The Ideal Model Concept in Gymnastic
Technique
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It all starts in your mind's eye,
then it goes to your heart,
and finally to your very soul.
The
perspective of correct technical execution for any movement inevitably
arises
out of one's current, yet continuously evolving, concept of what is
considered
the "ideal model." Relying on available
information and experience, the mind's eye attempts to create the very
best
model it can possibly conceive and then to use that model as the basis
for
correct technique. As the conceptual model becomes more and more
refined,
practical execution of the actual skill can more closely approach
perfection. Exacting
movement is, of course, an ideal
concept.
After all, none of us is perfect. And yet, if a
child were to be taught the
concept of a straight line, would it not be wise to provide her with as
straight a line as possible? Her conceptual model would thus be right on
target, providing an accurate framework from which to approximate more
closely
the desired objective--understanding and drawing a truly straight line.
Consider
the print styles used in this article.
Notice bolding, italicizing, and underlining are employed in selected
areas.
Yet these variations in style of print do not determine the reader's
ability to
comprehend the fundamental meaning of the words. Why? Because the reader
relies
on an already-learned ideal model for each letter of the alphabet in
order to
interpret the meaning of the words. Even if this material were written
freehand, would not the reader still understand its meaning?
The
ability to conceptualize ideal models for technical execution of
gymnastics skills is an essential first step toward championship
performance.
Interpretations, explanations and
evaluations of skill technique should be based
upon "ideal-model concepts." Ideal-model conceptualization serves as a
basic
framework for coaches, judges and gymnasts alike to develop even better
ideal
models.
Although a working knowledge of biomechanics is essential to
understanding and developing ideal models, this in and of itself is not
enough.
One must be able to employ biomechanical principles not only accurately
specific to what has been performed, but also creatively in terms of how
it can
and should be performed. And this is unquestionably dependent on the
quality
and correctness of the perceived model. Always remember:
The true art of
gymnastics is in successfully manipulating the science!
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Gerald S. George,
Ph.D. WinningGymnastics.com888-796-5229
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