Penn State University with a major in English and a minor in art. Afterwards, back in the late 80's, for 4 years in Berkeley, CA., she apprenticed with 3rd generation French tapestry weaver, Jean Pierre Larochette and his partner, Yael Lurie, a painter and designer for tapestry. Kathryn then went to Aubusson, France to continue weaving as an artist-in-resident. She also had the opportunity to be an artist-in-resident in Hachioji, Japan, through the Japan Foundation.
Though still weaving pictorial tapestry, she also weaves with unusual materials. She is the former director of the DaVinci Art Alliance, and still serves on the board there. She is a rostered teaching artist for the PA Council On the Arts/ Artists and Education, Young Audiences of PA., and BuildaBridge. Kathryn serves as artistic consultant to 'some things looming', fiber arts gallery, boutique and stuidos in Reading, PA.
Through the Mural Arts Program in Philadelphia, Kathryn painted a 7' x 500ft wide mural called Wall of Rugs: the global language of textiles at Girard and Belmont Avenues featuring the textiles of 42 countries. Part 2 was just completed at Broad and Lehigh Streets.
American Craft Magazine - Urban Art - Wall of Rugs

Kathryn exhibits locally, nationally and internationally, and has work in private and public collections. She is committed to the transformative power of art in people's lives and the sustainability of such transformation by involving the community.
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| More on Pannepacker's work: | |
FINDING HOME, a textile mural bringing light to issues of homelessness. Leading weaving workshops at safe haven/shelters throughout Philadelphia making the canvas for the painted mural. Mural Arts Program & the Dept. of Behavioral Health's Porch Light Initiative, Philadelphia.

Continuing the exciting studio via the Finding Home mural project that Kathryn and Leslie Sudock have had this past year as a collective of artists and artisans (with/home & home/less), the goal for the studio/gallery space at 626 South Street is to make, exhibit and sell fine art and craft items. The space is a studio, gallery & boutique showcasing the works of individuals who identify as artists and artisans, and some, sometimes stigmatized because of being homeless or in a challenging situation. The aim to bring visibility and dignity for all. For those who want to come and create in the studio space during the day and learn new skills, a nominal daily payment of one dollar is charged and a 'no non-sense' respectful, professional approach is equally applied to all.
Read more: Art On South Street

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