Grishko

 

 

Newsletter   

September 2012  

  

Greetings!

 
We have lots of stories for you this month! 
 
Last month, we invited you to write to us about your experiences over the summer. Read on to meet some of the dancers who responded with an interesting variety of stories (and some lovely photos, too!).

We are pleased to introduce the winners of the Grishko Shoe Scholarship from last month's summer intensive at The Carreño Dance Festival. Grishko was a major sponsor of the intensive and we are so happy to offer support to these young dancers.

Our Anniversary Sale is underway, celebrating three years of Grishko NYC! Our first set of special offers includes tights and slippers, and will continue until September 22.

Also in this issue, we introduce new Grishko NYC staff member Amanda Nord and our new partner dance company Nomad Contemporary Ballet, and Judy Weiss talks about ProFlex, Grishko's superbly quiet and flexible pointe shoe.

We hope that you share our excitement and optimism about the beginning of a new school year, with all its changes and new opportunities. Happy dancing! 
 
Sincerely,
All of us at Grishko

Anniversary Sale

September 10-22

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Grishko slippers Tights sale - corrected  

NY store only; may not be combined with any other discount. Watch facebook and your email for Anniversary Sale updates.

Secret Word!  

facebook

Have you "Liked" us yet on facebook? Click the image to visit our page and learn about our Secret Word of the Week, to receive an extra 5% off at Grishko NYC. Watch out for a new word each week! 

 

(Valid only for on-site purchases at the New York store. May be combined with student or professional discount but not with other discounts or specials.)   

 Summer Stories: Madeleine   

  

Madeleine Madeleine P., 14, who starts training at JKO this fall, traveled from her Connecticut home to England for two weeks at The Royal Ballet School's intensive at White Lodge (ages 10-14). "It was simply an amazing experience!" she wrote. "The training was intense and while different from what I was used to, very rigorous and exciting. I learned a lot and feel that I have grown not only as a dancer, but as a person as well." Madeleine was one of only four Americans in the top level at White Lodge, and enjoyed meeting new friends from around the world. "We had tons of fun and formed life-long friendships," she said. "Not to mention, we were (in London) during the Olymjpics, witnessing history being made!" 

 Summer Stories: Rachel    

  

Rachel "The highlight of my summer, if not my entire life, was the three weeks I spent studying at the Bolshoi in Moscow, Russia!" wrote Rachel A., age 15, of Princeton, New Jersey. "Being in the same studios where some of my favorite dancers trained, learning to dance on raked floors, taking class in a language I don't speak, being turned into a pretzel in Russian stretch class, are just a few of the highlights, of course in addition to visiting the Grishko store in Moscow. It was like living in a magical ballet world."

 Summer Stories: Julianna     

  

Julianna Julianna D., age 14, studied previously at School of American Ballet and is now at San Francisco Ballet School, where she spent the summer. Her favorite experience was learning and performing the intricate corps sequences of La Bayadère. "Thirty-two dancers come down a ramp one by one in beautiful white costumes and veils," she wrote. "Leading up to the final showing was lots of rehearsing. We began by walking in a line and doing arabesques in plié. After many runs...we went onto the detailed counts (which) are very specific, and many positions must be held longer than you would think. After we learned the steps and counts, we made sure our spacing was neat and clean. Finally, our friends and families were able to see some of what we had worked on. I was so excited to learn La Bayadère - it was a major highlight of my summer!" 

in this issue
:: Anniversary Sale
:: Secret Word!
:: Summer Stories
:: Nomad Contemporary Ballet
:: Grishko on Broadway
:: Amanda Nord
:: Grishko Rising Stars
:: Fitting Notes with Judy Weiss
:: Keeping in Touch

Nomad Contemporary Ballet:

Grishko's new dance partner 

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Nomad Contemporary Ballet We have begun a partnership with Nomad Contemporary Ballet, an exciting new company here in NYC. Nomad's first performances, of six new works by five choreographers, are on September 22 and 23 at the Joan Weill Center for Dance (The Ailey Studios). Expect to enjoy exciting, cutting-edge movement and, of course, beautiful pointe shoes, ballet slippers and tights on the Nomad dancers! 

Grishko on Broadway 

 

Thanks to shopping trips to Grishko NYC, the casts of Phantom of the Opera and Mary Poppins are enjoying Grishko dancewear and accessories!  

