Greetings
BOOGIE BITS
Kenne Wayne welcomes Willard Frederick as Road
Manager contact Willard at (800) 378-8141 - Ext 1
for booking sales and service.
Billy Soul Bond Coming Next week with an Obama
Song we Heard It +Trust Me Its Gonna Be BIG!!!!!+
Mel Waiters in the studio at Malaco he hear something
is really funky is cooking. Detroit Redd now tracks
for artist
Give her a call at 769-233-7964
"THE HAWK SIGNS OFF"
Its with Great Sorrow That we must report The
Passing of our good friend Walt"The Hawk"
McCreary.
We competed against Walt in afternoon drive when He
worked at WOKJ in Jackson and we worked with him
at WBMK Knoxville Tennessee and KEZM in Lake
Charles Louisiana. He was A Class Act and A Good
Friend We will miss him.Those of you who knew Walt
can reach out to his lovely wife Pauline at 912-489-
8055
NBPC!
To learn about NBPC's May meeting held in Tuskegee
and participation in "Operation Homecoming", scroll
down and check out the recap. The next meeting will
be held Sunday, June 22 at 2:00 p.m. at the Atlanta
Airport Renaissance Hotel located at: One Hartsfield
Centre Pkwy Atlanta, GA 30354. The panel discussion
will focus on "Radio & Technology". Come and learn
more about networking, internet radio, the importance
secondary markets, record pools, AM radio
programming and more, Don't miss this!
Presenters include:
Wali, CEO - Jumpin Jack Record Pool & National
Moderator of One Million "DJ" March in Washington,
D.C.
Jamal Whited, President - NWORCS Internet Radio
Big George Threat - WBKX in Macon, GA
Michael Soul - WFXE in Columbus, GA
Otis Tillman, Production Director - Radio One
Big Nick, Program Director - WLYX in Valdosta, GA
Jammin' Jammie, Program Director WGOV Radio in
Valdosta, GA
By the way, Debbie Ireland says that following the
NBPC meeting everyone is invited to join Wali for his
monthly Pool Meeting at Club 291. Food will be served
(and she says she's not talking hot wings, but down
home soul food - smile). Call Debbie for more details
at 678-508-5130. We look forward to seeing you June
22!
Directions:
Take I-85 to the Virginia Ave. Exit. Go East on Virginia
Ave. At 1st light turn right (Toffie Terrace). Proceed
through 1st light. Take 1st left after light onto Hartsfield
Centre Parkway. Hotel is on the right.
or
From downtown Atlanta, take I-85 South to the Loop
Road Exit (exit 74), and you'll see the hotel straight
ahead. Turn right into the hotel, and park in the lot. (If
you're traveling north on I-85, take exit 73-A and follow
the access road signs to Loop Road. Take a right at
the light, to the Renaissance Hotel entrance on the
left.) NBPC will validate your parking.
or
those of you traveling from south of the airport (285,
85, etc.) can take I-85 north to Loop Road exit. That
exit will fork to your right and it can be tricky so be
careful. Once you veer right onto Loop Road and
come to the traffic light, turn right and look for the back
entrance to the Renaissance Hotel on your left. There
is signage. That entrance will bring you to the front of
the hotel. Turn right, right again into parking lot, and
don't forget to bring your parking pass for validation.
The NBPC attends "Operation Homecoming" in
Tuskegee, Alabama
Homecoming - it's an annual event held by
educational institutions to celebrate their past
accomplishments and future opportunities. During
Memorial Weekend the Negro Airmen International,
The Biofuels Racing Alliance, Black Farmers, and the
Black Leadership Coalition put their own spin on the
traditional homecoming concept with "Operation
Homecoming", and members of National Black
Programmers Coalition (NBPC) joined in the
festivities. Like traditional homecomings, Operation
Homecoming attracted people young and old from
near and far to participate in the various activities. This
year's "homecoming theme" was Selma to
Montgomery: Making an Economic Impact. The
purpose of Operation Homecoming was not only to
celebrate the rich history of Tuskegee, but also to
infuse much-needed dollars into the local economy.
The Fly-in consisted of a Fly-over, plane rides for kids,
bike races, car/bike exhibits and several local
business vendors. The weekend's events and
festivities included performances, tours of historic
sites, economic development and health related
seminars, an awards ceremony, a a fish fry, a tree
planting/memorial ceremony, and ended Sunday with
the National Black Programmers Coalition (NBPC)'s
monthly meeting.
A special featured event was the Negro Airmen
International's (NAI) 41st annual Fly-in at Moton
Airfield where bikers, pilots, racecar drivers, aviation
enthusiasts, entertainers, and entrepreneurs
gathered to celebrate the legacy of the Tuskegee
Airmen. Attendees had the opportunity to visit the
hanger where the Tuskegee Airmen trained and walk
the future site of the Tuskegee Airmen Museum. A
notable and memorable aspect of the weekend for
most attendees was the opportunity to meet and
speak with many of the Tuskegee Airmen who were in
attendance and shared their stories of struggle and
triumph. Other highlights included two homecoming
concerts, one of which was held Saturday evening
featuring renowned Blues artist Clarence Carter. The
NBPC meeting featured a repeat of the
popular "Aircheck/Soundcheck" session and a lively
discussion about "Black" media.
The NBPC is proud to have been a part of this historic
event and congratulate those whose dedication to this
cause made the weekend a success. We look
forward to participating again in the years to come.
Kimberly Fennell
Entertainment Business Support
(678) 663-9001 or (404) 217-0696
kfennell@entertainmentbizsupport.com
www.entertainmentbizsupport.com
Supporting Your Success!
The Jus` Blues Music Foundation Announces
Partnership
In association with the Beale Street Merchants
Association, The Beale Street Development
Corporation and The Memphis Convention & Visitors
Bureau, the Jus` Blues Music Foundation will host
Jus` Blues Music Awards Week in downtown
Memphis on Beale Street, Wednesday August 6th
through Saturday August 9th. Some of the festivities
will include the following:
Wednesday, August 6
8:00 am Registration
10:00 am Jus` Blues Music Foundation Technology
Conference
6:30 pm "Night of the Legends" saluting the 2008
Jus` Blues Music Awards Honorees
Dinner, Networking and Fun.
