InSync in St. Louis
In This Issue:
LETTER FROM THE PRESIDENT
UPCOMING MCA MEETING
PRODUCTION NOTES
EVERYTHING'S UP-TO-DATE IN KANSAS CITY...AT LEAST AT THE KC FILM OFFICE
AN INDEPENDENT PRODUCER'S LEGISLATIVE WISH LIST FOR THE MO PRODUCTION TAX CREDIT
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Next MCA Meeting...
DOES THE GOVERNMENT OWE YOU CASH?
 
February 10 at 6:30pm
Barlow Productions; St. Louis, 63132
Many Thanks to Our Wonderful Sponsors:
Roscor
Silver Streak Studios
Bad Dog Pictures 
IATSE
 
Data Media Products
Modern Communications
2010  Board of Directors
PRESIDENT
Gayle Gallagher

 
PAST PRESIDENT
 
 
 
TREASURER
Jim Trevor
JTrevor@ameren.com
                
 
MEMBERS AT LARGE
Tom Barry
Tom_Barry@ssmhc.com
Gregg Blumenfeld gsbmedia@me.com
Lou Stemmler
SSStudios@aol.com
Vanessa Roman
In Sync! Editor
Please submit all articles, Production Notes, and Members in the Spotlight paragraphs by the 20th of the month for inclusion in the following month's issue. 
 
See you in the next issue!
 
Emilie Barta
Newsletter Editor
MCA-I Links
MCA-I 
FEBRUARY 2010

Your AD Could Go HERE!

Look at all the exposure you will have to the
St. Louis Production Community!!! 
 MCA-i; St. Louis ChapterLETTER FROM THE PRESIDENT
 
 

I don't know about you, but I have been in the Media Industry since I graduated from college (well, before that, actually) going on 20-some years ago... I've done corporate video, I've worked in radio, I've worked doing graphic design for a computer company, but I had always worked for someone else.

 

Since 2005, I have been out on my own. I'm now a freelance producer (and I still do the graphic design on the side).  I work with different studios in town, renting their facilities for corporate projects. I work with independent filmmakers, helping them to get the best possible project for their budget. I work with all sorts of people, renting them our equipment so they can get other projects done.

 

My point about all this is that I am my own small business. It took me a while to realize this, but I Am a Business.  And the rules that always applied to the companies that I previously worked for, now apply to me... and quite honestly, I am not sure if I know what all the rules are.

 

If you are a filmmaker, an actor, voice-over talent, a production studio, a hair stylist, a make-up artist, anyone on the crew, you too are a business.  Even if you have the 'real job' and are just doing this on the side until you get going, you need to know all the stuff you don't even know that you don't know!  (get that?)

 

Because of all this, I am thrilled that this month's MCA meeting will cover a lot of the topics that we (yes, us Small Businesses) need to know...  We've got experts coming in to talk to us about taxes, insurance, and independent contractors vs. employees (both hiring and being them).

 

So, grab your notebooks - I think we are going to be given a lot of information we can use - and join us next week at the MCA Meeting!

 

Gayle Gallagher

President - MCA-i; St. Louis Chapter
Does the government owe you cash?!
 
Join us on Wednesday, February 10 for the February MCA meeting: Taxes and Other Small Business Issues.

Learn everything you were always afraid to ask about taxes -- or all the stuff you've been asking and never got a straight answer.  We'll also be covering other issues that small business owners, independent contractors, and other producers might need to know.
 
Our speakers will include Jim Koenig from Payers for Players and Dick Sacks from The Sacks Group.
 
Jim Koenig will be speaking primarily about payroll tax issues, particularly the hiring crew and talent as employees vs. hiring them as independent contractors.  His firm, Payers for Players, is the area's leading local payroll company for the production community and is familiar with the payroll rules and requirements for all the production and talent unions.
 
