Russian Pointe

May 2009 

In This Issue
:: Coming Events
:: Russian Pointe DVDs...behind the scenes
:: Russian Pointe joins Dance/USA
:: Aleksandra Efimova attends Joffrey Gala
:: Russian Pointe on the road
:: Spotlight...Emily Kadow
Welcome from Aleksandra 
 
AE  VJ-MAI will never forget the first black-tie gala I ever attended: opening night at Lyric Opera of Chicago. After eager anticipation and preparation, I felt transported as I walked into a building that was familiar but had been transformed. The decoration was breathtaking, and the ladies in their gowns were as stunningly elegant as the gentlemen in tuxedos were sharp and sophisticated.
 
As I was getting ready for The Joffrey Ballet's annual gala last Friday, I thought about all the black-tie events I have attended since that first gala. In particular, I contemplated the fundraising nature of most of these events.
 
Growing up in the Soviet Union, where all artistic, educational, medical and historical organizations were totally government-sponsored, the entire concept of fundraising and individual contributions was foreign to me. But as my social and artistic involvement here in the United States deepened, I gained a special appreciation and respect for the commitment of patrons and their efforts to secure the well-being of important institutions such as dance companies.
 
Giving and sharing take many different forms, from occasionally offering your time and expertise to heading up major development projects, from dropping an extra dollar in the theater lobby's donation box to creating a million-dollar endowment. But there is always a common element: the enjoyment of helping and the fulfillment that it brings. Through conscious and voluntary contribution, we gain a sense of association, belonging and connecting, and become sincerely invested in the success of the organization to which we have given our time or money.
 
Sometimes we are asked if it isn't a contradiction for an organization to spend money on a fancy gala. Certainly, fundraising events are becoming more and more creatively lavish, in an attempt to make the occasion most memorable, highly attended and publicized. A gala is eagerly anticipated by those who attend, and often just as eagerly reviewed in the socially-oriented magazines afterward, to see who and what is featured in the glossy pages.
 
But whatever the underlying motivations - the excitement of the occasion, the prestige of being part of an elite group, the tax deduction associated with your donation - fundraising events accomplish essential goals. Beyond the immediate funds raised, participants get an inside look at the organization, often including meeting the dancers or other artists, experts and executives, and increasing the sense of connection and investment. Similar-minded people come together to create a new culture where synergy and combined energy and expertise create results greater than the sum of individual efforts.
 
As we progress in the economy of free enterprise, it continues to be our individual social responsibility and commitment that will assure the sustainability and blossoming of artistic organizations. It is a privilege and honor to contribute to and support what we believe in, and to ensure that what is important to us will be here for generations to come.
 
Aleksandra Efimova,
President
 
photo: Aleksandra Efimova with Joffrey dancers Victoria Jaiani and Michael Anderson
Russian PointeComing Events
 
 
Quarterly Pointe Fitting Seminar
Russian Pointe Dance Boutique
May 2-3

Retailers: Deepen your knowledge of pointe fitting through guided hands-on fittings, demonstration and discussion. Dinner on Saturday evening, seminar on Sunday. Special offer: complimentary registration for second participant from the same retail establishment.
Next seminar: July 11-12
 
 
Eifman Ballet of St. Petersburg
Pre-performance reception
Russian Pointe Dance Boutique
May 16, 5:30 pm
Boris EifmanVisionary choreographer Boris Eifman will join guests at this reception for his company, Eifman Ballet of St. Petersburg. Wine, hors d'oeuvres, transportation to theater for the 8 pm performance of Onegin, at Auditorium Theatre of Roosevelt University.
 
Reception reservations:
Auditorium Theatre, 312.922.2110 x300.
Reception guests receive 10% discount for May 16 performance.
 
 
Dance/USA Annual Conference
Houston, TX
June 3-6
Aleksandra Efimova will attend Dance/USA's annual conference. "Connect...Now!" is an opportunity for dance leaders to network and strategize. For more info, visit www.danceusa.org.
 
 
Nederlands Dans Theater I
Pre-performance reception
Russian Pointe Dance Boutique
June 17, 5:00 pm
Artists from Nederlands Dans Theater I will join guests at Russian Pointe Dance Boutique for a reception before that evening's 7:30 pm performance at Auditorium Theatre.
 
Reception reservations:
Auditorium Theatre, 312.922.2110 x300.
Russian Pointe DVDs
 
DVD
 
Russian Pointe will soon release two new DVDs, filmed during the last two weeks of April. The first is an introduction to the company, in which Aleksandra Efimova explains Russian Pointe's growth over the past decade and the company's involvement in artistic and civic events and organizations. A second film offers thorough information and demonstration of pointe shoe fitting.
 
For behind-the-scenes photos from the filming, click on the photo above.
Russian Pointe joins Dance/USA
 
Russian Pointe is pleased to join Dance/USA as a business affiliate. Founded in 1982, Dance/USA exists to sustain and advance professional dance, addressing the needs of artists, administrators and organizations.
Dance/USA 
accessories feature
Joffrey Gala
Joffrey1 
Aleksandra Efimova attended the annual gala of The Joffrey Ballet on April 24. The evening included a delightful performance at Auditorium Theatre of Roosevelt University, and dinner and dancing at Hilton Chicago.
 