Late After Party
Thursday, August 7
12:00 pm Music Note Ceremony in front of The
Historical Daisy honoring the accomplishments
of Joe Simon on the Beale Street Walk of
Fame
7:00 pm 2008 Jus` Blues Music Awards Show
Late Jus` Blues Music Awards After Party
Friday, August 8
The Beale Street Blues Crawl
For the price of a wristband, party at all the
participating bars and clubs all night long on Beale
Street showcasing great Blues & Soul music talents.
Saturday, August 9
The BIG Chitlin' Cook-Off and Blues Fest
W.C. Handy Performing Arts Park on Beale Street
Can you smell what the grills are cookin'? Cooks and
grillers from all parts will compete for the best chitlin'
dishes. Dr. BBQ will be giving samples of his world
famous pig tails! Great Blues & Soul music will also
be served.
For registration, tickets and more information, go to
www.jusbluesmusic.com and/or contact Charles
Mitchell
at 1-888-202-2003 Extension 2 or e-mail -
jusbluesmusic@aol.com
JACKSON MUSIC
AWARDS
GOSPEL
AT&T and Mercedes Benz of Jackson
Presents The
30th Annual Mississippi Gospel Music
Awards
Sunday, July 13, 2008 at the Marriott Hotel
in
Downtown Jackson, Mississippi
Featuring the top Gospel artist in the
country, Awards
will be presented in 30 different cateorgies
Plus Pastor of the Year Honorees
Tickets are $30.00 Reserved
$20.00 General Admission
Tickets available at all BeBop locations
and BIP
For more information call 601-981-4035
Southern Soul and Rand B
AT&T and Mercedes Benz of Jackson
Presents the
34th Annual Jackson Music Awards
Monday, July 14, 2008 at the Marriott Hotel
in
Downtown Jackson
Featuring the Best in Hip Hop and
Southern Soul,
Awards will be presented in 29 different
categories
6:00PM
Tickets 30.00 Reserved
20.00 General Admission
Tickets available at all Bebop Record
Shop Locations
and BIP
For more information call 601-981-4035
Employment Resource
The NAB Education Foundation has
launched
Broadcast Career Link, where broadcast
employers
can post opportunities, while job seekers can search listings and post
their
resumes free of charge.
KURTIS BLOW AND KRS ONE
PARTNER TO
PROMOTE "NO PROFANITY DAY" ON
AUGUST 9,
2009
A "No Profanity Hip Hop Anniversary Tour"
will launch
May through July 2008, showcasing Big
Daddy Kane,
Whodini, Public Enemy and more.
Kurtis Blow and other Hip Hop icons are
challenging
America. For one day: no crime, no
violence, no hate,
no murders, no sin - and no profanity. Their
goals is to
have one day of love, peace, unity,
kindness,
goodness, gentleness and fun with a
series of events
throughout the coarse of a day.
In the last 30 years, rap has steadily
become a
cultural phenomenon and its influence
dominates as
America's latest offering of pop culture to
the world.
And now - the Parents Television Council,
in
partnership with the Enough is Enough
Campaign,
released shocking new data about BET's
and MTV's
daytime music video programming. As
recently as
March 2008, children who watched BET's
Rap City
and 106 & Park and MTV's Sucker Free
on MTV were
bombarded with adult content - sexual,
violent,
profane or obscene - once every 38
seconds.
Kurtis Blow comments, "No Profanity Day
is a national
holiday that is anointed and ordained right
from the
Bible and God. What would it hurt to have
one day of
this kind of behavior? It is a challenge for
anyone to
live like this for 24 hours. Spiritual people
are
commanded to live this way everyday. Can
you make it
happen for 24 hours? August 9, 2009 is
the day. Also,
there is a No Profanity Hip Hop
Anniversary Tour
launching in May and June of 2008 to start
the buzz for
the national holiday."
He continues, "Our scriptural inspiration is
Galatians
5:22-23 which says that the fruit of the
Spirit is love,
joy, peace, patience, kindness, goodness,
faithfulness, gentleness and self-control.
Against
such things there is no law."
Supporters of No Profanity Day include
Rev. Delman
Coates, the NAACP, and thousands of
other hip-hop
fans and icons.
The anniversary tour will showcase
legendary artists
and enormous talents that created the rap
music
genre in the USA starting in May. The tour
is
sponsored by Visit Florida
(www.visitflorida.com) and
aims to present three hours of non-stop
Hip Hop
without profanity.
The series of U.S. and European shows
will feature:
Grand Master Mele Mel
Grand Wizard Theodore
The Force MDs
Big Daddy Kane (for selected shows)
Whodini. (for selected shows)
KRS 1 (for selected shows)
The Air Force Crew
Spoonie Gee (for selected shows)
Dana Dane (for selected shows)
Public Enemy (for selected shows)
For more information, visit:
www.hipho
panniversary.com
Say you missed The Blues Is Alright Tour
Click here
see a portion of what you missed"Latimore"
LURRIE BELL TO HEADLINE
JFEST 2008
The Cotton Club Museum and Cultural
Center's 2nd
Annual Juneteenth Festival & Juried Art
Show (JFest)
will celebrate African cultural heritage and
will take
place at Lincoln Park in Gainesville,
Florida on June
14-15, 2008 (Father's Day weekend).
The application deadline for this festival
has been
extended to April 25th, 2008 due to
technical
difficulties with the website which have
been
addressed. Applications are available at
our website
JFestCentral.com or by calling (352) 505-
6161. We
welcome artists of all mediums to apply,
particularly
those whose work deals with the African
heritage
experience. Join 150 artists as they
compete for
$10,000 in prizes.
