InSync in St. Louis
In This Issue:
Letter from the President
March MCA Meeting
February Meeting in Review
Production Notes
Members in the Spotlight
Washington University to Host St. Louis Premier of Award-winning Documentary Film
Lynn Redgrave to visit St. Louis
Article Headline
Next MCA Meeting...
March 12
Urgent Town Hall Meeting: MO Film Office Threatened - Ameren UE
6:30pm
 
 
 
2008
Board of Directors
PRESIDENT
Michael Ketcher
ketcher@ix.netcom.com

PAST PRESIDENT
Yvonne Niemann
myniemann@sbcglobal.net
 
VP-PROGRAMMING
Ginger Routh
grouth@roscor.com

TREASURER
Jim Trevor
JTrevor@ameren.com

MEMBERS AT LARGE
Tom Barry
Tom_Barry@ssmhc.com
Gregg Blumenfeld
Gsb9434@bjc.org
Jim Hone
jimhone@earthlink.net 
Sandra Olmsted
wryteralways@earthlink.com
Lou Stemmler
LouStem@silver-streak.com

 

In Sync! Editor
Please submit all articles, Production Notes, and Members in the Spotlight paragraphs by the 20th of the month for inclusion in the following month's issue.  Text should be embedded in the body of your email and pictures should be emailed as J-peg attachments.
 
See you in the next issue!
 
Emilie Barta
Newsletter Editor
 
 
 
Modern Communications
 
Roscor 

Bad Dog Pictures 
 
IATSE

Silver Streak Studios
 
VAC
 
Data Media Products
 
 
 
 
2008 St. Louis MCA
Calendar of Events

Check back to see what exciting events the St. Louis chapter of the MCA-I has in store for the rest of 2008!!
 
 
 
 
 
MCA-I Links
MCA-I 
March 2008
Multi Media Duplication 
 

Greetings!

STLMCA logo
FROM VISION TO VICTORY: 3 CHALLENGES TO BUILDING  A BIGGER, BETTER FILM & VIDEO INDUSTRY IN MO
 
Challenge #1: The Vision
 
Last month, I wrote that for MO to become a first-rate filmmaking powerhouse, we must begin with a "bold vision."  Michigan has such a vision.  The state's governor, Jennifer Granholm, recently said in a speech:  "We must pass the most robust incentives in the nation to spur growth of the film industry in Michigan."
 
The vision is bold, clear-cut, and to the point. 
 
Challenge #:2: Nuts & Bolts
 
Turning a bold vision like that into reality brings up the second challenge:  Determining the nuts and bolts of achieving such a vision.  Michigan legislators are doing just that, hammering out a new tax incentive law that would include:
 
-- a 40% tax rebate
-- an additional 2% for shooting in some 100 "core" communities -- Michigan 's older townships and villages.
-- provide up-front loans to production companies in the amount of the anticipated tax refund.
-- Enact other types of state loan assistance
-- Set a threshold of $50,000 as the minimum in-state expenditure.
-- Allow individuals who invest in a Michigan film production to get an income tax break for any gains realized from their investment.  This is a law designed to encourage "angel investors" for Michigan films.
 
Other measures being discussed include tax incentives for investment in a filmmaking infrastructure, such as incentives to build studios or to train and hire Michigan residents to work on films.  There's also a proposal to hire more people for the Michigan Film Commission, which like Missouri 's, currently has two employees. 
 
Challenge #3:  Making It Happen 
 
Once the plan is developed, then it must be sold to the legislators, most of whom are loathe to give tax breaks ... to anybody.
 
In Michigan , though, it should be an easy sell.  Even though the governor is a Democrat, her plan has substantial support from Republicans.  There doesn't seem to be much opposition from the Michigan press either.
 
Why?  Michigan  is the most economically depressed state in the country.  They're desperate to turn things around.  The state needs to diversify outside of the automotive industry, which dominates the economy there.  Tax incentives boost economic activity.  Film tax incentives are especially robust, because they have an almost immediate impact  -- much faster than, say, real estate development, alternative energy, or other "brick and mortar" businesses.  The state legislature is on a fast-track to write the new law and pass it.
 