Dick Sacks, an accountant and author of "The Twelve Commandments of Small Business" is the owner of The Sacks group. The Sacks Group was founded to encourage and assist entrepreneurs to reach their life objectives through sound business planning and proven methods of financial management, and Dick will be addressing the tax issues that surround being a small business: what taxes to pay, how often and to whom, when to charge and when to pay sales tax, etc.
 
Christopher Leahy is the Chief Operating Officer of RAI Insurance Group an independent insurance brokerage firm that represents businesses in their commercial insurance and health insurance needs.  He will be speaking about insurance needed as an independent contractor, a small business, as well as full film production companies, theatre operators or radio stations.
 
Date:
Wednesday, February 10
 
Time: Networking begins at 6:30 pm and meeting begins at 7:00 pm
 
Place:
Barlow Productions
1115 Olivette Executive Pkwy
St. Louis, MO 63132
link to map
 
 
Cost:
Free for Members of the MCA
$10 for non-Members
$  5 for students
PRODUCTION NOTES
 
News from the MO Film Commission...  The Missouri-made film Winter's Bone will be competing at the 2010 Sundance Film Festival and Up in the Air leads the Golden Globes with six nominations. All this and more in this month's Show-Me Show-biz Bulletin.
 
 

Pirate Pictures created a presentation video for the National Multiple Sclerosis Society for their annual Awards Dinner.  The interview portion of the video was shot at Barlow Productions.

 

 

Vanessa Roman (Inspired Productions) recently wrapped principal photography on her short film "Play Dead."

 

 

Over 50 production professionals showed up in Jefferson City on Tuesday, February 2 for the Missouri Motion Media Legislative Day to help lobby for more Film Production Tax Credits.

 

 

Tony Cabral spent a week in Park City, Utah, working and film-watching at the Sundance Film Festival.
EVERYTHING'S UP-TO-DATE IN KANSAS CITY

... AT LEAST AT THE KC FILM OFFICE

by Mike Ketcher

 

The Film Commission of Greater Kansas City is kicking it into high gear with a new web site, online production guide, Facebook fan page, and Twitter account.

 

According to a recent message on Facebook, "It is our goal that this resource will be a constant reminder to our fans, producers, crew, and film enthusiasts, that Kansas City has a rich and vibrant film community.

"As many of you know, we launched our new website and production guide this fall.
www.kcfilm.com is still our most valued resource for keeping everyone up to date on productions and events, but now we will be linking that information via our fan page as well."

 

Hopefully, this aggressive new Internet presence won't pull any films, TV shows, or commercials from St. Louis.  If you're on Facebook, the fan page is here: 


http://www.facebook.com/pages/Film-Commission-of-Greater-Kansas-City/261124256503

You can also follow the KC Film Commission on twitter @kansascityfilm.
AN INDEPENDENT PRODUCER'S LEGISLATIVE WISH LIST FOR THE MO PRODUCTION TAX CREDIT

by Mike Ketcher 

 

 

This article is the sole opinion of the author, and does not reflect the viewpoints or the opinions of the St. Louis Chapter of the MCA-i.  All comments or responses should be directed to the author at michael_ketcher@yahoo.com.

 
 

The Missouri production industry is moving into full lobbying mode

to push for a higher cap for the production tax credit.  Here is my wish list for some new changes to the production tax credit that we may consider.

 

Just about everyone agrees that we need a higher cap.  Film Commissioner Jerry Jones says that to create enough production to build the industry and spur  infrastruction development, we need $30 million annually, a far cry from the current $4.5 million.  Missouri has the lowest cap in the country, and a higher cap would bring more films here.  However, there are also other possible changes we should consider, besides a higher cap.

 

First, a higher percentage would be nice.  Missouri used to be tops in the country at 50%.  A return to 50% would put us on top of all the other states in this category.  I doubt that this will happen, because all of the focus is on raising the cap.  But if it did, it would allow MO to stand out in the pack, once again.  It would be a great selling point for Missouri, just as it was once upon a time.