JFest 2008 welcomes guest artists the
Florida
Highwaymen group who will share their art
on scenes
of Florida's subtropical wilderness. This
group started
during the time of segregation when they
were not
allowed to sell their work at sales venues
leaving
Florida's highways as their marketplace.
Twenty six
members of the group have been inducted
into the
Florida Artists Hall of Fame.
Co-sponsored by the Gainesville Blues
Society, Lurrie
Bell, son of Chicago blues harmonica
master Carey
Bell, is the JFest 2008 Headliner. Lurrie
Bell at the
age of 17 was a founding member of The
Sons of
Blues. After a grand performance at the
Berlin Jazz
Festival they cut three tracks for Alligator
Records'
Grammy-nominated series Living Chicago
Blues.
Recently Lurrie has immersed himself in
his music
resulting in his CD Let's Talk About Love.
Voted Most
Outstanding Guitar Player in 2007 by the
Living Blues
magazine critics' poll, he was nominated
for a 2007
Blues Music Award for Best Guitarist by
the Blues
Foundation. With Lurrie's extensive blues
background
and guitar playing credentials he is sure to
be a hit at
this years' JFest. This legendary artist will
perform
Saturday, June 14th from 7:30 p.m. to 9
p.m. at Lincoln
Park in Gainesville, FL. To find out more
about Lurrie
Bell and hear some of his music please
visit
JFestCentral.com
The 2nd Annual Juneteenth Festival and
Juried Art
Show is produced by the Cotton Club
Museum &
Cultural Center, Inc., a non-profit, 501(c) 3
corporation
dedicated to the preservation of African
American
history and culture through the fine, folk,
and
performing arts.
We encourage you to share this
information with your
family, friends and colleagues!
www.
JFestCentra
l.com
Happy Birthday
Velmq Lyles Jun 19
Darrell Cooper Jun 23
Dj Grandmaster Jun 24
Vern Catron Jun 25
Ketrice Burrell Jun 26
Denise Carter Jul 1
Roshon Vance Jul 2
Anganita d. Tippens Jul 3
Catherine Reed Jul 5
Alfonzo "Al B" Blank Jul 6
Phe Appling Jul 6
James Porter Jul 7
Denise Davenport Jul 8
Earline Boggan Jul 9
Guy Brody Jul 10
Click here to join Boogies
Birthday
List
The Long Beach Blues Festival
will get a face-lift this year with a new
home and will feature an 81-year-old
headliner who made musical history
because he wouldn't play the blues. Chuck
Berry, who became one of the titans of
rock 'n' roll because he didn't think he ever
would become a credible blues artist,
headlines the opening day of the 29th
annual festival on Aug. 30 at its new home
at Rainbow Lagoon park next to the Long
Beach marina.
Pioneering R&B-funk group Sly & the
Family Stone will top the lineup on Aug. 31.
Other acts slated for this year's bill include
John Mayall, the Dirty Dozen Brass Band,
Pinetop Perkins, Booker T. Jones and
Charlie Musselwhite.
The new site moves the festival out of its
longtime home at Cal State Long Beach.
"We believe this move will enable more
community members to take advantage of
what is one of the most popular events in
Long Beach every year and, in the
process, businesses in the downtown area
will benefit as well," university President F.
King Alexander said in a statement.
In addition, the event will be co-produced
by longtime Southland concert promoter
Bill Silva Presents and Rum & Humble.
The festival is a key fundraiser for the
university-based radio station KKJZ-FM
(88.1).
Tickets will go on sale June 7. Information:
(310) 478-5061 or w
ww.jazzandblues.org/long
beachbluesfestival.
Toni Green Grew Up on Southern Soul Sound |
 |
Call it the Soulsville generation: The kids who grew up
in South Memphis in the 1960s, where they were
surrounded by music.
Influences ranged from the iconic recording studios
Stax and Royal to born-in-the-'hood superstars like
Aretha Franklin and Johnny Ace.
Music swirled from the choir loft at Rev. Herbert
Brewster's East Trigg Avenue Baptist Church, and
echoed toward LeMoyne Gardens, where young,
unproven talents including Maurice White and David
Porter honed their songwriting and performing skills
into what would ultimately be multi-million-dollar
careers.
Toni Green, who performed at 7 p.m. Saturday during
Memphis' 15th Annual Juneteenth Freedom &
Heritage Festival in Douglass Park was part of the
Soulsville generation.
"I didn't want to play with dolls," Green says of her
childhood. "I wanted to listen to the music."
The Southside High graduate had plenty of music to
choose from, including neighborhood groups like the
Temprees and the Bar-Kays - both of whom would
rise to stardom at Stax Records. Green's cousins,
John Garry and Dickie Williams, anchored the Mad
Lads, another successful Stax act. An early band
mate, Marvell Thomas, was the son of yet another Stax
alumni, Rufus Thomas, and brother of the label's first
star, Carla Thomas.
"I grew up in an era of great music, and I was just in
awe," she says.
When Royal producer "Poppa" Willie Mitchell gave
Green the opportunity to work in his studio, she
jumped at the chance.
Her first single, a scorcher called "Imported Moods"
backed by "What Have You Done To My Heart," was
issued on Hi Records in 1970.
|
$1 MILLION RAP BATTLE COMING THIS SUMMER |
 |
he World Series of Hip Hop has released
some of the names of judges who will
oversee the championship matches of this
year's multi-million dollar tournament,
scheduled for August 5-9, 2008 at the
Georgia World Congress Center in
Atlanta, GA.
Rappers and dancers from all corners
of the world are expected to converge on
Atlanta this summer for the opportunity to
be judged by some of hip hop's pioneers.
The tournament's championship
matches will be aired live on pay-per-view
Saturday August 9, 2008 at 7 p.m. EDT
and will be hosted by radio personality and
legendary female rapper Monie Love, New
York City DJ and MTV host Cipha Sounds
and nationally syndicated radio talk show
host Wendy Williams.
The judges who will decide who wins
the Million Dollar Grand Prizes include:
DMC of Run DMC, Rakim, Big Daddy
Kane, Yo-Yo, Dougie Fresh, Roxanne
Shante, Slick Rick and Keith Murry.
