3970 Durock Road 

Shingle Springs, CA

530-676-4739

sharedstitches.com 

   

 

 

 

 

 

 

 

 Winter Amarylis

 

 

 

 

 

 

 2011BOM_Contemporary

 

 2011BOM-Traditional

 

 

Monkey Wrench:

 A signal to gather all the tools required for the fleeing slave's journey, meaning the physical tools, as well as the mental and spiritual ones.

 

North Star:

A signal with two messages--one to prepare to escape and the other to follow the North Star to freedom in Canada

 

 

Crossroads:

 A symbol referring to Cleveland, Ohio, which was the main crossroads with several routes to freedom

 

 

Wagon Wheel:

A signal to the slave to pack the items needed to travel by wagon or that could be used while travelling

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Shared Stitches Newsletter

January 19th, 2012

 

Hello Quilting & Sewing Friends!

 

We just received our Eleanor Burns Trunk Show featuring five quilts from her popular book 'Still Stripping After 25 Years'. This book is a wonderful resource for great strip quilt designs. Be sure to check out the trunk show on display now at the shop. We will have the quilts for at least the next week. 

  

A reminder of the classes coming up in the next two weeks.

 

Bobbie Jarrett is teaching her Wild Iris Applique wallhanging in a two-part class January 22nd & 29th.  In this class you will learn needle-turn applique and the techniques to accomplish very small stems, curves, and sharp points.  Bobbie is a very successful applique artist and you will leave with new and valuable skills to make your own applique masterpieces!

 

Laurel Anderson is returning January 25th and February 1st to teach her amazing Winter Amaryllis wallhanging.  This class is taught during the daytime over two sessions. Two different applique techniques will be presented to make this wonderful 'window' for your wall.  

  

Also on January 25th and February 1st in the evening our own Shirley Henriksen will teach another wonderful Strip Therapy quilt called the Electric Fan.  This quilt is actually much easier than it looks and by using precut strips, half the work is already done for you!  Shirley is a fantastic instructor and fun - get ready for an informative and fun time! 

 

Jan Soules will  be teaching the wonderful Salad Spinner 

quilt on Thursday, January 26th.  This is a complex looking design but remarkably simple to make.  This quilt looks great made in a variety of fabric types, from 30's to contemporary!  

 

Jan is also teaching her Container Gardening class on Saturday, February 4th.  Whether you use garden motif prints or another novelty print, such as sports, this is a great quilt design to showcase a theme!

  

One more set of classes worth mentioning are the three finishing classes for the 2011 Kaleidoscope Block of the Month. On January 28th, from 10am - 1pm, Sharon will show how to complete the Contemporary setting, including instructions for the Queen size quilt. That afternoon, from 1:30 - 4:30pm, Pam will cover how to complete the Traditional version of the quilt. These classes are free of charge, but please sign up to let us know how many students are coming to each session.

 

If you prefer, you can attend the third class and quilt your blocks BEFORE sewing them together using the Reversible Quilt technique. This technique will be taught by Kristin Echols in a two-part class April 1st and 22nd. You can bring your 2011 Kaleidoscope blocks or any set of blocks you would like to make into a quilted quilt. Just add binding!

 

I was watching a rerun of an Oprah Winfrey show this week and an interesting segment on quilts and the Underground Railroad was shown.  The guest was Raymond Dobard, author of Hidden in Plain View, a book presenting the theory that quilt blocks were used by the slaves in the Underground Railroad to escape to freedom.   The following is an excerpt from Owen Sound's Black history website.

  

Slaves could not read or write; it was illegal to teach a slave to do so. Codes, therefore, were part and parcel of the slaves' existence and their route to freedom, which eventually became known as the Underground Railroad. Some forms of dance, spirituals, code words and phrases, and memorized symbols all allowed the slaves to communicate with each other on a level their white owners could not interpret. Codes were created by both whites aiding the slaves, and by Blacks aiding the slaves. The Blacks included other slaves, former slaves or free men and women. In slavery, secrecy was one way the blacks could protect themselves from the whites; even the youngest child was taught to effectively keep a secret from anyone outside of the family.

 

Most quilt patterns had their roots in the African traditions the slaves brought with them to North America when they were captured and forced to leave their homeland. The Africans' method of recording their history and stories was by committing it to memory and passing it on orally to following generations. Quilt patterns were passed down the same way. It is interesting to note that, in Africa, the making of textiles was done by males; it was not until the slaves' arrival in North America that this task fell to the females.

 

The quilt patterns, used in a certain order, relayed messages to slaves preparing to escape. Each pattern represented a different meaning. Some of the most common were "Monkey Wrench", "Star", "Crossroads", and "Wagon Wheel". Quilts slung over a fence or windowsill, seemingly to air, passed on the necessary information to knowing slaves. As quilts hung out to air was a common sight on a plantation, neither the plantation owner nor the overseer would notice anything suspicious. It was all part of a day's work for the slaves.

 

Characteristic of African culture is the communication of secrets through the use of common, everyday objects; the objects are seen so often they are no longer noticeable. This applied to the quilts and their patterns, stitching and knotting. It has been suggested that the stitching and the knotting on slave quilts contained secret information, too, as map routes and the distances between safe houses. Using the quilts, spirituals and code words, the slaves could effectively communicate nonverbally with each other and aid each other to escape.

 

There is still controversy among historians and scholars over the quilt code theory, and whether or not escaping slaves actually used codes concealed within quilt patterns to follow the escape routes of the Underground Railroad. As oral histories leave no written record, there is no written proof that the codes in the quilt patterns actually existed. What remains are the stories passed down through the generations from the slaves themselves, and, following the code of secrecy, many of the stories were never told.

 

I thought this was an interesting theory and, if true, very cool!  Alas, even if the quilt blocks themselves did not convey hidden messages to assist the slaves in escaping to freedom, we know that every quilt does tell a story.  Some are simple and others very deep.  What stories lie in your quilts and the quilts handed down to you....?

 

Here's a summary of the specials going on now at the shop:

 

-  Save 15% off* all Whites/Off-whites on our color wall thru the month of January.

-  Save 20% off* books EVERYDAY!

-  Happy Birthday!  Save 25% off* one entire  purchase made in the week before or after your birthday!

-  Earn a  $25 reward certificate after spending  $250 in regular priced merchandise.

-  Right now save 50% off EVERYTHING in our sale room!

 

Happy Quilting! 

   

Sharon & the Shared Stitches Staff

 

 * Savings off of regular prices and do not apply to classes, BOM programs/supplies or gift certificates.