 It's
June! We are breathing summer in the air, flowers are popping up everywhere,
and pigeons have taken to harvesting in my terrace garden. Summer 2010
also brings the South Africa World Cup and soccer patriots everywhere
are digging out their team colors. But despite the heat of the game (and
the literal heat in the air) we at Meccanotecnica are working hard at
our various projects, including a trip to the United States to visit old
and new business partners. In this issue, we'll try to quench the
summer heat by discussing the rain of cosmic rays in the AUGER
experiment. Enjoy! Regards, Rosy Trovato P.S. On a personal note, after 2 years of genealogical research and
almost 40 years of distance and struggle, I've found my long lost
relatives in the Chicago area. May the power of the internet prevail! Meccanotecnica Riesi srl |
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Where do those particles come from?
Cosmic rays are constantly raining down  on Earth, yet the rays containing high energy particles are still largely a mystery. We don't know where they come from, how they are produced, or how they are accelerated at such a high energy. In the depths of western Argentina, the people at the Pierre Auger Cosmic Ray Observatory work tirelessly to try to solve some of these mysteries. Professor Insolia explains that the highest energy particles are very rare. Earth only gets hit with about one particle per square kilometer per century, so a large area needs to be monitored to detect these particles. "Once we get enough of these events," he states, "we can try to understand what they are... Once we identify the particles and the possible sources, the interplay between the particles and the source, we will be able to gain an estimation of the galactic to intergalactic magnetic field." In order to track these high energy particles, the Auger Observatory has created precise 440 pixel cameras. "The light reflects off the segmented mirror," Insolia explains, "so that the camera can register the points of light from far away. The nice thing is that the camera is not flat. The profile is the same as the focal surface of a mirror." The importance of these technical details led to a collaboration with Meccanotecnica Riesi. Designed by an engineer of the National Laboratory of South (INFN - Catania) Meccanotecnica Riesi has produced 27 paraboloids for the Auger Observatory and are working on a few more. These paraboloids make up the body of the telescopes used in the P. Auger Observatory. The complex nature of this project led to the purchase of new machinery: the Milling and Boring Universal Machine DMU 125P Numerical Control Heidenheim Deckel Maho. Each parabola is created from an enormous piece of aluminum weighing about 400 kg. The final product weights about 40 kg. To whittle out the final product from the initial piece of aluminum takes about 22 hours. Though the surface is less than one square meter, each parabola has 440 holes. Each hole has a center point with the focus of the parabola. Initially, there was a public bid for this project. Price was a consideration, but the real concern was whether a company was really capable of completing the project. Meccanotecnica had the lowest bid and the capabilities necessary; "You have done really great work with the parabola," Insolia praises. "Everybody agrees that the design is perfect from the mechanical point of view. There is not a single problem with these cameras. The quality, according to everybody, is top class." Despite the possibility of problems due to the international nature of this project, the Auger Observatory and Meccanotecnica have worked together perfectly. "Meccanotecnica is a jewel," Insolia continues. "You already have the machine, the software, the program... you save us money. You know exactly what we need."
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Bella
Sicilia: Noto By: Oreste Giusti
 For
those of you who do not know me, I am the newest engineering intern here at
Meccanotecnica Riesi. I am originally from Miami, Florida, but I'm
currently
pursuing my Bachelor's Degree in Aerospace Engineering from Embry Riddle
Aeronautical University in Daytona Beach, Florida. I came to Sicily this
summer
confident that my internship would teach and allow me to practice
valuable
skills to me for the workforce, and hopeful that my free time would be
intellectually
and aesthetically rewarding. Now, more than three weeks into my
internship, I
can attest that my expectations are being fulfilled. I'd like to take a
moment
now to reflect on the first of my Sicilian weekend adventures with my
fiancé,
Marylin: a trip to Noto. On
the bus ride to Noto, we were told that this city is significant for being the
birthplace of baroque art. We soon discovered that, although small, Noto was
indeed filled with baroque charm. Once we arrived, we stepped off the
bus into a park that was elaborately decorated with a variety of plants which
provided comfortably shaded seating areas for parents to sit and observe their
children playing on the swings and slides.
As we
walked from the park to Noto's town center, we strolled between a beautiful
rectangular garden, speckled with sculpted busts of historically prominent
individuals, and a street lined with carts selling dried fruits, nuts, and other
miscellaneous merchandise. Before long, we found ourselves back in the 1700s,
surrounded by gracious gray stone structures.
The main site to
see was the Duomo, which stood a top a hundred, stunning-but-imposing steps to
face the Palazzo Ducezio. Despite the destruction that this
site had experienced (from war to earthquakes) these steps and the outer façade
seemed virtually unscathed. Inside the Duomo, however, the restoration
construction educated us about the reality of the pain inflicted upon the
building.
Just
simply being in Noto, and having the opportunity to peer up at such large and
intricately sculptured architecture, was worth the long bus ride from Riesi. We
were reminded of the patience and dedication with which Italian artisans have
historically pursued their art; it inspired me, an Italian-American student, to
uphold these standards to my art:
engineering.
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Current Project Spotlight:
This month, we are manufacturing spare parts for gear boxes.
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What's New:
Eager to end of the global crisis, and in order to
stimulate economic recovery, we are improving our purchasing
capabilities: a new CNC Workcentre just arrived. Its installation will
increase our production and potentialities.
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