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KOBO Gallery at Higo
Japantown/International District
604 South Jackson Street
Seattle, Washington 98104
(206)381-3000
Keizaburo Kubodera
July 17 - August 15, 2010
Opening reception
Saturday, July 17, 3 - 7pm
Matcha tea sampling 3-5pm
Sunday, July 18, 4 to 5pm, gallery talk + sketching demo

I have been working in clay for over 20 years in the region of Japan known for Tobe ceramics. I first became a graphic designer and later, a potter. I was born in Ehime, Japan to a family of Shinnaibushi, shamisen musicians. This music dates back to Edo (18th century Japan) and I have always been surrounded by the influence of shamisen music and the culture of the Edo period. Traditional Japanese music, Shinnaibushi may even sound unfamiliar to Japanese but shamisen has been a part of my life from the moment I was born. No matter what I do, design or create, there is no way of escaping Shinnaibushi.

In more recent years, I have been creating work using a technique of collage on clay. The pieces often feature elements of various genre of art such as painting, photography, sculpture, music, and films as well as references to artists I have been impressed by along the way. The songs of Bob Dylan have been a running theme in my work.
Japan today is based on rapidly changing and advancing technology, as it is in America. I have searched for subjects that can express Japanese sensibility and traditions which is an important part of our daily lives in Japan. The subject I chose to express is Japan of the past which may include an old house plan, signage from old Edo, beautiful Japanese brush script, and so on. The images of Edo culture and music are expressed as I draw a Japanese umbrella, noren (shop curtain), or lyrics from an old Japanese song.
Themes of Shinnaibusi are usually connected with stories based on affairs of the heart in the floating world, the invisible part of society in Japan. It was completely different from ordinary daily life. These stories were frowned upon in real life, are retold in song with the technique of Shinnaibushi. The songs turned these sordid affairs into stories of humanity that made listeners shed tears, and connected these characters who lived in a world unspoken by polite society to ordinary people.
- Keizaburo Kubodera

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