|The Freehold Forum E-Newsletter
Best, Dear Freehold Community, Summer has arrived ... and we are very happy about that here at Freehold.
We are also VERY happy to announce a great line-up for our June e-newsletter which includes:
*A personal interview with Marc Kenison - learn more about his "dare to suck" perspective
*Find out why Pia VanHanen described her improv experience this quarter as making her feel "free"
*Info on a BENEFIT FOR ELIZABETH HEFFRON AND ANNIE READY
*Updates on Freehold's upcoming Dinner & Auction: Soiree at the Palace
*Faculty and Alum News plus what some of our faculty are looking forward to this summer.
Here's wishing for a sensational summer for us all!
(206) 323-7499 x14
Interview with Marc Kenison
Marc Kenison studied ballet and modern dance at Juilliard. He danced with the
prestigious José Limón Company for six years, performing in Sarajevo, El
Salvador, and for President Clinton. He earned an MFA in acting from the
University of Washington and co-founded Washington Ensemble Theatre (WET),
which raised the bar for Fringe Theater in Seattle. Since 2006, Marc has
been performing burlesque and his highly acclaimed performances as Waxie Moon
have been seen at numerous Seattle venues including The Triple Door, the Pink
Door, and On the Boards. Marc will be teaching "Creating Cabaret" at
Freehold this summer.
Photo above by John Ullman.
Marc, you have an extensive background in ballet
and modern dance. What
drew you to those?
Ever since I was young (the
3rd grade), I knew I wanted to be a professional dancer. I started with disco
lessons...yes, I'm that old. That was the only way to entice young men to
dance at that time....this was all pre-Baryshnikov. I enrolled at the local
dance studio, stayed with it, eventually took tap, jazz and ballet.
thought I was going to be a ballet dancer, and went to The
Interlochen Arts Academy to further my studies. It was there that I was
introduced to modern dance and was immediately drawn to the
individually expressive and dramatic possibilities of the form. I knew that
is what I would do, and eventually went to Juilliard. There I was able
to dance an extensive modern dance repertoire, including works by
Anna Sokolow, Paul Taylor, Martha Graham and Jose Limon.
Expect the Unexected: Experiences from the Spring Improvisation Class
by Pia VanHanen
(photo from Winter 08 Improv Class)
Improv class this spring with Matt Smith was a mind opening
and thought provoking experience!
I am a person with a
very structured mind and tend to intellectually analyze things to create
meaning and order so that I can effectively categorize my life experiences and
attach appropriate level of meaning to everything. I work in the fast paced world of business as
an executive for an emerging technology company in town. We early stage folks
take pride in being creative and overachieving and a bit crazy - we thrive on
building things and creating order out of chaos, and stay stimulated by having
each day be filled with a different set of exciting challenges. From that
perspective, letting yourself go and experience the moment is actually a
somewhat familiar feeling.
SEATTLE THEATRE COMMUNITY IS INVITED TO:
FOR ELIZABETH HEFFRON AND
AND THEIR PARTNERS, MATT SMITH
AND ANITA MONTGOMERY
BENEFIT IS TO RAISE FUNDS TO HELP ELIZABETH AND ANNIE IN THEIR BATTLE AGAINST
SPONSORED BY ACT
THE CORNISH COLLEGE OF THE
MONDAY, JUNE 22,
ACT, 700 UNION STREET,
THE BENEFIT WILL FEATURE
STAGED READINGS OF ELIZABETH HEFFRON'S PLAYS,
PERFORMED BY SOME OF SEATTLE'S
MOST TALENTED ACTORS
DONATIONS ACCEPTED AT THE
SILENT AUCTION OF FANTASTIC
PROCEEDS WILL HELP TO BENEFIT ELIZABETH AND ANNIE AND THEIR
We thought we'd ask some of our faculty what THEY are looking forward to this summer.
Finally moving into my new digs!--Annette Toutonghi
Eating lots of salted caramel "Molly Moon" ice cream. One
just opened in my neighborhood. Yum! --Marc Kenison
I'm looking forward to a re-mount of my play "How to be Cool" this July
and August, and to sunny days that come more than three in a row.
I am looking forward to Lullaby Carriage
in Magnuson Park. September 18, 19 in Magnuson Park. For more info, http://www.Lucianeare.org
Hope you all are having a great start to your summer!
|Upcoming Freehold AuctionSoiree at the Palace
Dinner & AuctionMonday, June 15, 2009at Tom Douglas' Palace BallroomLAST DAY TO PURCHASE TICKETS: Thursday, June 11th
Tickets will NOT be available at the door!Amazing items galore
...just received a $150.00 gift certificate to El Gaucho
in addition to other cool donations!
http://www.brownpapertickets.com/event/67196or contact Kate at firstname.lastname@example.org or (206) 323-7499 if you want to purchase a table for the event!Thanks for your support!