"We want to make sure the judges are
so official, that their decision as to who is
the better rapper is beyond reproach. And
the list is still not done," said Furqaan
Clover the events organizer.
A detailed list of celebrity judges and
registration information can be found on
the event's website: www.wsohh.com.
|
Free 'hybrid digital' radio discovers stations between stations |
 |
guess I'm dating myself when I say that as a kid my
television had a channel dial that went only from 2 to
13. Then we got TVs with a UHF dial that held the
exciting promise of more channels, only to discover
there was nothing good on that dial.
Today's TVs are going digital and can get hundreds of
channels with cable and satellite programming, and
now there's a revolution happening in the radio world
as well. Satellite radio from XM and Sirius offers
hundreds of stations, but the radios are costly and you
must pay a regular subscription fee to listen.
The stations you can get through the
new "hybrid digital" or HD radio, however, are free. The
technology is able to piggy-back a better digital signal
onto the same old AM and FM analog signal. This
hybrid signal has the ability to carry not only better
sound but a lot more programming. And it's all free.
|
New Music From Steve Perry |
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|
SoulChoonz Reviews Omar Cunningham |
 |
This gentleman is a real talent and easily embraces a
traditional, Southern flavour along with a more
contemporary edge which is enough to keep fans of
Willie Clayton, Lattimore, Johnnie Taylor happy, as
well as those who may lean towards John Legend or
Calvin Richardson. This is no bad thing, and over the
years Omar has fostered this approach and I feel has
delivered his best album to date. Those that love what
could be termed 'real soul' should be checking this
set out ASAP. Following the intro is a KILLER cut
called "That's My Jam". Imagine one of Gerald Levert's
best grooves and you are not too far away from what
we have here. I cannot stop playing this song!
Likewise with the Willie Clayton-like "My Life"which
beautifully addresses the love within his own family
and his own life. Speaking as I was earlier about John
Legend, please check out the superb "By My Side"
which will seriously do the business for you.
|
The Minority Media and Telecommunications Council |
 |
The Minority Media and
Telecommunications Council
(MMTC) is a national nonprofit
organization dedicated
to promoting and preserving equal
opportunity and
civil rights in the mass media and
telecommunications industries. MMTC is
generally
recognized as the nation's leading
advocate for
minority advancement in communications.
We
strongly believe that the breathtaking
changes in
communications technology and the new
global forms
of media partnerships must enhance
diversity in the
21st century.
|
The Return Of A Legend |
 |
He is an exceptional writer, producer,
recording artist
and has been performing of Blues, R&B
and Southern
Soul Music for many years. His newly
released triple
Play CD " Return of A Legend" Rue Davis
Featuring, "Let's Stay Together," is the
hottest CD yet.
Most recently (at the Jackson Music
Awards) he
received "The International Songwriter of
the Year
Award". He has written many other smash
hits songs
for other recording artists. Now he has
signed with a
new record label, Boom Town Records
and Big Mouth
Productions, that will continue to allow him
to better
write and produce music that consumers
will buy.
|
A NEW CREATION ON THE MARKET ???? |
 |
What do you get when you combine the south+soul
+r&b? Southern R&B!!!!Jayibee's new creation
Southern R&B album is a real go getter!!!! All the way
from a small city known as Tuscaloosa, Alabama, he
is ready to put his new creation in every one's market.
Jayibee just release his new independent album King
James in April of this year, bringing his unique
sounds
to everyone's table for the grabs.
If you like a little twist every now and then, well this
album is just what you need. If you like David Ruffin's
soulful church vocals, legendary Marvin Gaye smooth
sounds, and today's r&b wrap up in one, well
Jayibee's
album is just a combination of all three style which he
sings from the soul. With Jayibee's new album, King
James, there is variety of songs that foreplays with
every mood or situation such as from being happy,
lonely, breakup to makeup, do-wop, or just wanting to
get your party on. "You're My Girl",(one of his hot new
singles) is a song for a man that really can't express
how they feel about his women in words and for a
women that knows that her man is in love with her.
After hearing this hot track, no words are necessary for
that situation, because Jayibee meanful vocals solves
both problems.
|
Jackson Music Awards |
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|
Buddy Guy Set to Release New Album 'Skin Deep' on July 22nd |
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Silvertone/Zomba recording artist and
five time Grammy winner, Buddy Guy, will release a
new album titled, Skin Deep
on July 22nd. The Rock and Roll Hall of Fame
inductee has created an album of
all original material and enlisted fellow guitar
luminaries Eric Clapton,
Robert Randolph, Susan Tedeschi and Derek Trucks
on his 10th Silvertone/Zomba
studio release. The lead single, Skin Deep, impacts
at
AAA radio on July
14th.
Elaborating on his inspiration for the album title and
song Skin Deep, Guy
touches upon a powerful series of personal
memories
and observations on the
ways in which "underneath" we're all the same. "I
used
to play with this boy,
ride horses, down close to where I was born," he
says. "Then when we were 13,
his parents made us stop. They used to say you had
black blood or white
blood, but we'd get a flashlight and hold it up to our
skin and we'd just see
red blood. That's what I mean by 'Skin Deep.'"
In a career spanning more than 45 years, Buddy Guy
continues to add on to
his ever-growing legendary career. At the age of 72,
he
graced the cover of
Rolling Stone, as part of the magazine's recent "100
Greatest Guitar Songs"
issue (his cataclysmic 1961 recording of "Stone
Crazy"
made the list) and
turned in a show-stopping performance in Martin
Scorsese's Rolling Stones
concert film, Shine A Light. Guy has won five Grammy
Awards, 23 W.C. Handy
Awards (the most any one blues artist has received), a
Congressional Medal of
Arts and Billboard Magazine's prestigious The Century
Award for "distinguished
artistic achievement." In 2005 Buddy Guy was
inducted
into the Rock & Roll
Hall of Fame by friends Eric Clapton and BB King.
