| Next MCA Meeting... |
June 11
BRAINSTORMING THE LATEST USES OF PODCASTING, WEBCASTING & VIDEO ON DEMAND
6:30pm
SSM Media Department
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| 2008
Board of Directors |
PRESIDENT Michael Ketcher ketcher@ix.netcom.com
PAST PRESIDENT
Yvonne Niemann myniemann@sbcglobal.net
VP-PROGRAMMING
TREASURER Jim Trevor JTrevor@ameren.com
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| In Sync! Editor |
| Please submit all articles, Production Notes, and Members in the Spotlight paragraphs by the 20th of the month for inclusion in the following month's issue. Text should be embedded in the body of your email and pictures should be emailed as J-peg attachments.
See you in the next issue!
Emilie Barta
Newsletter Editor
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Greetings!
"CODE RED" FOR THE MO FILM INDUSTRY...What MO Needs To Become Competitive Again Recently, on a film set, I talked to two people who work in the Missouri film industry. One is a long-time veteran of the local industry who is moving to New Mexico; the other is a recent graduate who is moving to Louisiana. Why are they leaving? The answer is simple: Not enough work here. The Missouri film industry is in grave danger. Competition among the states for feature film production is becoming more cutthroat -- especially in the Midwest. If the next governor and the MO legislature don't push for major new legislation next year, Missouri could lose tens of millions of dollars in economic development -- and the industry here could collapse. We could find ourselves back in the situation we were in just a few years ago, when we were lucky to get one feature film coming to the state every year or two. A recent article in the "Wall Street Journal" illustrates just how competitive the business is becoming. Even California, which has never needed film tax incentives, is considering them, because so much production is going to other states. California is no longer worried about runaway production to Canada and Eastern Europe, because of the declining purchasing power of the U.S. dollar; they're worried about runaway production to Connecticut, Illinois, Wisconsin, Michigan, New York, and many other states. California is not worried about Missouri. The tax credit for shooting a film in New York City was recently raised to 35% -- the same as Missouri's. If you were a film producer, would you choose to shoot your film in New York -- with its large, seasoned crew base, its easy access to any equipment you need, its large pool of professional actors, and its big soundstages ... or would you shoot your film in Missouri? The solution is simple: If Missouri is to compete in this industry, we have to offer filmmakers a better deal than they can get anywhere else. That's the approach Wisconsin took when they passed their film tax incentive. That's the approach Michigan took this year. That's the approach Missouri needs to take NOW.
Back To 50% -- Or Even Higher! Of utmost importance is getting the tax credit back up to 50%. In fact, Missouri needs to plan for future competition, so they may want to go even higher than 50%. Right now, even at a 50% tax credit, Missouri wouldn't competitive with Michigan and its 42% tax rebate, because Michigan gives filmmakers the money upfront, whereas Missouri gives it only after the production expenses have been audited and the tax credit has been sold. For this reason, Missouri needs to push for something higher than 50%: first to plan for future competition; and second to put Missouri in a more competitive position in the present. While 50% (or higher) may sound high to some legislators, it's not unprecedented. Other tax credit programs in the state go as high as 70%. Hawaii has a 100% tax credit for high-technology firms, including companies providing infrastructure to the film industry. Missouri needs to think big.
An Unlimited Cap on Film Tax Credits Second, Missouri needs a much higher cap. Currently, the cap is a paltry $4.5 million a year. That's not nearly enough to build an industry here. An unlimited cap -- as many states have -- would be best. However, Pennsylvania does well with a $75 million cap. We could go lower, but the lower we go the less chance we have of attracting major films. Any proposed legislation should start with asking for an unlimited cap -- and only go lower if the legislature plays hardball.
Make IL & KS Spending Count Towards MO Tax Credit Third, expenses paid for crew, locations, and other expenses in nearby counties in Illinois and Kansas should be eligible for a Missouri tax credit. When a film shoots in Kansas City or St. Louis, they usually end up hiring people from Kansas or Illinois. They might want to use a location in one of those states. Unfortunately, these expenses don't count towards the Missouri tax credit. Productions are loathe to shoot in a region where a large chunk of their expenses won't count towards the tax credit. Missouri should try to get reciprocal arrangements with these states, so that any expenses paid to individuals or firms in certain nearby counties would get be eligible under each states' tax credit program. There is much more that could be done to improve the dire situation here. But these three steps are essential. If we can get them, it would be a huge move in the right direction. This would be a bold initiative. Sometimes it takes extreme measures to resuscitate a dying person -- and sometimes it takes extreme measures to resuscitate a dying industry. The Missouri film industry is dying. It is not healthy. It it were a hospital patient, it would be "Code Red." It's time to use administer CPR.
