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                                                                                                                April 2011 e-newsletter
In This Issue
Takesha Meshé Kizart sings Mimi in Oz
Julian Kuerti makes NYC Opera debut
The Knights: a quest among musical friends
James Valenti: playing a bad boy in Dallas
Joshua Roman at TED
Datebook

Apr. 2 - Apr. 10: Dallas, TX

James Valenti

Dallas Opera 

Verdi: Rigoletto (Duke of Mantua)

 

Apr. 3: Berkeley, CA

Jessica Rivera

Cal Performances 

Recital: Schumann, Debussy, Grey

 

Apr. 7: Dallas, TX

Alessio Bax

Southern Methodist U. 

Recital w/Emanuel Borok

 

Apr. 7-11: Sydney, Australia

Joyce Yang

Sydney Symphony 

Sydney Opera House

Rachmaninoff: Piano Cto. 3

 

Apr. 9: New York, NY

Julian Kuerti

New York City Opera 

David Koch Theater

Knussen: Where the Wild Things Are

 

Apr. 11: New York, NY

Alessio Bax & Stefan Jackiw 

Jupiter Chamber Players 

Mendelssohn: Sextet, Op. 110

 

Apr. 12-21: Melbourne, Australia

Takesha Mesh� Kizart

Opera Australia 

Puccini: La boh�me (Mimi)

 

Apr. 12: Naperville, IL

Brooklyn Rider

North Central College 

New Music Festival

 

Apr. 14-16: Melbourne, Australia

Joyce Yang

Melbourne Symphony 

Mozart: Piano Cto., K. 491

 

Apr. 15: Chicago, IL

Alessio Bax

Northeastern Illinois U. 

Music for Four Hands w/ Lucille

Chung

 

Apr. 16: Indianapolis, IN

Joshua Roman

Indianapolis Chamber Orchestra 

Haydn: Cello Cto. 1; Tchaikovsky:

Rococo Variations

 

Apr. 17: Lockport, IL

Alessio Bax

Norton Concert Series 

Music for Four Hands w/Lucille Chung

 

Apr. 18: Chicago, IL
Alessio Bax

WFMT Radio
Two-hour live radio broadcast

w/ pianist Lucille Chung

 

Apr. 19: Madison, WI

Alessio Bax

Farley's House of Pianos

Music for Four Hands w/ Lucille

Chung

 

Apr. 21-23: Atlanta, GA
Julian Kuerti

Atlanta Symphony

Rachmaninoff, Mendelssohn,

Beethoven, Wagner

 

Apr. 23: Fort Worth, TX

Alessio Bax

Chamber Music Society of Fort Worth

Seiber, Szymanowski, Ravel+

 

Apr. 23: Kuala Lumpur, Malaysia

Joyce Yang

Malaysian Philharmonic

Rachmaninoff: Piano Cto. 2

 

Apr. 24: Philadelphia, PA
Jessica Rivera

Chamber Orch. of Philadelphia

Kimmel Center

Leshnoff: Hope - An Oratorio

(Premiere)

 

Apr. 25-27: Dallas, TX
Alessio Bax

Meadows School of the Arts

Brahms Festival

 

Apr. 28: Easton, MD
Stefan Jackiw

Mid-Atlantic Symphony

Bernstein: Serenade

 

Apr. 29 & 30: Dallas, TX
Joyce Yang

Chamber Music International

Beethoven, Teneyev

 

Apr. 30: Ocean View, DE
Stefan Jackiw

Mid-Atlantic Symphony

Bernstein: Serenade

 

May 1: Ocean Pines, MD

Stefan Jackiw

Mid-Atlantic Symphony
Bernstein: Serenade

 

May 3: Santa Barbara, CA
Alessio Bax

Santa Barbara Chamber Orch.