Buddy Guy has been selected to receive the first
annual Great Performer of
Illinois Award and will be honored at a special tribute
concert on July 20th
in Millennium Park for his outstanding contributions to
popular music and
American culture. Currently, Buddy Guy is on a world-
wide tour, with U.S.
dates beginning on July 23rd in Silverton, OR with
George Thorogood & The
Destroyers.
|
Bright Ideas for Memphis: College Radio |
 |
For the Flyer's "Bright Ideas" issue, we asked nine
Memphians this question: If you were given carte
blanche to make whatever changes in Memphis you
thought were needed, what would you do?
First up is local blogger and Internet radio host Rachel
Hurley, who has a thought or two on college radio.
"WUMR 91.7 FM is the radio station run by the
University of Memphis. At present, it has an all-jazz
format. I may be going out on a limb here, but I have
doubts that the station is very popular among the
school's students.
"If I had the power, I would change WUMR to a station
with a more eclectic format. I would keep some of the
programming but would update the majority of it to
music genres more popular with the school's student
demographic.
I've been told time and time again that the lack of a
college radio station with any kind of finger on the
pulse of the local or national independent music
scene
hinders us, not only in bringing acts to the area
(college radio playlists are often used to forecast the
popularity of musicians before they book their tour),
but
it leaves the entire region to be influenced only by the
bland, uninspiring, over-programmed corporate radio
that crowds our dials now. Shouldn't we expect a little
bit more from our university station?
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Timbaland Is Recognised As A Trendsetter That Revitalized Hip-Hop, R&B And Pop |
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He is one of the greatest music producers of our time -
Timbaland is the single biggest force currently active
in popular music and is responsible for creating
smash hits for many big recording artists including
Justin Timberlake, Beyonce, Nelly Furtado, Snoop
Dog,
Madonna, Usher and The Black Eyed Peas. From his
early work with Swing Mob to his professional
relationships, it's hard to think of a time when a
Timbaland track wasn't leading the charge up the
charts.
Timbaland was born Timothy Z. Mosley in 1972 in
Norfolk, Virginia and hooked up with high school
friends Missy Elliott and MC Magoo and then moved to
Suffern, New York. Timothy began working as a
producer for DeVante, who dubbed him 'Timbaland'
because of the boots that were so popular in the '90s.
|
Check Out The Latest Southern Soul Hits |
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Check Out This Weeks Countdown
Kenne Wayne -Steve Perry and Rue
Davis
post big gains Marvin Sease capturesThe # 1 Spot
.
Stan Mosely tells Boogie about his latest
project Lee
Shot Williams debuts" Ms Jody Jumps into the top
5
1.-2 .I'm Coming Home Marvin Sease
2.-3.Booty Roll Steve Perry
3.-1.Grown And Sexy The Problem Solvas/ Sir Charles
Jones
4.-5.Pay Before You Pump Denise Lasalle
5.-7.Never Take A Day Off Ms.Jody
6.-6.Im gonna Slap Yo Weave Off Nellie
TigerTravis
7.-8.Voice Mail Mr.Sam Featuring Floyd Taylor
8.-14.I Believe in you Rue Davis
9.-5.My Life Omar Cunningham
10.-11. You're The Best Kenne Wayne
11.-12.Friday Lee Shot Williams
12.-13. Stuck On The Blues Floyd Taylor
13.-14.Get The Hell On Mr.Zay
14._15.Its Because Of Me Stevie Jay
15.-4. Never Miss A Good Thing Sir Charles Jones
16.-16.A Woman Knows Willie Clayton
17.- *.I LL Work For You The Rhythm All Stars
18.-17.Keep On Swinging Bigg Robb
19.-19.Fire Labrado
20.-20.Pop That Middle Theodis Ealey
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Val Jones Creative Services |
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Val Jones is a creative wiz when it comes to the
commercial production and creative services
department. She is one of the most skilled in the
broadcast industry. From copywriting and voiceovers
to producing radio commercials, editing your musical
project and basic broadcasting, this full-service
veteran can give you excellent results when it comes
to your commercials, documentaries, special projects
and more. And with MP3 capabilities right at her
fingertips, Val can get your commercials and projects
to you quickly and efficiently.
FROM CONCEPT TO FINISH!
Val Jones is a far more than just another voice talent.
Whether you desire sex appeal, sizzle or straight, Val
is a full-service production talent...from writing to
finishing. Available also: copyright free music, fully
professional award-winning audio and music
production, copy writing and creative concept
development. Fax or email your instructions and let
Val do the rest. Guaranteed 48-hr turnaround on most
projects!
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Skillz Interview at djbooth.net |
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Old school hip hop heads know him by the stage
name, "Mad Skillz," and new school hip hop heads
know him as "The guy who does those year end 'rap-
up' songs." No matter how you were first introduced to
the Detroit born, Richmond, Virginia raised Skillz,
though; there is no disputing his uncanny ability to pen
a lyrically vibrant record.
Over the past twelve years, Skillz has been signed to
several labels, including Atlantic, Rawkus and Sure
Shot, but none of them were able to provide a
commercially-viable platform for his music. This July,
however, the emcee is set to release a new album,
entitled "Million Dollar Backpack," via the ever-growing
distribution home of Koch. The project is led by the
current Common-assisted single, "So Far So Good."
In an exclusive interview with DJBooth's DJ "Z," Skillz
steps inside the booth to talk about the contents of his
backpack, the industry becoming flooded with
rappers,
the many dangers of blogging, and touring with The
Roots this summer.
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Ask The Twins |
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Dear Twins: I recently married a wonderful man that I
really love. I enjoy his company and he is a great
provider. I've waited a long time for someone like him
to be in my life. I've had some serious health issues
over the years and I recently lost one of my sisters, so
when this man cam into my life the timing was great.
He's helped me deal with the death of my sister and
has been a solid rock for me financially and for me to
lean on emotionally.