Click on the photo at the right (Aleksandra with dancer Fabrice Calmels) to view a gallery of gala photos! 
Russian Pointe on the road 
Trunk show seminars
 
Curtain Call RP tableIn April, Russian Pointe presented trunk show seminars in both Ohio and Georgia. Trunk shows are an opportunity for retailers to offer staff, dancers, parents and teachers the educational experience of a Russian Pointe fitting seminar, and for dancers to be fit directly by Russian Pointe.
 
On April 15, fitting expert Stephanie Unger traveled to Curtain Call Dancewear, a new store in Niles, OH. "Hosting the trunk show was one of the best things I have done for my business. It was like bringing the Chicago boutique to our town!" said owner Kelli Stiffy, who has chosen to offer exclusively Russian Pointe shoes and has already attended a quarterly seminar at Russian Pointe Dance Boutique. "It meant a lot to me that Stephanie is genuinely enthusiastic about the products she represents."
 
At Dance Fashions Superstore in Roswell, GA, Aleksandra Efimova presented a two-day trunk show on April 18 and 19. "It was such an honor and a joy to work with you this weekend," wrote the staff after the event. "Your pleasant attitude and thorough and thoughtful seminar are things that we hope to carry with us past this event. We thank you from the bottom of our hearts."
Emily KadowSpotlight...Emily Kadow
 
Emily Kadow dances with an exquisite purity of line, almost supernatural balance and a thoughtful artistic sensibility. Her passion for dance translates into remarkable devotion to her training, as well as obvious joy in both dancing and learning.
 
At age 16, she has already accumulated impressive credentials, most notably winning the bronze medal at last year's Youth America Grand Prix.
 
Emily fell in love with ballet in her earliest classes at Central Pennsylvania Youth Ballet. Her training has included five years at CPYB, study at Kirov Academy of Ballet in Washington, DC, and summer intensives at Pacific Northwest Ballet, Princess Grace Academy of Classical Dance, The Royal Ballet School, and Ellison Ballet in New York, where she entered the year-round professional training program in 2007.

Emily Kadow - Gala
 
She performs frequently, in Ellison Ballet showcases and in guest appearances. This year her Nutcracker schedule included performing Snow Queen with Huntington Ballet Theatre, and Clara to her sister Kate's Sugar Plum with Cuban Classical Ballet of Miami. Most recently, she performed a variation from Don Quixote with dancers from the Mariinsky at the Peter the Great Gala, a star-studded tribute to teacher Peter Pestov at New York City Center. 
 
To see Emily Kadow in motion, click on the photos below from her two YAGP pieces, "Mon Dieu" and variation from La Bayadere
 
Emily Kadow Mon DieuRussian Pointe Were you excited about being on the cover of Dance Spirit magazine (March 2009)?
 
Emily Kadow I couldn't believe it. They did a smaller interview after Grand Prix, for the December issue, but it was really exciting when they asked me to be on the cover. They did a new interview, and I had a fun photo shoot in the studio with Eduardo Patino in New York.
  
Emily KadowRP How did you feel when you saw the cover calling you "Prima in the Making"? Is there any pressure to succeed?
 
EK A little bit, but I love that they used it. I hope it's true. I really hope that I can live up to it.
 
RP How did you choose Ellison Ballet over a larger, company school?
 
EK Mr. Ellison is an amazing teacher, and I like it that the school is really small. There is so much individual focus - I get coached every day. I would love to train with Mr. Ellison until I get into a company.

Emily Kadow Mon DieuRP Would you rather be in the corps of a large company, or the star of a small one?
 
EK
I'd be happy if I really liked the company and repertoire and got to dance a lot. I think I'd rather be a principal dancer in a smaller company.
 
RP
You have said that you love the classics. Do you ever feel like you have to restrain virtuoso technique for dancing them? 

Emily Kadow La BayadereEK The form and artistic element should always come first. [For example,] especially in classical ballet, your arabesque should be in the right position before you try to make it really high.
 
RP Do you really warm up for two hours before rehearsals? What do you do, and is it injury preventive?
 
EK I stretch and do barre and some center on flat shoes, then I put my pointe shoes on [and] I like to practice my variations before I start rehearsal. I do think it is easier to get injured if you're not warmed up enough. 

RP What do you like about your Russian Pointe shoes?
 
EK I have worn everything, but now it's Russian Pointe for life! They fit my feet really well, and I love the color - they're so pretty. I like the pre-arch [of Entrada] - it doesn't break too low. I sew the vamp together a little bit, but it still has a V-shape. I like them very soft, and like to roll through pointe, so I break them in before I dance in them.
 
RP How many pairs do you go through?
 
Emily KadowEK When I'm rehearsing, I use two or three pairs a week. At other times, about a pair each week. Russian Pointes last longer than other shoes.
 
RP What do you like to do when you're not dancing?
 
EK Most of my days are spent at the studio from early morning till evening, so I don't have much time. I have Saturdays off so I can spend time with my friends and my mom then. I like to go swimming or ice skating in the winter, to go shopping and to go out to dinner - I love sushi. 
 
 
 
Emily and Kate with teachersAll photos courtesy of Emily Kadow. Top to bottom:
 
*Emily Kadow 
*With Mariinsky (Kirov) Ballet's Viktoria Tereshkina and Vladimir Shklyarov at Peter the Great Gala in April 2009.
*"Mon Dieu," choreography by Edward Ellison, YAGP NYC finals, April 2008.
*Emily Kadow
*"Mon Dieu"
*"Shade" from La Bayadere, YAGP finals.
*Emily Kadow
*After performing at International Ballet Festival of Miami, September 2008, with Edward Ellison, sister Kate and Kate's teacher Magaly Suarez.