Creativity Expressed
Featured Article by Brenda Ellis
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In the art room today the chalk pastels were brought
out from the cupboard. Eagerness to try their hands at a new material soon
turned to surprise at how the colors stayed on their fingers as easily as it
stayed on the paper. These six and seven year-olds were given a goal and a
purpose for their art, but beyond that they were free to explore with a
fascinating, and for some a disconcertingly messy, new medium. Once encouraged with
the knowledge that the color would wash off their hands with soap and
water, they eagerly hovered over the 12x 15" piece of brown paper to draw
animals that they were familiar with, just as the cave artists had done on the
walls of the Lascaux Caves in France.
Ya Mei leaned over the table resting on her legs so
that she centered herself over the paper. This is a common need for the shorter
ones among us and, on her own, she placed herself in a good position to view the
entire sheet of paper. She began to draw careful outlines of an animal or two,
followed by lines which to any unknowing adult would have looked like careless
scribbles. When students are intently working, exploring, and focused on their
art, I do not interrupt the creative process with my own ideas about their
work. Ya Mei was about to discover a new possibility for her art. The scribbles
became mottled together and she noticed that the colors were blending when the
side of her hand rubbed back and forth against the paper. She asked me for a Kleenex and she used
it to purposefully blend the colors. Her picture was now softly blended and the
animals had disappeared. During the final phase of her creation she redrew the
animals on top of the blended area and drew a few careful lines over the
blended area to define the edges once again. When finished she had created a picture of two animals beside a waterfall.
This
is just one example of creativity expressed.
For creativity to flourish, the child needs both a few defined
boundaries and
freedom to explore. A "draw whatever you want" assignment does not give
the child
enough visual information to make associations and get the thinking
process
started. A "copy what I do" assignment will not allow enough freedom to
be enjoyable and teaches children to follow instead of initiate.
Children
also need uninterrupted time so that the creative process begins to
flow.
Questioning their actions will stop the process. Adults can also stop
creative
expression by stepping in too soon with their own observations. As long
as a
child is focused and working, let her be fully in the moment and fully
free to
follow her instincts while using her own ideas. Children who are
dependent on
adult input and instruction will have a harder time being creative.
They are
learning to be followers and as Edward de Bono states, "... forever repeating the
same patterns." In the art room today, Ya Mei made her own discoveries about
what pastels can do and how she can use them to create something as mysterious
and wonderful as a waterfall. Ya Mei and I, her teacher, are very proud of her
work of art.
The lesson referred to in this article can be found
on page 46, Lesson 18, Art in Caves, from the book, ARTistic Pursuits, Grades K-3 Book One, An Introduction to the Visual
Arts. Published by Artistic Pursuits Inc. 2008 Edition. www.artisticpursuits.com. Would you like to learn more about creative approaches children take when making art? Find out more in Brenda's article Wild and Wonderful Ways With Art and Our Responses to Them
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For a look at lessons from our art books click here: Preschool Grades K-3 Grades 4-6 Junior High Senior High |
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Greetings!
I hope you enjoy the first issue of Artistic Pursuits Inc.'s Newsletter for parents. In this and future issues you will find articles on everything related to children's artistic development, answers to parents most asked questions, and art projects that you can share with your child. The act of making art will lead to wonderful and surprising advances in your child's ability to imagine, develop fine motor skills, and achieve further awareness of the visual world. What will your child create in 2010? We hope you find out in the months ahead!