There's just one problem (my son) he about to ruin
our relationship. You see I have a 13-year old son that
just want give my new husband a chance. He's
refusing to go to school and does not want my
husband to drive him to school when he does go to
school. My son has been the only man in the house
for the past five years. He and I became very
dependent upon each other during the time when he
was the only man in my life. My daughter has
adjusted well to my husband's presence but everyday
I see my son becoming more and more resentful. I've
not allowed my husband to discipline my son since
we got married. My husband feels he needs to step in
but I'm just not sure the timing is right. I want my son
to go to school and not get in trouble, as he surely will
if he keeps on ditching school or not attending at all. I
know the more he hangs out with his friends he's
going to get in trouble because the streets of Chicago
are going from bad to worse with all of the killings of
teenagers this year. What should I do?
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KES Distributors |
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Just Like That |
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HEY IT'S YOUR GIRL BIG SEXEE" DOING IT LIKE I
DO"
HUNG OUT THIS PAST WEEK END AT THE 45TH
ANNUAL B.B. KING, MEDGAR EVERS HOMECOMING
CELEBRATION, IT WAS A BLAST. IT WAS SO HOT.
PEGGY SCOTT ADAMS WANTED TO NO WHERE
SATAN WAS BECAUSE IT WAS HOT AS HELL.
IT WAS A WONDERFUL WEEK OF ACTIVITIES. WE
HAD THE MEMORIAL SERVIICE ON WEDNESDAY,
THURSDAY WE HAD THE UP CLOSE AND
PERSONAL WITH THE MAN HIMSELF MR. B. B.KING
THERE WAS A BANQUET AND ON FRIDAY THERE
WAS THE HISTORICAL TOUR. DID I LEAVE
ANYTHING OUT? OH YEAH SATURDAY WAS THE
PARADE AND CONCERT,I AM STILL SWEATING,
MY MAKEUP RAN, MY CURLS DROPPED AND MY
EVERTHING ELSE WAS, OOPS YOU KNOW HOW IT
IS WHEN YOU'RE HOT AND BOTHERED.
OPENING ACT WAS THE REVEREND JOE A
WASHINGTON. ANYBODY KNOW A MINISTER THAT
DOES THE PUSH & PULL,YOU MISSED IT
CARL MARSHALL WAS IN THE HOUSE TALKING
ABOUT "GOOD LOVIN WILL MAKE YOU CRY" I
REMEMBER ONE TIME I DROPPED A TEAR AND THE
MAN ASKED ME WHAT I WAS CRYING FOR, GO
FIGURE
VIC ALLEN HAD THE LADIES JUMPING AROUND
TALKING ABOUT WALKING OUT THE DOOR AND IF
YOU PACK YOUR BAGS YOU BETTER PACK TWO,I
GUESS HE HAD SOME GOOD LOVIN THAT MAD HIM
CRY TOO
MS BARBRA CARR HIT THE STAGE AND LEFT AS
FAST AS SHE CAME. D.J. RAGMAN SAID SHE MADE
HIM LATE GETTING BACK TO THE STAGE SHE LEFT
SO FAST,I GUESS IT WAS TOOOOOO HOT
MR. WILLIAM BELL STILL GOT IT GOING ON. HE
SANG THE OLD AND THE NEW. HE SAYS HE'S GOT
A NEW LEASE ON LIFE, ME TOO
THE THERE WAS THE LADY OF THE HOUR MS
PEGGY SCOTT ADAMS, SHE SAID EVERYBODY
HAS A FAVORITE PEGGY SCOTT ADAMS SONG,
EVEN PEGGY SCOTT ADAMS HAS A FAVORITE
SONG,PEGGY SANG I'LL TAKE CARE OF
YOU, IF YOU HAVE A PROBLEM SHE HAS A
PROBLEM TOO
PEGGY THIS ONES FOR YOU AND EVERYONE THAT
ATTENDED THE HOMECOMING FESTIVITIES..IT WAS
WONDERFUL IT WAS HOT, AND IT WAS WORTH
IT, OUR LEGENDS ARE STILL TAKING CARE OF
US,THEY MAD IT POSSIBLE TO BE STANDING ON A
STAGE SINGING TO A PAID AUDIENCE THEY MADE
IT POSSIBLE TO GO INTO HOTELS AND SLEEP IN
STYLE THEY MADE IT POSSIBLE TO HAVE AN OPEN
GATHERING AND NOT BE SCARED,THEY MADE IT
POSSBLE TO HAVE A BLACK MAN RUNNING FOR
THE HIGHEST OFFICE IN THIS COUNTRY,THEY
TRULY HAD A DREAM
THIS WAS THE 45TH ANNUAL HOMECOMING
CELEBRATION
THE 45TH ANNIVERSARY OF THE "I HAVE A DREAM
SPEECH"
AND THE HISTORY
PRETTY GOOD CELEBRATION, HUH
THIS IS YOUR GIRL DOING IT "JUST LIKE THAT"
CALL ME
601-966-0191
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DJ Broadcasts Low Power Radio Station From Home |
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There have been plenty of technological advances in
radio. From regular AM and FM, stations to satellite
radio and even HD radio.
There have been plenty of technological advances in
radio. From regular AM and FM, stations to satellite
radio and even HD radio.
Now there's another form out there; low powered radio
stations. As Robert Burns tell us, these stations are
allowing the average Joe to become an entrepreneur.
It's been five months since their start, but one local
Lafayette man is showing us that running a radio
station is as easy as working from home. In an
otherwise quiet neighborhood his house is jam
central.
Low power radio stations are fairly new. As a matter of
fact they've only been around since 2000 but for Kevin
Morris running his own FM station is an every day
event.
"The idea came upon us when we found out it was a
rap station in about 2002. Then, as time went on, we
decided let's resurrect this station. It was open about
5 months, but after that we just started playing old
school and people started loving us" Kevin said.
Traditionally, we all know about regular high power FM
stations. But in today's slumping economy, low power
also means low dollars and an extra voice for the
community.