What Does This Have To Do With MO?
 
The Michigan example shows what's possible.  It shows how a clear-cut vision can lead to a victory. 
 
Of course, that vision doesn't have to come from the governor.  It can come from a local industry organization, a member -- or members -- of the legislature,  or the Film Commission.  It doesn't matter, but the vision must be communicated clearly to everyone involved -- and bold enough to inspire people to work towards it.
 
Once that's decided, then we must develop strategies and tactics to make it happen.  What laws, policies, or programs will bring about that vision?  How will we convince the legislature?  What's negotiable, and what's  non-negotiable?  What are our short-term and long-term goals?  Should we hire a high-powered lobbyist to represent our interests in Jefferson City (and who will pay for it)?  How do we get key legislators on board?  How do we handle legislators, politicians, or bureaucrats who oppose us?  What grassroots measures can we use?  What groups, organizations, or individuals can we form coalitions with?
 
What tactics and strategies have been successful in other states, and will they work in MO?   How can we avoid repeating any mistakes we've made in the past?
 
What can be done on the local level?  Should St. Louis and Kansas City revive their film commissions?   How could local communities help filmmakers?
 
We'll be exploring these questions -- and more -- at our upcoming MCA meeting on March 12 (see information below). We'd love to hear your thoughts and ideas.
 
As an election year, it's a good time to for the MO production community to find a common goal -- and start working towards it.  It's a good time to pin the politicians down and find out who's for us and who's against us.  It's a good time to start creating a vision -- and laying the groundwork for a victory.

Mike Ketcher                                         

                                                                                                 
March 12 MCA Meeting
 
URGENT MEETING:  MO FILM INDUSTRY THREATENED
-- FILM OFFICE COULD CLOSE IN JUNE;
NEAR-BY STATES RAMP UP THE COMPETITION

The MCA is kicking it into high gear this month, with a crucial "State of the Industry" Town Hall meeting. The state's budding production industry, coming off of its most successful two years in history, is now being threatened. Jerry Jones, Missouri's film commissioner, will be on hand at this meeting to fill us in on the details.  Many other industry leaders will
take part.
 
Funding for the MO Film Commission is slated to run out later this year, which would leave MO as one of the few states without a film commission.  The governor has proposed funding it for one more year, but that must be passed by the state legislature -- and, as we know from past experience, ANYTHING can happen in the MO legislature.  The MO Film Commission promotes the film industry outside the state and works with film producers to bring their films here.  So, losing it would be a serious blow to the industry.

What's more, many nearby Midwestern states -- including Kansas, Oklahoma, Indiana,  Illinois, Michigan, and Wisconsin -- are ramping up the competition to attract more feature films, television shows,  and big-budget commercials to their states. Also, the Canadian provinces and several other states are upping the ante to attract more production.

It's a hotly competitive industry, and MO is in danger of falling far behind, unless new measures are taken soon to boost production.  The higher cap on the tax credit, passed last year, is already becoming outmoded. Over 60% of films are shot outside of California -- and MO could get a much bigger chunk of that business, with the right laws in place. 

This will be an urgent Town Hall Meeting on the future of the production industry here.  Not only will Jerry Jones be there, but so will the leaders of the new state-wide industry group, MOMMA, other members of the MO Film Commission, union leaders, and local independent producers. 

This is not only an opportunity for you to find out the latest about what's going on -- including movies that could be coming to St. Louis and MO later this year -- but to share your ideas about building the industry here.  While there are some threats to the industry here, there is also some good news, and you'll hear about that, as well.

We need input from everyone.  This will be an anything-goes, no-holds-barred discussion, where you can say what's on your mind.  If you have a beef -- or a bright idea -- bring it to the meeting.  Or if you just want to listen and learn about what's going on in the industry and how you can help improve the situation, please come.

It'll also be a wonderful networking opportunity, and we'll have plenty of munchies and refreshments.

Who should attend this meeting:

-- All union members and leadership, including IATSE, AFTRA, SAG, and EQUITY.

-- All vendors to the film/commercial industry: equipment rental houses, talent agents, casting directors, still photographers, caterers, and so forth.