Mozart: Piano Cto. 27, K. 595

 

May 3: Seattle, WA

Joshua Roman

TownMusic Series at Town Hall

Gesualdo w/JACK Quartet

 

May 5: New York, NY
Joyce Yang
Alice Tully Hall

Petshek Recital: Scarlatti, Currier,

Debussy, Liebermann, Schumann

 

May 5-27: Berlin, Germany
Takesha Mesh� Kizart
Deutsche Oper Berlin

Puccini: Madame Butterfly

(Cio-Cio-San)

 

May 7 & 9: Vancouver, BC
Alessio Bax

Vancouver Symphony
Mozart: Piano Cto. 27, K. 595

 

May 8: Everett, WA

Joshua Roman

Everett Philharmonic
Brahms: Double Cto. w/James Garlick

 

May 13: Dublin, Ireland
Stefan Jackiw

RTE National Sym. Orch.
Sibelius: Violin Cto.

 

May 14: Waterbury, CT
Alessio Bax

Waterbury Symphony

Rachmaninoff: Piano Cto. 3

 

May 14-22: Detroit, MI
James Valenti

Michigan Opera Theatre

Verdi: Rigoletto (Duke of Mantua)

 

May 15: New York, NY
Brooklyn Rider

Helicon Foundation Symposium 

All Dvoř�k


About 21C Artists To Watch
21C Artists To Watch is an image- and awareness-building program for artists on the brink of major careers in classical music.  Each month, 21C Media Group publishes an e-newsletter profiling several members of this select group and highlighting their recent and upcoming activities.
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Takesha Mesh� Kizart sings Mimi in Oz

Takesha Meshe Kizart photo"Takesha Mesh� Kizart brings megawatts of glamour to the Australian opera stage," wrote The Australian in an extensive preview feature for the  American soprano's Melbourne debut this month (April 12-21). She sings the consumptive Mimi in La boh�me.read more

  

The Opera Australia production, set in 1920s Berlin, is by the same team that made Priscilla, Queen of the Desert, which bodes well for Kizart's costumes. Christian Badea conducts and Gale Edwards directs. The production moves to the Sydney Opera House - with Kizart - in July. Opera Now noted in its March issue, "The big draw here is the striking American soprano Takesha Mesh� Kizart, who has been drawing massive praise for her singing of the 19th-century Italian repertoire."    


In recent months, Kizart has sung Tosca with Deutsche Oper Berlin and in a new production with Oper Frankfurt, and reprised her starring role in Respighi's Marie Victoire, also in Berlin.  She helped raise 140,000 Euros at Deutsche Oper am Rhein's AIDS gala in D�sseldorf in February.  "One could wax lyrical about the audience's favorite, Takesha Mesh� Kizart," said the Westdeutsche Zeitung critic. "She sang with a soft, dark-toned iridescent voice that glowed in the highs with no register breaks."   

 

"With a family tree that includes Tina Turner and Muddy Waters, she could have been a soul queen. Instead, American singer Takesha Mesh� Kizart opted for the opera." 

- Read Quantas Airlines feature, April 2011

 

For more information, visit TakeshaMesh�Kizart.com or the Askonas Holt web site, and view video clips    

 

Julian Kuerti makes NYC Opera debut

Julian KuertiOn April 9 Julian Kuerti makes both his New York and New York City Opera debut with Oliver Knussen's Where the Wild Things Are at Lincoln Center, featuring Vocal Fellows from the Tanglewood Music Center. The Canadian conductor, who completed a three-year post last August as assistant conductor to James Levine at the Boston Symphony, spent time with Knussen at Tanglewood last summer and got some first-hand tips from the composer on navigating the lush, colorful orchestration. Read more in this Q&A with Kuerti.

 

In other news, Kuerti is featured on a new BSO Classics CD, Plain Song, Fantastic Dances. The Boston Globe's reviewer wrote:  "It's hard to know what one admires most in the Boston Symphony Chamber Players' new disc: the choice of music (recent works by American composers who have collaborated with the Boston Symphony Orchestra); the crisp, elegant playing; or the recording itself."  Kuerti conducts the musicians for pieces by Golijov and Foss.  

 

Later this month the young conductor leads the Atlanta Symphony for the first time.  It's the last stop in a whirlwind season of debuts that has included the Los Angeles and Saint Paul chamber orchestras and the symphonies of Seattle, New Jersey, Vancouver, Rochester, Toledo and Quebec. "Guest conductor Julian Kuerti demonstrated a grace and interpretive confidence that showed why his star is on the ascent," stated the Pioneer Press after Kuerti's Saint Paul Chamber Orchestra debut with soprano Dawn Upshaw.