Mike Ketcher |
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June 11 MCA Meeting
BRAINSTORMING THE LATEST USES OF PODCASTING, WEBCASTING, & VIDEO ON DEMAND How You Can Use These New Media Technologies In Getting Your Message to Your Audience The new technologies of podcasting, webcasting, and video on demand are revolutionizing our business. Whether you work in television, radio, corporate video, or independent film you need to learn how these technologies can help you be a more effective -- and successful -- visual communicator. At our June 11 MCA meeting, we'll have a panel of some of the top local experts in these areas. They'll explore the potential and the pitfalls, the problems you'll encounter, and the possibilities you'll discover in using these technologies to enhance your work. Clearly, these are areas that are in their infancy -- and poised for enormous growth. Last year, for example, some 10 million people listened to podcasts. That number will soar to 55 million by 2011. Webcasting - which is simply "the transmission of linear and audio content over the Internet" -- has exploded, as sites like YouTube, Google Video, and even GodTube draw millions of visitors daily. Webcasts and podcasts can entertain and inform. They can train staffers or customers, introduce products or brands, inform analysts or investors, research markets, generate leads, reward loyal customers, and a whole lot more. While Internet content delivery can't replace in-person meetings, it can help avoid the expense of travel and accommodations. Watching a webcast is free, or a fraction of the cost of in-person meetings or seminars. Companies, schools, and other organizations can reach an amazingly broad and diverse audience -- from 20 to 20,000 people at a time. But the technologies have also helped independent media to flourish. YouTube alone has boosted the careers of many filmmakers, comics, actors, writers, musicians, and other artists. Filmmakers are beginning to use the Internet to bypass the traditional publicity and distribution outlets. Our panel will for this meeting will include: -- Tom Barry, Corporate Manager, Media Production, SSM Healthcare -- Chris Otten, Business Unit Manager, Conferencing and Collaborative Products, Roscor, Inc. -- Glen Wolk, President, Video Assistance Company We're still waiting for confirmation from the other presenters for this meeting, which will surely be one of the most useful and timely meetings we've had. DATE: Wednesday, June 11th TIME: Networking at 6:30pm, meeting starts at 7:00pm COST: MCA members = free non-members = $10 students = $5 LOCATION: SSM Media Department 1015 Corporate Square Dr., Suite 130 Creve Coeur, MO 63132 DIRECTIONS: Location is just north of Olive Blvd. and East of Lindbergh Blvd., off Old Olive Street Rd. From Hwy 40 take I-170 North to Exit 3 for Olive Blvd. Turn left at Olive Blvd. and continue West for 2 miles. Bear slightly right to stay on Old Olive Street Rd. Turn right at Corporate Square Drive.
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May Meeting in Review by Jim Trevor
We generally have a NAB wrap-up meeting where we give vendors a chance to show off what was introduced at the National Association of Broadcasters show held each year in Las Vegas. This year we decided to take a different approach and hear from some members who attended NAB.
Our six presenters shared a wealth of information that proved valuable to NAB regulars as well as the newbie. As the last analog NAB there was lots of talk about what will happen to those frequencies once broadcast goes all digital. Both AVID and Apple decided against having dedicated space in either of the exhibition halls. The rumor is that AVID saved $5 million dollars by setting up off-site. There was much discussion about the Red Camera, including the bouncer outside the booth to ensure no one skipped the often hour-long wait to get inside. We heard about new lights that offer variable color temperature at the twist of a knob, often wirelessly changing all the lights on the set. And more than one presenter who hadn't been to NAB for several years commented on how quickly you could lose touch with the technology, but the transition from SD to HD and to a tapeless workflow as forcing them to get back up to speed in a hurry. All of our presenters were happy they went even if their feet did hurt at the end of the day. I'm sorry I missed it this year if only because I would have liked to have seen the steadicam mounted on the segway. Thanks to Barlow Productions for hosting and to all our presenters for filling us in on what really happened in Vegas: Ginger Routh - Roscor Ken Clayton - Avatar Studios Holly Middleton - Ameren Bill Johnson - Modern Communications Don Stovall - Wachovia Securities Ed Voss - Lindenwood University
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Members in the Spotlight
Mike Ketcher recently did extras casting for "The Informant," a feature film directed by Steven Soderburg and starring Matt Damon and St. Louis' own Scott Bakula. The film has been shooting largely in Illinois (Decatur and Chicago), but came to St. Louis for one day only to shoot scenes at the Anheuser-Busch headquarters and at Lambert-St. Louis International Airport. Mike cast over 100 extras for those scenes. Some of Mike's other recent jobs included working as talent in a television commercial for Metrolink and promotional talent for the U.S. Army and Endo Pharmaceuticals.
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| Production Notes
News from the MO Film Office...Casting directors are stars in St. Louis and KC, the Farmer Finds a Wife in Portage des Sioux, Missouri, and filmmakers have a new resource for help with legal and business issues. All this and more in the latest Weekly Wrap-Up!
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