Kevin's station, 92.7 only reaches about five miles, the
standard for most low power stations. With only two
people manning the station, automated programming
is scheduled around the clock. Occasionally, though,
Kevin will get funky with a little mix session.
Now there's another form out there; low powered radio
stations. As Robert Burns tell us, these stations are
allowing the average Joe to become an entrepreneur.
It's been five months since their start, but one local
Lafayette man is showing us that running a radio
station is as easy as working from home. In an
otherwise quiet neighborhood his house is jam
central.
Low power radio stations are fairly new. As a matter of
fact they've only been around since 2000 but for Kevin
Morris running his own FM station is an every day
event.
"The idea came upon us when we found out it was a
rap station in about 2002. Then, as time went on, we
decided let's resurrect this station. It was open about
5 months, but after that we just started playing old
school and people started loving us" Kevin said.
Traditionally, we all know about regular high power FM
stations. But in today's slumping economy, low power
also means low dollars and an extra voice for the
community.
Kevin's station, 92.7 only reaches about five miles, the
standard for most low power stations. With only two
people manning the station, automated programming
is scheduled around the clock. Occasionally, though,
Kevin will get funky with a little mix session.
|
Mose Stovall "Groove U" Review by Steven Alvarez |
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Courtesy
Bluescritic.com
When Blues Critic asked me to review "Groove U" I
wasn't looking forward to it much I admit. The current
hit single "Groove U Baby", with it's clunky rhythm and
average hook, had me expecting a real dud of a
record. I was wrong. Plenty of Southern Soul jams on
here superior to the single (especially good news for
those who do like the song). The midpaced
bumps "Been There Done That" and "Blue" followed
by the funky "Don't Stop The Music" cut the mustard for
me. "Don't Stop" has some slapping drums, a killer
bassline and Stovall singing with a vocodor. Can
someone say "club joint"?
What would a modern Southern Soul/R & B album be
with a slow jam or three. "Good Lovin'" is slinky and
soulful. "Sneakin'" is laid back and aching. But the
boogie can't be beat here. Afterall the record is
called "Groove U" and that's exactly what Stovall does.
The retro-70s "Dance", percolating "Get Some Lovin"
and especially the upbeat bumper "Turning Point"
deserve repeated listens. Nope, no duds here. Also
worth looking for is his 2003 debut CD "Private Party".
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Baby Boy Records |
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George Walker Composer |
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George Walker was presented in a debut recital in
Town Hall, New York by Mr. and Mrs. Efrem Zimbalist.
With his "notable" debut, as it was described by the
New York Times, he became the first black
instrumentalist to perform in that hall. As the winner of
the Philadelphia Youth Auditions, he played the 3rd
Piano Concerto of Rachmaninoff with the Philadelphia
Orchestra with Eugene Ormandy conducting two
weeks after his New York debut in November of 1945.
He was the first black instrumentalist to appear with
this orchestra. The following year, he played the 2nd
Piano Concerto of Brahms with the Baltimore
Symphony, Reginald Stewart conducting and the 4th
Beethoven Concerto with Dean Dixon and his
orchestra. In 1946 George Walker composed his
String Quartet no. 1. The second movement of this
work, entitled, Lyric for Strings, has become the most
frequently performed orchestral work by a living
American composer. In 1950, George Walker became
the first black instrumentalist to be signed by a major
management, the National Concert Artists. In 1954,
he made an unprecedented tour of seven European
countries, playing in Sweden, Denmark, Holland,
Germany, Switzerland, Italy and England in the major
cities of Stockholm, Copenhagen, The Hague,
Amsterdam, Frankfurt a Main, Lausanne, Berne, Milan
and London with great acclaim.
Upon returning to the United States, he taught at
Dillard University in New Orleans for one year before
entering the Doctor of Musical Arts Degree Program at
the Eastman School of Music in 1955. In 1956, he
became the first black recipient of a doctoral degree
from that institution as well as an Artist Diploma in
Piano. George Walker was awarded both a Fulbright
Fellowship and a John Hay Whitney Fellowship in
1957. He was the first composer to receive the
Whitney award. He spent two years in Paris where he
had composition lessons with Nadia Boulanger. In
1959, he embarked upon another tour, playing
concerts in France, Holland and Italy. After a recital in
London in Wigmore Hall in 1963 that was sponsored
by Mrs. Efrem Zimbalist, he received an honorary
membership in the Frederic Chopin Society there.
George Walker's distinguished career as a teacher
continued in 1960 with faculty appointments to the
Dalcroze School of Music, The New School for Social
Research, where he introduced a course in
Aesthetics, Smith College (1961-68) (where he
became the first black tenured faculty member), the
University of Colorado (1968-69 as Visiting
Professor), Rutgers University (1969-92, where he
was Chairman of the Music Department), Peabody
Institute of Johns Hopkins University (1975-78) and
the University of Delaware (1975-76, where he was
the recipient of the first Minority Chair established by
the University).
George Walker has published over 90 works for
orchestra, chamber orchestra, piano, strings, voice,
organ, clarinet, guitar, brass, woodwinds, and
chorus. His works have been performed by virtually
every major orchestra in the United States and by
many in England and other countries. His awards
include the Harvey Gaul Prize, MacDowell Colony,
Yaddo and Bennington Composer Conference
Fellowships, two Guggenheim Fellowships, two
Rockefeller Fellowships, a Fromm Foundation
commission, two Koussevitsky Awards, an American
Academy of Arts and Letters Award, a Mary Flagler
Cary Charitable Trust Award, the Mason Gross
Memorial Award, numerous grants from the Research
Councils of Smith College, The University of Colorado,
Rutgers University, the National Endowment for the
Arts, and the New Jersey Council on the Arts. He has
received two Alumni Awards from the Eastman School
of Music, the University Medal from the University of
Rochester (1996), honorary doctorate degrees from
Lafayette College (1982), Oberlin College (1983),
Montclair State University, Bloomfield College, Curtis
Institute of Music (1996) and Spelman College (2001).
