Stepping in to Encourage Featured Article by Brenda Ellis
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the art room today Nate focused on a wooden ship with cloth sails and
string for rigging. The detailed model was a challenge for the ten
year old, but his intensity over his drawing told me that he was up for
it. I watched as the drawing progressed nicely, then suddenly he groaned and threw his paper to the floor. As an
art enthusiast I consider it my duty and my privilege to save every
discouraged child from the type of disappointment that might cause him
to quit making art or say to himself, "I'm not an artist". The creative
impulse is a delicate thing. Alex Osborn compares creativity to a
flower that blooms when exposed to praise or is nipped at the bud when
exposed to discouragement. Knowing this, adults can play a vital role
in a child's success. When I inquired about the discarded paper, Nate
said, "Its no good. I don't like it." I picked up Nate's artwork,
flattened out a few wrinkles in the corner and placed it in front of
him. "Show me what you don't like about it," I said. He pointed to the
group of sails, "Those aren't right." If handled correctly, great teaching moments can happen when children see the disparity between the real object and their own lines. At times like these I do not draw on
the paper to show them how it's done. That tells the child that I can draw and he can not. I
do offer a word of praise with enthusiasm. "Wow, you have a really good
artist's eye. You saw the part that isn't quite right." Then I teach.
"Which direction do the masts lean on this model, when we hold a pencil up to them?" He looked. "Which direction do they lean in your
picture?" I now keep the pencil at the angle we observed on the model
and bring it down to his picture. Without a word he grabbed his
eraser and went back to the original drawing, this time drawing the masts and yardarms in the
correct positions. The sails easily followed. He was immensely pleased with the finished work. And
he should have been because HE saw the problem and HE drew the
solution ALL BY HIMSELF. Nate was asked to look for lines and shapes in a real object from a collection of robots, car models, doll figures, or toys. He chose to draw a model of a ship. The lesson referred to in this article can be found
on page 15, Unit 2, Line and Shape, from the book, ARTistic Pursuits, Grades 4-6 Book One, The Elements of Art and Composition. Published by Artistic Pursuits Inc. 2008 Edition. www.artisticpursuits.com.
Would your 4th, 5th, or 6th grader like to learn more about basic drawing techniques? See ARTistic Pursuits, Grades 4-6 Book One, The Elements of Art and Composition
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For a look at lessons from our art books click here: Preschool Grades K-3 Grades 4-6 Junior High Senior High

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Greetings!
I hope you enjoy this second issue of Artistic Pursuits Inc.'s Newsletter for parents. I am very excited to share, for the first time, a project I designed five years ago for my 4th, 5th, and 6th, grade art classes. They look forward to it all year. Each child makes a Fantastic Creature with papier-mâché.It involves planning and imagination as they make real or imaginary creatures by constructing plastic and cardboard containers. This month In the "Your Question Answered" section, I've collected children's questions to give you a bit more insight on how we start the project. It is so rewarding for children to see a brightly colored finished object that they envisioned and created from nothing more than discarded containers. I can't think of any better way to ease through those final cold days of winter than to make something FANTASTIC!
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Creativity
is so delicate a flower that praise tends to make it bloom while
discouragement often nips it at the
bud. - Alex Osborn
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Your Question Answered
What if I don't know what to make? - Tamara
Where do good ideas come from? Good ideas can come from our interests so ask yourself, " What subjects do I like?" You can find good ideas from photographs in books or magazines so browse through places where you find pictures. Look at places where you have already made choices for yourself by thinking about what type of creature you would like to sit on a shelf in your bedroom. Look at a variety of containers and imagine what each could become as you turn them in different directions. Any of these activities should help you come up with a few great ideas. Once you have a few ideas, choose the one you like best.
Does it have to be a creature? - Antoine
A creature is a complex form. Most creatures, whether robots or dogs, have bodies, heads, and appendages (which are legs, tails, feet, or knobs.) I don't want you to choose something easy just because it is easy. In the end, that choice will not be satisfying for you. Choose something you are interested in and I will help you accomplish it by giving suggestions. No bowling balls. No snakes or worms, even though they are creatures. I want you to challenge yourself and see that you can succeed. |
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Do you have questions about art or how to teach it? e-mail Brenda at alltheanswers@artisticpursuits.com. View more questions answered.
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Fantastic Creatures Project
Papier-Mâché Part I
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Materials Needed: newspaper (discard glossy advertising sections) wallpaper paste or wheat paste (purchased at hardware store) container for paste masking tape foil plastic or paper containers, paper towel tubes, NO GLASS Dimensions: The body should be made from a container about the size of a gallon milk jug or two liter soda bottle. With this size in mind, choose smaller containers to tape to the body for the head and appendages. This size makes the creature big enough to be interesting and easy for children to handle when applying the paper strips. Part I - Understanding Balance When planning the design of the creature the children must consider balance. Here is a simple lesson to get the idea across. Hand each child a sheet of paper. "Paper by itself has little strength. It does not stand." Hold the paper's edge on the table surface, let go and let gravity pull it down. Instruct the children as follows. "In one minute do something to the paper to make it stand up. Then sit your paper form on the table." Once they have put their folded creations on the table, quickly wad up a piece and throw it onto the table too. Find out which ones are more stable by blowing on them to see if some tumble over. Remove the pieces that fall over. Begin a discussion about what the remaining pieces have in common. Let the children discover that they have folds. Folds strengthen the paper. Another way to strengthen the paper is to build an armature, a framework serving as a support for the paper shell. The second point to discover is that each standing piece of paper is resting on three or more points that touch the surface or a wide flat plane. Explain that to balance well, their creature must have three or more points that touch the surface. If creating a bird or a T-Rex with a heavy upper body and two feet, they will have to bring a tail down to the surface for the third point. This is balance. Part II - Cut the Containers and Build the ArmatureChildren cut the plastic and paper containers with scissors. Pieces are taped together with masking tape to make it sturdy. Small pieces can be made from foil. Fold the foil loosely, then shape into the appendage needed. Tape the part to the creature.  The tape should hold the parts together. For this eagle, the student used plastic bottles, paper tubes, foil for the beak and claws, and wire to form the shape of the wings and tail. 
Part III - Tear the Paper and Apply it to the ArmatureTear a section of the newspaper in half at the fold. Next, tear it from top to bottom. It should rip straight. Then rip that group in half so that you have a stack of strips roughly one and a half inches wide and five inches long. If it tears oddly, then you have torn it from the wrong edge.  Mix the paste by following the directions on the package. Dip three fingers in the paste and swipe them across the paper strip so that the entire strip is coated in paste. Pick up the strip and apply it to the armature. Overlap the pieces as you go. This is much faster and less messy than the method of dipping the paper in the paste. A paper strip will not stick to foil or wire, but it does stick to itself. This student formed the wings and tail of her eagle from wire and now covers it in larger pieces of paper, wrapping the paper around the wire and sticking it to itself. The armatures should be covered with at least three layers of paper and probably more around the joints for extra strength. While wet, we sometimes need to prop up certain parts with containers so that it dries in the position we desire it to be in. Let it air-dry.
While working at home, you can plan several sessions per week and work on it until it is finished. If limited to a one hour class period, it usually takes two periods to complete the taping and two more periods to apply the glue strips. Next month steps for finishing the fantastic creature will be shown and some of the final results from children in my classes. Have fun with your project. Art should be fun!
Sincerely,
Brenda Ellis
Artistic Pursuits Inc. 2626 East 109th Ave., Northglenn, Colorado 80233 303-467-0504 alltheanswers@artisticpursuits.com www.artisticpursuits.com
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