Amanda Nord

joins Grishko NYC   

 

Amanda Amanda Nord has joined the staff at the New York store, where she will work part-time. Amanda is a contemporary dancer who grew up in Twin Cities, Minnesota, studied at Cornish College of the Arts in Seattle and has lived in New York since 2007. Most recently, she has danced with the Isadora Duncan Dance Company. We are happy to welcome Amanda to Grishko and we know you'll enjoy meeting her, too. 

 Summer Stories: Katie    

  

"While I learned tons of new and exciting things at the Kirov Academy Summer Intensive," wrote Katie B., age 16, from Pennsylvania, "the most intriguing thing I learned was about taking care of my body in my stretch and relax class," particularly with the foam exercise roller she already owned. "I had no idea how extensively I could use it, on my whole body...my body felt much looser, I gained more flexibility and I was able to relax more between classes. Overall, that dusty piece of foam in the back of my closet is actually a very valuable tool that I can no longer live without!"   

 Summer Stories: Courtney   

 

Courtney Courtney G., a 13-year-old dancer from Florida wrote: "My summer consisted of five fun, busy and tiring weeks at the Next Generation Ballet summer intensive. The first day, I was very excited and nervous to be somewhere new with different teachers and classmates. To be honest, after that first day I had never felt so sore in my life! One morning I woke up and was pretty sure I couldn't move to get out of bed! I learned so much and met so many super nice friends. I feel like a totally changed dancer from this summer!" 

 Summer Stories: Lauren      

 

"I really have learned so much, but probably not what the average dancer learned this year at summer intensives!" wrote Lauren B., 13, from Rochester, New York. Lauren spent July and August recovering from a knee injury in June. "I learned that taking care of the body that carries you is crucial, that most dancers experience injuries at some point or another, that following a doctor's instructions for rehabilitation is very important. I have also learned this summer that ballet is what I want to do for the rest of my life, not that there was ever any doubt, but this injury has confirmed my dedication to dance."  

carrenoGrishko Rising StarsJose and group

 Carreño Festival Shoe Scholarship Winners 


Congratulations to Nikolas Gaifullin, Julia Lipari, Gabrielle Mengden and Jack Thomas, winners of the Grishko Shoe Scholarship at The Carreño Dance Festival summer intensive! (Left to right in photo: Jack, Nikolas, José Carreño, Julia, Gabrielle)

These gifted young dancers were chosen to receive the scholarship during their studies at the three-week Carreño Summer Intensive last month in Sarasota, Florida. Each will receive eight pairs of pointe shoes or ballet slippers during the upcoming year.

You could say that Nikolas, now 17, has been dancing since before he was born. His parents, Stephanie Murrish and Bolshoi-trained Daniil Gaifullin, were a principal couple for 19 years, until just recently. Stephanie performed through the first months of her pregnancy with Nikolas and was back to dancing just two weeks after his birth. Then, "he was a theater baby from five weeks old," she says. "He was with us non-stop." 

Nikolas
Dancing was Nikolas' dream from an early age and by age two he was
"running around and posing," he says. "I started really training with my parents when I was seven," he adds. He took classes and private lessons and also practiced at home, studying "basic positions of the feet and stretching and pointing," he says, noting that the early footwork seems to have paid off. "I point my feet very well," he explains.

He'll be ordering Model 4 (Ultimate) slippers from Grishko, as he prefers the V-vamp. "It's elegant and elongates the foot and is best for his foot shape," Stephanie says.

Nikolas has participated in Youth America Grand Prix every year except one since 2005 and has been to the New York finals six times. Last June he won the silver medal at World Ballet Competition in Orlando. He studies in the top level at Tulsa Ballet Center for Dance Education, where his parents teach, and has already begun working with Tulsa Ballet's second company. His "dream-dream" is to perform Spartacus on the Bolshoi stage, while his current career goal is to join Tulsa Ballet.

Attending the Carreño intensive was "a wonderful experience," Nikolas says, that helped him build his technique and gave him great happiness.

Gabrielle Like Nikolas, 14-year-old Gabrielle clearly has ballet in her blood. Her parents aren't dancers, but her older brother and sister, 16-year-old twins Rachel and Michael, are both accomplished dancers with professional aspirations.

Having dancing siblings "is really nice because you can talk about ballet," she says. Being older, they are able to give her guidance regarding both technique and career goals. "They're supportive and help me do better," Gabrielle says.

Gabrielle studies at Allegro West Academy of Dance in Katy, Texas, outside Houston where the family lives. She's studied at the Houston Ballet summer intensive for the last two years and has competed at YAGP since 2009, including three years at the New York finals. Her experience at Carreño was "amazing - I loved it," she says. "You get to be taught by such amazing dancers and meet dancers from around the world." She felt strong growth in her overall technique and in her port de bras, which she learned to approach with her whole body, not as simply arm movements.

