The composer's love, respect and admiration for the mature sounds of the viola and wide range of the magnificent cello spawned the string concerto compositions. The triparte concerto experience was preparing the composer for his signature piano concerto works. Last week, the composer put the finishing touches on his Concerto for Piano and Orchestra.

During a luncheon meeting with staff members of the United Way (Gainesville, Fl.) last week, the composer was asked about his music. He explained that much is said about the paradigm of classical composers from centuries ago. He pointed out that he was quite satisfied to have been raised during the 20th Century "paradigm". Referring to Debussy, Ravel, Dvorak, Count Bassie, Duke Ellington, Lionel Hampton and numerous others, he said, "My musical compositions are a blend of the classical tradition with rhythms and melodies conceived from the 20- 21st Century. They are at times very serious and quite often enjoyably fun!"

This week the Englefield Concertos CD will be sent to the major symphony orchestras of the world and to professionals in the media. Those of you who would like to receive a copy of the introductory CD may receive a copy at no charge by simply Emailing Englefield Symphonies at the following address:

symphonycomposer@aol.com

Please be certain to include your name and mailing address. For security reasons please include the words "CD Request" in your subject. There is no charge for shipping.

Composing ten symphonies over a span of twelve years is no small accomplishment. Within those symphonies are four concertos. The Violin Concerto was performed by Simon James (pictured below) of the Seattle Symphony with the Slovak Radio Symphony Orchestra in Bratislava (Slovak Republic). Composing one symphony takes a year and reflects a monumental effort by the composer. Our purpose and goal is to share the accomplishments.