|Freehold Faculty Performances|
Every Wednesday night at Spitfire Grill in Belltown, The Seattle Poetry Slam hosts a spoken word extravaganza. 8 p.m., $5 cover, 21 & over ID required, go to http://www.seattlepoetryslam.org
received an Artist Trust grant to help her further develop the original solo work, Returning the Bones. In order to be
maximize the story, artistry, and overall potential of the play so
that it would be ready to present at venues worldwide, Gin knew she needed the
help of a director. She's thrilled to announce that she'll be working
with Carol Roscoe, a local professional director and actor whose
work she greatly admires. (Photo at left: Gin in Returning the Bones)
national cable show, Artists Toolbox, which interviews artists such as actor Tom Skerritt, director Hal Prince, architect Tom Kundig, musician Yo-Yo Ma, and writers Reeve Lindberg and Isabelle Allende, airs starting in June.
will be remounting his play How to be Cool
this July and August.
is performing in Open Circle's Carlotta's All New Late
Night Live TV Wing Ding, running the third Friday and Saturday nights
of each month at 11pm, through the end of July. For more information, http://www.octheater.com/
will be performing Das Barbequ
at ACT in August. For more info, http://www.acttheatre.org/
will be in Catch me if You Can
at the Fifth Avenue Theatre running July 23 - August 14 (for more information: http://www.5thavenue.org/
play Next to Normal
is on Broadway!
For more information, http://www.nytix.com/Blog/2009/02/next-to-normal-to-play-broadway.html
goes out to Brian Yorkey and Tom Kitt for winning the Tony Award for Best Original Score (music by Tom Kitt; lyrics by Brian Yorkey) for NEXT TO NORMAL!
|Freehold Student and Alum News
Here are some upcoming performances/work by some of Freehold's current students and alums. Want to be included in this list? Email Kate at email@example.com with your upcoming shows.
MEISNER FINAL CLASS SHOWCASE: Thursday, June 25th in the evening (time will be forthcoming) at Freehold in the Black Box Theatre. Freehold's Meisner Showcase is always a great night of theatre. See the results of the hard work our Meisner students have been in all year. FREE! Questions, call us at Freehold: (206) 323-7499.
Monica Chilton will be in the ensemble for Snoqualmie Falls Forest Theater's
production of Oklahoma! this summer. Performances are Saturdays at 3 p.m.
p.m., and Sundays at 3:00 p.m. For more info, http://www.foresttheater.org
Eileen Dey is hosting Seattle Cold Readers, 3rd Thursdays at the Alibi Room in Pike Place
Market 8-9:30pm. Where the acting and writing talent are
admission. Featuring 4 new scripts submitted by local
writers and performed as cold reads by
professional actors. The audience votes
on the best performance of the
evening. For more info, http://www.seattlecoldreaders.com
David Friedt, Joy Easley, Kirsten McCory, Michelle Flowers and Xan Scott will be in a Sound and Fury Production of MacBeth, running June
12-June 27th @ Theater 47- Magnuson Park. For more info, http://macbeth.dramatech.net/about.htm
Bradley Goodwill and Carolyn Monroe are in The Tempest at Seattle Shakespeare
Company. For more info, http://www.seattleshakespeare.org/
Phillip Mitchell will be performing in Twilight Zone at Theatre Schmeater. For more info, http://www.schmeater.org/
Jesse Putnam performing in Four
Strange Loves an original play produced by The Seattle Playwrights'
Collective. Shows are at Do North Theatre (17517-C 15th Ave NE, Shoreline).
Performances June 5, 6, 7, 12, 13, 14. http://seattleplaywrightscollective.org/
Andy Tribolini will be part of Backwards
Ensemble Theatre Company's night entitled Virgin Playwrights - 7/12 6-9pm. For more info, http://www.backwardscompany.org/virginplaywrights.html
Jeff Woodbridge (directing) and Jesse Putnam (playwright) have a play going up entitled The Masters with cast members Kim Fitzharris, Will Hardyman and others at Odd Duck in August with a reading and fundraiser on June 19th. The June 19th reading and fundraiser will be at Odd Duck Studio (1214 10th
Avenue) at 7 PM. For more information on the play go to, http://themastersplay.com/
|Interview with Marc Kenison (continued)
was your experience performing with the Jose Limon Company?
I loved touring the world.
I feel so fortunate to have danced in so many amazing places, including
Sarajevo, El Salvador, Russia, Japan and The White House. I also loved
dancing Jose Limon's masterwork, "The Moors Pavane". It is his telling of the
Othello legend, with four characters, in a court dance. I danced the role of
the Iago figure. The most challenging aspect about being in that company, was
dancing enough truly contemporary repertoire. A part of me
really wanted to be dancing edgier, downtown, performance-art
type, contemporary dance. Eventually I left to work with Tere O' Connor,
a great dance theater creator. He was working with text at that
time, which is what led me to acting. I also got tired of being non-vocal
in my art.