Gabrielle has worn Grishko since she began pointework, starting with Maya and switching to 2007, which she likes for the line she gets with its streamlined box. She used to wear lambswool but now uses toe tape only and notes that she gets few blisters. In a Hard shank, her 2007s last for about three weeks, but she ends up wearing each pair longer because of alternating several pairs at a time.

Julia, age 12, also wears 2007, in a Soft or Medium shank, and finds that each pair lasts about two weeks. She's always worn Grishko but alternated with another pointe shoe for a while. "Grishkos don't die as quickly," she says.


Julia Especially for such a young dancer, Julia has already built an impressive training portfolio. So far, she has attended ABT's Young Dancer Workshop for three years, Chautauqua, Central Pennsylvania Youth Ballet and Kirov Academy of Ballet. This summer, she spent six weeks at the Bolshoi Ballet Academy in New York and began her three weeks at Carreño the very next day. "It was a good summer," she says. "It was intense and I think I got much stronger."

For her year-round training, Julia currently studies at home, with teachers including Rachel Hamrick visiting the personal studio her family built two years ago at their home in Katonah, New York. Also homeschooled, Julia enjoys doing all her work, academic and artistic, in one place, and has found it easier and more flexible to train at home than to organize trips into the city for classes.

This summer, she received two exciting invitations. Magaly Suarez, a renowned Cuban-trained teacher and coach and director of The Art of Classical Ballet in Pompano Beach, taught at Carreño and asked Julia to dance Clara in Suarez's Nutcracker this year. Julia was also invited to train year-round at the Bolshoi in Russia. Because of her age, she won't be attending this year, but the invitation was a great honor.

Julia has participated in YAGP for two years, including the New York finals, and placed third in the Connecticut semi-finals in 2011.

Jack At 15, Jack has been dancing for ten years, ever since he broke his leg skiing and watched Billy Elliot during his recovery. "I turned to my Mom and said I wanted to start dancing," he recalls. When the cast was off his leg, the doctor offered some options for rehabilitation and Jack asked if dancing would do. After that, "I went to class and fell in love with it, and I've been doing it ever since."

He started out studying a mix of genres and "for a while I was really into tap." Four years ago, he dropped everything else to focus on ballet.

Jack hasn't had many performance opportunities yet, but really enjoys it and has participated in YAGP for the past two years and placed in the Top 12 in the Denver semi-finals this year with a 2nd-place win for contemporary.

He was invited for year-round training with Houston Ballet after attending Houston's six-week summer intensive this year. He moved recently from his Colorado home to the school's dormitory, which is conveniently located upstairs from the studios.

Jack with Jose Jack chose to attend Carreño because he was excited about the top-level faculty and the opportunity to experience Cuban training. He "learned a ton," including technical advances and "what it would be like to be a professional; they treated us like professionals," he says.

He was especially inspired by José Carreño. "We had a bunch of classes with him, just the guys. He turns like a boss and is pretty crazy at jumps and he is one of the reasons I decided to go to the intensive. José is a great performer and a great guy."


Photos courtesy of the dancers and of The Carreño Dance Festival. Photo of Gabrielle Mengden by Kevin Hoehne of See What Develops in Houston.  

FittingNotes Judy Weiss Fitting Notes
with Judy Weiss

 

Q. Is ProFlex just for professionals and pre-professionals? 

 

A. That's a really good question, and it's an important question, too. ProFlex is based on 2007, with the addition of silencing qualities (like Pro 2007) and a very flexible shank and box. Its design is geared toward dancers who want to be able to go straight onto the stage, without needing to break in their shoes. But the flexible shank can be useful for other dancers and in other situations, too. 

 

All dancers, teachers and fitters should be aware, though, that ProFlex's support is very light. Only dancers who are sure that their own strength is adequate should wear shoes with this level of flexibility. I've known dancers who chose ProFlex specifically because they were less able to reach and maintain full pointe without great flexibility in their shoes. Some others simply have such strong feet that they need less support and enjoy the articulation that they get in ProFlex.

 

The most important thing is to get the shoe and shank strength that are best suited to your feet and technique. Professional fitters will study everything about your pointework: your foot shape and strength, your core strength and posture, your technical level and performance needs. ProFlex - like any other pointe shoe - should be chosen only after consideration of all these factors. 

Keeping in Touch 

 

We love to hear from you! Follow us on Facebook and Twitter (click the icons) or email info@grishko.com with your questions and stories about wearing Grishko.
  
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