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Volume 3, Issue 2 June 10th, 2010
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Hi ,
I've got lots of new things to share with you, including a brand-spanking new redesigned website - - Much easier to navigate, and it's "pretty", too! Check it out, and let me know what you think.
To celebrate the new website, I'm having a limited-time online special on my Photoshop Book and E-Book:
- $10 off the list price!
- Free Shipping on the Hard Copy!
Use Coupon Code "book0610" to receive your discount.
This offer is only good until Friday,April 18th, 2010
As always, thanks again for your continued support! Cheers,  John Watts |
Upcoming Appearances by John Watts in the San Diego Area...
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| Sunday, June 13th through Sunday, July 4th San Diego County Fair Exhibition of Photography "Various Times and Subjects"Cost: Free with admission to FairClick Here for more info ... Thursday, July 15th, 2010 - 7 PM "Photoshop Layer Masks"Meetup.com Seminar - San Diego, CACost: FreeClick Here for more info ...
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| "Photofinishing With Photoshop Tip #14"
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Color Management 101
"Color Management" - Just the sound of those two words
might make you cringe. You want to be color-managed so that what you
see on your monitor is what you get in your print, but getting to that
point might be confusing and scary.
Well, it's time to simplify things.
 There are 4 successful to successful Color Management. Follow these step-by-step, and you will be amazed at
the difference in your output.
By the way, I have detailed blog-posts on each of theses steps (Click on the step to go to its appropriate post) which should shed some light on the subject of Color Management,
including specifics, but let me touch on the main points here:
That's it! You are
now a Color Management "Expert"! :-)Some things to consider:A) Profiling you
monitor: The best way to do
this is to invest in a Monitor Profiler such as the X Rite Eye-One
Display 2 (around $225) - It is a piece of hardware called a colorimeter
(It looks like a pregnant computer mouse), and the software to go with
it - You profile your monitor about once a month or so. I have used Chromix to buy all sorts of Color Management gear and would
recommend them highly - check with them for pricing and availability.If purchasing a colorimeter is not an
option right now, you can use the built in Adobe Gamma Utility (usually
in "Control Panel") or Mac Calibration (System Preferences ->
Displays -> Color -> Calibrate...). It is not perfect - it is
very subjective, but better than nothing.B) Printer Profiles: If you cannot afford a custom printer
profile (I can make one for you for only $40, click here), you should be able to download "canned" printer
profiles from the printer's manufacturer - Although using one is better
than no profile at all, they are not as accurate as a well-built custom
profile, which will bring out the best in your specific printer. Theoretically, printer profiles should last forever, but in reality, it
is a good idea to have new ones made every few years.C) Proper Lighting
Conditions and Perception:
I cannot tell you how often this step is overlooked - - Check out this blog-post for some fascinating insight and specifics on this, including some
very fun websites that will show you the truth in this statement: Remember, the human eye is easily tricked - give yourself every
advantage!One you
take care of the above steps, you should get a LOT closer to having your
prints and monitor matching each other, and get the results you want
with a minimum of time, paper, and ink waste. And the best part is that
your investment in equipment and profiles runs under $300, on average. Until next month, have fun! |
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