The Stranger described Waxie Moon as saying that she
personae, from '70s mustache-and-jeans stripper to cross-gender
dancer-but the dominant character is a pathetic diva." How would
He/she is a gender bending queer lady
boylesque performance art solo stripping sensation!
I enrolled in The
Academy of Burlesque's Burlesque 101 Class, taught by Miss Indigo Blue. I had
gotten burnt out on producing ... I am a Co-founder of The Washington Ensemble
Theatre ... and decided to try something new and fun. I was hooked. I have
continued to create and develop the character of "Waxie" and explore the art
form of strip-tease. It has been a good merging of my acting and dance
skills. The multiplicity of the personae has really emerged based on
inspires each striptease act. I perform everything for Glam-Rock
to Classic Glamour Burlesque. I think Waxie is always larger than
life (something like Life x's 5) and a celebration and embodiment
of "freedom of expression".
What excites you about this upcoming
Creating Cabaret class? (i.e. what
are you hoping students will come away
I just really love teaching and always enjoy being in a
studio teaching environment. I also really try to cultivate a "try
anything" and "dare to suck" type of atmosphere. I am looking forward to
seeing what types of students the class
description attracts. I hope there
will be a real diversity in interests and areas of expertise represented
(actors, singers, dancers, circus artists, burlesque performers,
I hope each student will create a finely tuned cabaret act that
they can bring into the burgeoning burlesque and cabaret scene of Seattle
- an act that is sophisticated, original, theatrical, entertaining and
a full expression of their individuality and creativity .... and have
What are your goals or dreams for your characters or your
My own Sitcom and Broadway
show. I think TV and Broadway could both use a bit more gender complexity,
glitter, glamour and male nudity.
For more information on Marc's upcoming "Creating Cabaret" class, go to http://www.freeholdtheatre.org and go to "training" or call us at (206) 323-7499.
Back to top ...
Expect the Unexected: Experiences from the Spring Improvisation Class by Pia VanHanen (continued)
I have always had a strong calling to connect with the
creative flow, the spirit and the pulse of the Universe. I want to be aware enough
as a human being to have multiple filters through which to observe the world
and its people, as the differences are what brings so much beauty to our mutual
existence. My personal philosophy in life is to learn as much as I can, and
never stop the process of exposing yourself to things that you know nothing
about. Our life on this Earth is a short blink of an eye, and there is so much
to experience for us who suffer from anxiety about mortality! Therefore, I made
an honorary promise to myself many years ago to dedicate one evening per week to
experiencing and learning something new.
It was only logical that my path lead me to the Freehold Theatre.
As I have come to realize with each class I have participated
in so far, none of the premeditated 'what does this mean' structured analysis
could have been applied to what I experienced in the Improv class. I arrived
with absolutely no expectations - nothing to prove, nothing to gain, nothing to
lose. It is actually very refreshing to just 'be', and not attach any value to
who I am or what I do or what I say. That is quite different from the fully
controlled and quite perfected experience of my every day work life.
I arrived ready to learn and experience the best of it all:
Other people and their spirits. It is an honor to be in a group of different people
who come from all paths of life and to experience their gift first hand. The
whole world of acting was, and to a big point still is, totally foreign to me.
Like the Improv class experience showed me, it is truly about the honesty of
being and connecting in the moment - sincerely, fully, passionately, and
quietly. If there is anything I value in life, it is the very experience of
connecting and feeling the energy around us. To create markers in time, to experience
emotions which I can recall for the rest of my life - not big ones, but little
ones. And to all of a sudden wake up to a realization of an exhilarating and
unexpected moment of seeing that little glimpse of Universal love which
pulsates all around us. That's the frosting of the cake called The Meaning of
Life, or in this case; The Meaning of The Improv Class.
I had one of those
moments in my second-to-last Improv class. We were on the home stretch already,
had spent a couple of fun filled months together, and were eager to be free for
the summer. I thanked myself for having put forth the effort to commit to a
class - it is a big commitment in the midst of a busy career and home life. I
was simply enjoying the sense of accomplishment - I of course had once again
attached value to what the class would mean to me and my life, and what skills
I had developed. And there it was, a flashing moment of eternal truth: I
realized that I hadn't actually become any better acting student or an improviser.
Instead, the class had made me a much more aware as a person in my own life,
not on any stage but with my 24/7 existence everywhere. I felt FREE! Something
much greater than an achievement of a goal had inspired inside. One of those small
yet limitless realizations that you don't expect or search for.
I feel very blessed to have experienced something fun and
inspiring which has made my early path in the craft of Improv and acting a welcome
refuge - for the rest of my life, I dare to think!
Interested in a daytime Improv
Class? Matt Smith will be teaching an Improvisation Intensive at
Freehold this July, Monday through Fridays from 10:00 a.m. - 1:00 pm.
For more information or to register, go to http://www.freeholdtheatre.org or call us at (206) 323-7499.Back to top ...
Freehold engages artists of all levels in training and experimentation so
that they may become more innovative and heartfelt in generating theatre that has a lasting impact
on the community we serve.