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"There is no doubt that creativity is the most important human resource of all. Without creativity, there would be no progress, and we would be forever repeating the same patterns." -Edward deBono
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Your Question Answered How can I teach my son to draw when I can't even draw stick figures? - J.P. Homeschool Mom
In order to draw well we need to be shown what types of information to look at, but we do not need someone to draw for us. When a child is shown how to draw a stick person or a sun without any reference to the real object, then he is learning to make symbols for specific objects. A symbol simplifies an object to its lowest form. In teaching symbols, we are not teaching the child to draw an object as he sees it. Symbols can get in the way of developing skills, because once they are taught, the child cannot easily break free from using them. I know of children who have learned early in their lives to draw stick figures or a sun as a ball with lines protruding from it. They will draw other objects realistically as they learn to observe, but always fall back to the symbol when drawing humans or the sun, which seems to always pop up in the upper corner of the page. Sometimes, having learned a few symbols, a child thinks he cannot draw a type of object unless he's taught a similar simplified code for it as well. Then we hear, "I can't draw that. I can only draw this." A child who learns to observe from real life will believe that he can draw anything because as long as he is able to see the object or a photograph of it, he knows that he has all the tools he needs. We teach children to draw by teaching them to see more, to notice the details, and to focus on the elements of art, the first of which is line. You'll find an example of a drawing lesson for children of all ages below. I hope it is helpful for you as you "show" your child how to draw, without drawing for him. |
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Do you have questions about art or how to teach it? e-mail Brenda at alltheanswers@artisticpursuits.com. View more questions answered.
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Art Project for February I hope you enjoy this month's lesson on contour drawing. Coming next is a look into the art room at our Fantastic Creature Project, where you can follow 4th, 5th, and 6th graders as they create original creatures of all kinds from papier-m�ch�.
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Contour Drawing for all Ages
Some children can be quite stumped when asked to draw an
object that is sitting before them. Others find their own method for completing
the task at hand and do it easily. Any approach to drawing can be improved by
teaching children what to look for and giving them a starting point. Learning to draw the contour of an object requires children to focus on the outside edge and can get them past the question of where to begin. Your children
can practice this approach often as you find new and
interesting things for them to draw.
To begin, set up an interesting object in front of each child. Let children know that they are looking for the contour of the object. The contour is the outside edge. Find the contour by placing the pencil point in the air and line it up visually at a specific point on the object. It helps to close one eye. If following the contour of an animal, like in the picture above, a child might start with the animal's front foot and follow the edge up the leg and chest, around the head, down the neck, across the back, around the rump, including the tail and down the back leg and around all the legs until she reaches the place where she started. She has successfully drawn a contour - in the air! Now your child knows what to look for! Yes, I include exclamation marks because we should be excited at this accomplishment. Ask your child to draw the contour on paper in the same way, starting with the front leg. Her eye should follow the contour while the pencil is drawing it on the paper. Remind the child to keep her eye on the edge of the object, glancing at the paper when needed. Lines will go astray. Children may laugh at the results, but don't let anyone be disappointed. Help your child to understand that by making a contour drawing she is training her hand to follow what her eye sees. It is a practice drawing that will strengthen the ability to draw and awareness of edges. The contour drawing below shows the shape of a cow. Details were noticed, that probably would have been overlooked, had the student not been focusing on the outside edge.
You may have heard of a blind contour. That is when the eye never leaves the object. Older children can get quite good at making very exact images when they practice in this way. When I work with elementary students I always allow them to look at the paper when they draw and just remind them that the information they need is in the object - so they need to keep looking up at the object. We spend ten minutes doing a variety of contour drawings before each Artistic Pursuits lesson. In future issues I will let you know of various ways to mix it up and keep it fun. Art class should always be fun.
Sincerely, Brenda Ellis
Artistic Pursuits Inc. 2626 East 109th Ave., Northglenn, Colorado 80233 303-467-0504 alltheanswers@artisticpursuits.com www.artisticpursuits.com
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SWEET DEAL in February
Anyone purchasing from Artistic Pursuits Inc. from February 11 to 25 will automatically be entered into a drawing for a FREE ARTistic Pursuits book of their choice (shipping included). Order today and you could win an additional book for your family or bless another homeschool mom with her first introduction to ARTistic Pursuits.
One winner will be chosen from all orders received between Feb. 11 - 25, 2010. The drawing will take place Feb.26-28. The winner will be contacted during those dates, by e-mail and must respond with the book title they want within two weeks of receiving the e-mail notification, which will state that they have won our Sweet Deal in February. Offer is not valid after March 14, 2010.
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