 

 

For more information, visit Julian Kuerti's new web site or the IMG Artists web site.  

 

The Knights: a quest among musical friends 

The Knights Words like "friends" and "camaraderie" come up a lot when describing The Knights, an adventurous New York City orchestra that is grabbing attention with its recordings and appearances in places like Central Park and Le Poisson Rouge as well as festivals from Ravinia to Dresden. The group has what cellist Yo-Yo Ma calls a "vibrant, energetic, collaborative culture."

 

In late March, a  Mozart CD led by their 28-year-old conductor, Eric Jacobsen, won a Canadian "Classical Album of the Year" JUNO Award. "There's a fresh energy that feels as if they had just happened upon the scores for the first time, and were really getting off on reading through them," said Gramophone. "Together, these gifted young players have created a flawless recording," noted Strings magazine.

 

Founded by brothers Colin and Eric Jacobsen, The Knights boasts a diverse, active roster of musicians that includes all four founding members of Brooklyn Rider, the violinist and indie-pop singer Christina Courtin, as well as performers with Alarm Will Sound, Silk Road Ensemble and Rufus Wainwright's band, among others.   Catch The Knights at Lincoln Center's Kaplan Penthouse on May 25.   

 

"If we are to talk about the future of classical music in America, sooner or later, the Knights will come up ... musicians with a modern sensibility, a wide repertory of works new and old, along with a crusading musical mission."

         --Los Angeles Times [Mark Swed]

 

 

For more information, visit TheKnightsNYC.com, The Knights on YouTube or the Opus 3 Artists web site.    

 

James Valenti: playing a bad boy in Dallas

James Valenti "It's fun to be the bad guy," James Valenti confessed last month in a

News-Telegram preview as he prepared to sing the Duke of Mantua in Dallas Opera's current production of Rigoletto. Audiences and critics are eating up his portrayal, too.   

 

"Applause and bravos for Verdi's masterpiece Rigoletto shook the Winspear Opera House last night," stated the Dallas Examiner's reviewer.  "Tenor James Valenti (the Duke of Mantua) is not only a rising international opera star, he also has striking leading man looks. His Duke of Mantua is a believable scoundrel."  View video excerpt of Valenti's "La donna e mobile".

This is the 33-year-old New Jersey-born tenor's first appearance in Dallas since receiving the company's Maria Callas Debut Artist of the Year Award in 2009 for his ardent portrayal of Rodolfo in La boh�me.  His fast-rising career has since included debuts at the Met, Covent Garden, La Scala, and most recently Paris Opera, where he sang another scoundrel signature role, Lt. Pinkerton in Madama Butterfly. The 2010 Richard Tucker Award winner reprises the Duke in Detroit with Michigan Opera Theatre next month and returns to London's Covent Garden (June 25 - July 15) to woo and abandon soprano Patricia Racette's Cio-Cio San.  

 

 

For more information, visit JamesValenti.com, his YouTube channel or the IMG Artists web site.    

 

Joshua Roman at TED 

Joshua Roman_new The Twitterverse was buzzing last month after cellist Joshua Roman gave his TED U talk and performance, for which he received the first standing ovation of the TED2011 conference in Long Beach, CA.  "Beauty in its purest form," effused one Tweeter. "Joshua Roman takes your breath away." Read the 27-year-old cellist's Huffington Post profile as a 2011 TED Fellow, and view video from the John Lennon Bus, where he hopped on to play Bach.

 

Roman's upcoming concert engagements include a double feature of Haydn and Tchaikovsky with the Indianapolis Chamber Orchestra on April 16.  He joins the JACK Quartet on May 3 to play arrangements of Gesauldo madrigals at Seattle's Town Hall, where he is artistic director of the TownMusic series, and gives a master class and performs Brahms's "Double Concerto" in Washington state. Then, ever the musical ambassador, he travels to Norway to perform at the Oslo Freedom Forum.

 

"Remember his name: it will be in the pantheon of Jacqueline du Pr�, Pablo Casals, and Yo-Yo Ma, all performers of this great work." [Elgar Cello Concerto]

- Greenwich Times, 2/6/11


 

For more information, visit JoshuaRoman.com, his YouTube channel, or the Opus 3 Artists web site.