George Walker has received important commissions
from many ensembles that include the New York
Philharmonic (Cello Concerto), the Cleveland
Orchestra (Dialogus for Cello and Orchestra), the
Boston Symphony (Lilacs for Voice and Orchestra),
the Eastman School of Music (An Eastman Overture) ,
the Kennedy Center for the Performing Arts (Violin and
Piano Sonata No. 2), the David Ensemble (Five
Fancies for Clarinet and Piano Four Hands), Affiliate
Artists and Xerox (Guido's Hand), the Pew Charitable
Trust (Piano Sonata No. 4), The Boys Choir of Harlem
(Cantata), The Cleveland Chamber Symphony
(Orpheus), New Jersey Symphony (Pageant and
Proclamation), the Mary Flagler Cary Charitable Trust
(Modus), the New Jersey Chamber Music Society
(Wind Set), Maryland International Piano Competition
(Bauble), Columbus Pro Musica Chamber Orchestra
(Tangents), New Jersey Youth Symphony (Icarus In
Orbit), and the Network for New Music (Abu). In 2005
George Walker was commissioned by the Las Vegas
Philharmonic to compose a work to celebrate the
100th Anniversary of Las Vegas. This work is entitled,
Hoopla (A Touch of Glee). Also in 2005., he completed
a second commission from the Eastman School of
Music with Foils (Homage to Saint George ) for
Orchestra. The New York Philharmonic also
premiered (In Praise of Folly) (1981) that was
televised nationally on the PBS program, "Great
Performances". His compositions have been
recorded for CBS, Mastersound, Desto, C.R.I.,
Serenus, Da Camera Magna, BIS, Orion, Mercury, GM
and Albany Records. Some of the major conductors
who have performed the music of George Walker
include, Andrey Boreyko, Andrew Davis, Comissiona,
DePriest, Jarvi, Levi, Maazel, Mata, Mehta, Muti, Ozawa,
Rostropovitch, Robert Shaw, Joseph Silverstein,
Skrowaczewski, Slatkin, Hugh Wolf, and Zinman.
In 1996, George Walker became the first black
composer to receive the coveted Pulitzer Prize In
Music for his work, Lilacs for Voice and Orchestra,
premiered by the Boston Symphony, Seiji Ozawa
conducting. In 1997 Marion Barry, Mayor of
Washington, DC proclaimed June 17th as George
Walker Day in the nation's capitol. In 1998, he received
the Composers Award from the Lancaster Symphony
and the letter of Distinction from the American Music
Center for "his significant contributions to the field of
contemporary American Music." In 1999, he was
elected to the American Academy of Arts and Letters.
In April 2000, George Walker was inducted into the
American Classical Music Hall of Fame in a ceremony
at the Library of Congress in Washington, DC.
He also received in May the Dorothy Maynor
Outstanding Arts Citizen Award for 2000 from the
Harlem School School of Arts. In March of 2001, the
Detroit Symphony awarded him their first annual
Classical Roots Award for a lifetime of achievement
in American Music. George Walker has been awarded
the annual A.I Dupont Award presented by the
Delaware Symphony for 2002. In 2003 he was
selected for inclusion in the Washington Music Hall of
Fame (Washington, DC). In 2005 George Walker was
named Honorary President of Ebb and Flow Arts in
Maui, Hawaii. A Proclamation from the Borough
President of Brooklyn, NY designated April 6, 2005
as " A Celebration for Dr. George Walker." In January
of 2007 George Walker received the annual Legacy
Award from the National Opera Association.
Get Your Free Listing in Who's Who In Black Music
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Qsoundz |
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great Atlanta music fest |
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June Black Music Month |
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Julianne Malveaux is president of Bennett College
for Women in Greensboro, N.C.
If I had two loaves of bread, I would sell one of them
and buy white hyacinths for my soul, wrote author
Elbert Hubbard (1856-1915), perhaps reflecting the
sentiment of 13th century Persian poet Muslihuddin
Sadi, who urged his readers to "sell one, and with the
dole buy hyacinths to feed the soul." The point -- the
arts are as important to survival as basic daily bread.
There is no better time to remember the sustaining
power of the arts than in June, which was designated
Black Music Month by President Jimmy Carter in 1979.
Then he invited Candy Staton, Joe Williams, Chuck
Berry, Patti LaBelle and Andrae Crouch to perform on
the White House lawn.
This year's proclamation by President Bush mentions
Scott Joplin, Marian Anderson, Eubie Blake, Mahalia
Jackson, Duke Ellington, Muddy Waters and Ruth
Brown. The smooth sounds of jazz, the high-octane
trills of rhythm and blues, the thumping beat of go-go,
the plaintive wail of Negro spirituals and the rousing
inspiration of movement songs are all part of the
patchwork quilt called Black Music.
The quilt is diminished, just a bit, by the June 2 death
of Bo Diddley, the Mississippi native who moved from
the blues to rock 'n' roll to the thumping beat of his
signature square guitar. Despite his many hit records,
Diddley often said that racism in the music industry
had deprived him of royalty income during the most
successful period of his career.
The history of inequality makes Black Music Month
worth celebrating. It reminds us of the sacrifices that
many have undertaken to share their muse, traveling
from town to town on rickety buses, which they often
slept in when hotel accommodations were
unavailable. Despite the racial climate, they somehow
still performed, providing white hyacinths for a nation.
As Congress grapples with budget matters, the
weighty issues of war and gas prices should not
undercut the need to maintain robust funding for the
National Endowment for the Arts. For example, the
Center for Black Music Research at Columbia College
in Chicago has been a recipient of NEA funds. The
2008 appropriation of $145 million for the NEA was
the first healthy increase in at least five years.
Arts funding is often one of the first things to be cut
when money is tight. While reading, writing and
arithmetic must be the priority in education, there is
much to be said for teaching, and exposing students
to, the arts. Black Music Month reminds us of the
centrality of the arts to our lives and of how dismal our
world might be were we to live without soul-feeding
hyacinths.
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