-- Local filmmakers, especially those who would like to get access to tax credits and MO Film Commission help. The new law will help you, and you can learn more about it.

-- Non-union personnel,including PAs, extras, and bit players.

-- Film and media communications students who want to see more paying work and opportunities in MO when you get out of school.

-- Corporate and industrial producers and staff. Even if you don't work on films or big-budget TV commercials, a thriving film industry will help you.  More feature film work improves the crew/talent level and increases the talent base.  In this town, corporate video employs more local talent and crews than any feature film or big budget commercial that comes to town.  However, feature and commercial work, along with local corporate production, help crew and talent to make a living in this market, improve skills, and stay in town.
 
In short,  if you're connected with this industry in any way -- or you want to be -- we want you to come to this  meeting.
 
DATE & TIME: Wednesday, March 12, 6:30 pm

LOCATION: AmerenUE Headquarters. 1901 Chouteau Ave. (at Jefferson), Saint Louis, MO 63103.

DIRECTIONS:  Take I-64 (Highway 40) to Jefferson Ave., South.  Follow the signs through a convoluted, but clearly marked, detour.  When you get to Chouteau, turn Left (East), and go to 1901, which is the Ameren Headquarters, turn Left, and park in the visitor lot on your Right.  
 
--OR--

Take I-44 to Jefferson, going North, to Chouteau, turn Right (East) at Chouteau, and turn Left at 1901, which is the Ameren Headquarters, turn Right and park in the visitor parking lot.

COST: Free for MCA members, $10 for guests (to help defray the cost of food and refreshments), $5 for students.

February Meeting in Review
 
How do you get (and keep) a job in this industry in St. Louis? That was the topic of the February 13 MCA meeting at St. Louis Community College. Our panelists had lots of good advice for those attending. Among the tidbits offered:
 
  • When it comes to an interview, always remember that you're selling yourself so by all means, be pleasant.
  • Know all about the company you're interviewing with.
  • Know the gear.
  • If you know the gear better than the person you're talking to, you're valuable.
  • Think about how your skills can help this company accomplish their goals.
  • Tell them you want to work there and be emphatic.
  • Don't expect to get a job as an editor at a major production house right out of school. If you're lucky enough to get offered the Media Manager (think tape loader) job, take it. Then show initiative, do work on the side and work your way up to a junior editor.
  • Keep a demo reel short, no more than 3-4 minutes and put your best stuff on first. If you don't have a demo of actual work, student work is fine if it looks professional.  A music video is a good way to showcase your talent, because you can demonstrate a wide range in a short entertaining piece.
  • If you want to work films in St. Louis don't join IATSE with the expectation of IATSE getting you work. Work on smaller films (without pay) and then join IATSE once you've got a resume of films you've worked on.
  • Keep resumes to one page, highlighting your top films, commercial and industrial jobs, rather than several pages listing everything you've ever done.
  • Consider freelancing. Many of the corporate positions are filled with folks who have freelanced there in the past.
  • And finally, when in LA or calling there remember everything operates on a later schedule. The important people don't even come in until 10 or 11am but often are the only ones still there after 5 or 6pm, and they occasionally answer the phone.


Thanks to our panelists:

Rob Hahn, professor, Department of Mass Communications, St. Louis Community College
Ellen Legow, VP Executive Producer, Technisonic Studios
Gary Hansen, Business Manager IATSE Local 493
Steve DeShetler, Art Director for Broadcast, Joyce Meyer Ministries
 MISSOURI FILM COMMISSION FUNDRAISER
 
The Missouri Film Office is hosting a trivia night fundraiser in Columbia, MO on Friday, March 14th.  Interested?  Call Andrea at (573)882-1046.  The fundraiser will raise money to put on the 3rd annual Missouri Meet-up reception in LA in April for expatriate Missourians in the biz.  Know a former Missourian in LA who should be on our inveite list?  Have them e-mail
sporcica@missouri.edu.
 
