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ICA - Art Conservation
America's first nonprofit art conservation center
October, 2012 - Vol 6, No 4
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Al in Italy

From the Executive Director
Albert Albano

After my 11 month fellowship in Rome, a city with over 2000 years of remarkable history, it was extremely encouraging to witness upon my return so many new, large scale, and promising projects moving forward in Cleveland. I can only hope that the city's commitment and energy directed towards its own significant and unique cultural heritage will keep pace with that new found growth.

What superlatives can be used to describe a year spent at the American Academy in Rome, which have not been so exhausted that they have become clichés? One opportunity perhaps remains, simply to personalize commentary of the experience. The excitement of the prospect of the pending experience at the Academy and all that it might offer, coupled with an undercurrent of uncertainty, melded into a tantalizing sense of expectation for the unique and rare opportunity.

My project in its original form was intended to be a synergy of researching under-explored, written, primary source material of the 17th and 18th century and seeking out in-situ paintings, primarily in Rome, referenced in those texts. It presented an ideal opportunity to visually "map" the pictorial landscape of "modern Italian" painting in Rome during that vigorously creative period, primarily as English travelers saw, perceived, and interpreted it.

The written work resulting from my research has taken the form of a four-part manuscript, which I hope to find time to complete for an eventual book publication. From this incomplete manuscript I have extracted and assembled a sizable article, which I am now developing towards publication in an appropriate venue. With the amount of historic material I was able to uncover and assemble, in conjunction with the additional relevant visual, in situ material revealed in my explorations, I believe the originality and import of the work I have produced so far is significant for prompting a reexamination and rethinking of how we have looked at and currently look at and understand the visual and physical aspects of important periods of "modern Italian" painting from the 16th and 17th centuries.

Lincoln HS mural through ceiling hatch
On October 2, The Spirit of Education an enormous mural (32' h x 19.5' w) by William A. Krusoe was unrolled for examination and treatment proposal preparation. Painted in 1939 for the stairwell of the former Lincoln High School, and funded by the WPA, the three separate sections of the mural have lived in storage since the demolition of Lincoln High School in 1977.

Recently Lincoln HS alumni have raised the funds for this initial assessment. This photo shows Bob Pearl and Jan Lukas, the two alumni who have spearheaded the project, being interviewed by Mark Urycki of WKSU radio, while ICA paintings conservators examine the upper section of the mural. Due to the size of the mural (32' h x 19.5' w), photographs were taken through a hatch in the second floor of the ICA lab.

The mural belongs to the Cleveland Metropolitan School District. A new site for the mural has not been identified, and further funds must be raised for the conservation treatment. To learn more about this project and the collaboration to save the mural, read this article, which appeared in the Plain Dealer last July.

William Attila Krusoe was born in Hungary in 1898 and died in Texas in 1990.
Octavofest Logo
Care and Handling of Paper Materials Program + ICA Lab Tour

Tuesday, October 9, 2012 4:00 - 5:30PM
Cost: Free!

Do you own or administer a collection containing historical documents, photographs, and mixed paper ephemera? If so, come to ICA's paper conservation lab to learn the best way to maintain and handle these delicate materials. Jennifer Souers Chevraux, ICA's Education Outreach Officer, will present a program including simple how-to demonstrations, followed by a tour of ICA's paper lab, where ongoing conservation projects will be featured.

Make It Last! - Working Properties of Paper and Adhesives for Artists

Tuesday, October 23, 2012 6:00 - 8:00PM
Cost: $25.00

ICA-Art Conservation Paper Conservator, Jamye Jamison, will introduce participants to the working properties of papers and adhesives commonly used in conservation as options for book and paper artists. As conservators our main focus is reversibility and longevity and we encourage artists to also think about these topics. The goal of this class is to give artists information about possible options/materials that can help "Make It Last!"

Hurry, there's still time to register! To sign up for either of these programs, please contact Jennifer Souers Chevraux, ICA's Education Outreach Officer, via email at jennifersc@ica-artconservation.org, or by phone 216-658-8700.
Forbes Collection vermilion samples
This past summer Senior Research Associate Dr. Jilleen Nadolny from Art Access and Research in London came to Cleveland to examine the ICA's Forbes Pigment Collection. ICA is one of a handful of institutions worldwide to house a subset of the historically important collection assembled by Edward Forbes while he was director of the Fogg Art Museum at Harvard from 1909-1944.

Working with area students Erik Schmittgen from John Carroll University and Christine Haynes from Case Western Reserve, Dr. Nadolny took a set of reference samples for analysis and made constructive suggestions about the condition of ICA's collection. Dr. Nadolny, will use such the samples to further her work, and that of her colleagues, as they investigate issues of authenticity and the history of technical developments in the making of art. ICA staff and students had the opportunity to discuss conservation issues and to compare notes from Ohio to London, while they enjoyed a good cup of tea with London Olympic cookies!
Mennonite Collection at Bluffton U.
Don't forget, ICA is currently accepting applications for its 6th Annual Subsidized Survey. We will choose one institution to receive a free collection survey focusing on a select group of artifacts. An ICA conservator will visit the recipient institution to examine the objects on-site for up to two days, and written condition reports and treatment recommendations will be provided. The institution will be asked to contribute only the travel costs associated with on-site visits. The goal of the award is to help the recipient institution identify preservation needs, and Information gained through the assessment can help raise funds for addressing those needs.

Any non-profit cultural institution demonstrating a commitment to collections care is eligible to apply for this survey. Past recipients of the subsidized survey include Musselman Library at Bluffton University, Kennedy Museum of Art at Ohio University, St. Paul's Episcopal Church in Cleveland Heights, Ohio, and the North Canton Heritage Society.

Click here for more information, or to download a PDF version of the subsidized survey application from the ICA's website.
Applications are due via email, mail, or fax by Monday, November 12, 2012.
Children's program & Grebenak mural
With the end of the year rapidly approaching, we again look to our patrons and friends to help sustain the role ICA plays in safeguarding artifacts and artworks, which connect us to our past. We are grateful for the generous support we receive from the community, and ask you to make a tax-deductible donation to ICA enabling us to continue the preservation of this region's artistic treasures for future generations.

We thank you for your consideration and appreciate your recognition of the importance of ICA's role in safeguarding this region's link to our shared cultural heritage. If you work for a company that matches employee charitable contributions, please ask for a matching donation to ICA-Art Conservation.

To make an online donation, visit the support page on our website, or download a printable form.
ICA Storage Facility
Planning an upcoming renovation? Don't forget that ICA has affordable, state-of-the-art, fine art storage, which can house your collection while space at your home or facility is in flux, and we provide this service to institutions and individual collectors alike.

ICA offers storage for short- and long-term housing of collections in transit, as well as long-term storage for single pieces or entire collections. ICA's facility includes 41,000 cubic feet of specially designed fine art storage, which is constantly monitored to maintain a 50% ±5% RH (relative humidity) and a constant temperature of 65-70° F. It has a 16-foot entry access adjacent to an environmentally-controlled loading dock equipped with a hydraulic lift to facilitate loading and unloading of objects of all sizes. ICA employs a 24-hour armed response service to monitor the building's 27-point security-detection system, while all art storage areas are restricted-access and secured by a second-tier monitoring system.

For more information or to obtain an estimate, contact ICA Operations Manager, Chris Pelrine at 216-658-8700.

Photographs copyright ICA - Art Conservation, 2012.

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Jennifer Souers Chevraux, Education Outreach Officer
ICA-Art Conservation

p: 216-658-8700 f: 216-658-8709