 

Second, and perhaps more important, would be to follow what Iowa has done and to provide an investor tax credit to those investing in films produced in Missouri.  As far as I know, Iowa is the only state to have an investor tax credit.  Such a tax credit would be a big help to independent filmmakers, both in-state and out-of-state. 

  

Raising money for films is always a challenge for filmmakers.  The economic downturn has made it even more challenging, as many large investors have less discretionary funds to invest in high-risk ventures like film.  Even those that have the funds are being cautious. An investment tax credit provides producers with an great incentive to offer investors in their film.  A 25% tax credit, as Iowa has, would help lower the risk of investing in films -- and make MO far more competitive with all those other states.  It would be a way to guarantee

that film investors get a partial payback for investing in a high-risk venture.  Perhaps the law could be written in such a way that it would apply not only to individual productions, but to infrastructure development, like building new soundstages in Missouri.

 

Third, I'd like to see some "Support Your Local Filmmaker Legislation;"  in other words a law that would require the state to provide at least a portion of the tax credit to in-state filmmakers.  There are many in-state producers, not only in Kansas City and St. Louis, but in Columbia, Springfield, and Cape Girardeau who are capable of making films large enough to get a tax credit.  Let's make sure our local producers get a piece of the action.  This includes not only big in-state producers, like Hallmark in Kansas City, which rarely, if ever, produces any of its television shows in Missouri; but smaller producers who are making films, television shows, commercials, and documentaries.

 

By supporting our in-state producers, we help prevent "runaway productions," i.e. those productions that may go to other states to produce their films, if they can't get a tax credit here.  What's more, in-state filmmakers will pay taxes on profits they make to the state of Missouri; out-of-state filmmakers will pay taxes on the profits of their  films to other states.  For example, the hugely-successful "Up In The Air" will pay taxes on its profits to the state of California. 

 

Legislators often complain that film tax credits are a "subsidy to Hollywood moguls."  They complain that the state loses revenue by supporting these Hollywood productions.  I believe that these claims are false, and can't be supported by the facts.  However, by making sure that local producers get a portion of the goodies, we steal a lot of the thunder from the critics of the production tax credit.  They can no longer claim that only "Hollywood moguls" benefit from the state film tax credit.

 

Of course, some in-state filmmakers have gotten tax credits.  But these amounts are generally small.  At the most recent MO Film Commission meeting, it was revealed that Hallmark would have made their Christmas special in Missouri last year, had tax credits been available.  We need a state law that will insure that in-state producers, of all sizes -- televeision, commercial, and film -- get their fair share.  Many producers in Missouri are now capable of making films in the range of $100,000 to $1 million.  The state of Missouri should guarantee a significant amount of the tax credit (let's say 10% to start with) to smaller in-state producers.  This could grow as more-and-more in-state producers become experienced enough to produce larger films.

 

Fourth, include industrials and video games in the tax incentive legislation.  Many states don't include these -- and at this time neither does Missouri.  However, video games are a huge industry and by encouraging video game production, we help actors, animators, writers, computer programmers, and many others in our industry.

 

Traditionally, industrials (productions that are not intended for theatrical release or broadcast, such as corporate videos and training films) haven't received tax credits.  However, this may be a mistake.  With the loss of corporate headquarters in both St. Louis and Kansas City, much of the industrial production here has dried up.  In addition, many companies are outsourcing their marketing videos and training videos.  

 

I recently worked on a project in which a large computer company, based in Los Angeles, hired a St. Louis company to produce a series of training modules for its sales staff.  Previously, the company had done its training videos in-house, but wasn't entirely happy with the results, so they outsourced it.  We could attract more out-of-town jobs like this if we had a tax incentive to offer out-of-town companies to come here and produce their corporate videos. 

 

It's often been an uphill battle to get new production tax incentive legislation passed in Missouri.  We may have a better chance of  it by coming up with some innovative legislative proposals that would catch the attention of producers both in-state and out-of-state.

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