Also note:  New address for the Missouri Film Office
205 Academic Support Center
University of Missouri - Columbia
Columbia, MO  65211
Production Notes
 
Cine ServicesCine Services, Inc. had a record year in 2007 designing, selling, and installing lighting, dimming, and controls in numerous churches, schools, theaters, and television stations. cineservices.com has a new look with links to all of their manufacturers, listings of projects with some pictures, their new maintenance program, and specials like the Martin Stagebar 54L LED fixture for rent or sale. Check them out, they are off and running on more major projects this year!!
 Members in the Spotlight
 
Dr. Jonas MosesDr. Jonas Moses is the Medical Liaison for the Broadband Television network, InTime tv, and has been Hosting a medical television talk show called On the Edge since March 2007.  The programming is "peer-to-peer," meaning his guests are predominantly world-class medical and scientific professionals, Biomedical industry professionals, and Public Health/Public Policy gurus with the intended viewers of physicians, life scientists, PH/PP professionals, politicos, industry professionals, medical/life sciences students, and academies.  As of August 2007, the programs were viewed in 35 countries by over 80,000 people, and are on track to have over 200,000 viewers a month in Q1 of 2008!  Take a look for yourself at InTime tv.
Washington University to Host St. Louis Premier of Award-winning Documentary Film
 
Lost in Wonsocket, a film about how kindness and hope can bring miracles, will make its St. Louis premier at 7p.m. March 18 in Graham Chapel. The screening, which is free and open to the public, is hosted by: The Office of Residential Life, Campus Y, Feed St. Louis, Congress of the South Forty, Student Activities, Greek Life, Community Service, Campus Life, Event Services and the Annika Rodriguez Scholars Program.  Harold A. Smith, executive director of Catholic Charities, says: "Lost in Woonsocket reveals how small acts of compassion can change lives. Maybe yours. In this land of riches, there is a critical need for people to get involved-even in small ways such as mentoring or volunteering to teach a class-to change the world one person at a time."

Lost in Woonsocket is a story of hope, kindness, and the painful reality of human frailty. In 2005, a group of filmmakers from Random1, an A&E show created by John Chester and Andre Miller, began a bold humanitarian experiment as they roamed the country looking for perfect strangers who needed help. Using their good intentions and gut instincts (and some help from their crew in an RV), they would attempt to get things moving in the right direction. In a revealing, behind the scenes look at the process, we are introduced to two homeless alcoholics, Mark and Normand, who live in a tent, literally on the edge of society. Hopeless and out of touch with their families for years, the two nonetheless maintain a strong bond of friendship.
 
The filmmakers are challenged to look beyond right and wrong and are forced to make decisions based upon consequences as they face once-in-a-lifetime decisions that could change lives forever.
 
Up close and unflinching in its raw honesty, there are moments of pathos, humor and grace.  This beautifully shot documentary examines the rush people get from helping one another, the ceaseless struggle against addiction and the belief that compassion still exists in modern society. "You'll never look at strangers the same way again.  I also believe the film captures a simple example of how we all might take part in changing the world - through individual involvement," said Chester.
 
At the conclusion of the film, there will be a brief question and answer session with a surprise guest from the film.
FORMER OSCAR, EMMY, TONY, AND GRAMMY NOMINEE, LYNN REDGRAVE, TO VISIT STL 
 
The Shakespeare Festival of St. Louis is bringing the acclaimed British actress, Lynn Redgrave, into town for "An Evening with Lynn Redgrave."  She'll  give an account of her life on stage and screen, intermingled with selections from Shakespeare, and conduct a Master Class on Shakespeare with students from local universities.
 
Ms. Redgrave's film credits include "Georgy Girl," "Gods and Monsters," "Shine," "Kinsey," and "The Jane Austen Book Club."  She's starred on Broadway and is a founding member of The Royal National Theatre.  She's won two Golden Globe awards and has been nominated for two Oscars, three Tonys, two Emmys, and a Grammy.
 
WHEN:  Saturday, March 29, 2008, 7:30 PM
 
WHERE:  The Sheldon, 3648 Washington Blvd., St. Louis, MO 63108
 
TICKETS:  For tickets, call the Shakespeare Festival of St. Louis at (314)531-9800.  Preferred seating, which includes a cocktail party for Ms. Redgrave following the presentation is $200; General seating and cocktail reception is $150, and a limited number of student tickets are available for $30.
Caption Midwest