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ERIC LARSEN, FOUNDER & PUBLISHER
ADAM ENGEL, ASSOCIATE EDITOR
"The Nation's Last Truly Independent Press" | |
OLIVER, THE BLUE RENTAL,
ARE CELEBRATED IN
HUFFPOST BOOK SECTION |
On the Fourth of July, Anis Shivani, in The Huffington Post Book Section, chose twenty of the best books from independent presses--that is, presses "that you should know about."
The Oliver Arts & Open Press was one of those 20 best independent presses.
And Barbara Mor's The Blue Rental was one of those 20 best books.
We aren't surprised. But we're very, very pleased.
Read the whole spread, complete with photographs, BY CLICKING HERE .
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OLIVER'S NEW TITLES ARE THRIVING!
BUY NOW--
DON'T BE LEFT BEHIND! |
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ERIC LARSEN PUBLISHES ARTICLES ON COVER-UP OF 9/11, IMPORTANCE OF RESEARCH BY DR. JUDY WOOD |
Steadily since 2006, Oliver's founder and publisher, Eric Larsen, has been writing on the subjects of 9/11 itself, of the disastrous effects of the attacks, and of the equally disastrous effects of the cover-up of what actually took place that day.
The cultural debilities and diseases that were to make the 9/11 cover-up possible comprised the subject of his 2006 book, A Nation Gone Blind: America in an Age of Simplification and Deceit . Five years later, The Skull of Yorick analyzes the crippling tolls that are mounting up psychologically, politically, spiritually, and culturally as the result of an entire nation's continuing to live inside the perverting confines of an enormous all-encompassing lie.
Whether the destructive powers that be, both cultural and political, will succeed in keeping the Great Lie in place indefinitely isn't known, though some idea of the immensity of ruin that has been brought about by it already can be gained from reading such things as this recent essay by Paul Craig Roberts, "A World Overwhelmed by Western Hypocrisy ."
The most important event of the entire decade to hold out real promise for the destruction of the Great Lie has been the publication of Dr. Judy Wood's monumentally significant book, Where Did the Towers Go? The Evidence of Directed Free-Energy Technology on 9/11 .
In his Foreword to Dr. Wood's book, Larsen declared it to be "the most important book of the twenty-first century." In providing irrefutable evidence that the destruction of the World Trade Center on 9/11 came about not by fire, collision, heat, or explosives but by a weaponized form of directed free-energy technology, Dr. Wood for the very first time makes it absolutely clear what the physical event was that actually happened that day.
In Larsen's view, Wood's proof of what actually happened holds out the first true hope for destruction of the Great Lie. Her work, he says, "offers a starting point from which those who genuinely want to do it can begin, first, to rein in and then, perhaps, even end the wanton criminality and destructiveness of a set of American policies that took as their justification and starting point the horrific events of September 11, 2001."
The magnitude and importance of Wood's accomplishment are towering and of absolutely vital importance to the entire world and to the security and safety of its future--if, indeed, security and safety are to be elements in its future at all.
Larsen's efforts to help lead readers to Where Did the Towers Go have included a review of the book ; an Op Ed piece ; an article about enemies of the book, "Serpent-Songs in America "; and an article about politically-motivated efforts to denigrate it, "Delusional America and 9/11 ."
More of Larsen's analysis of the national dementia and cultural debilitation that are being caused by the continuation of the Great Lie can be found, of course, in The Skull of Yorick: The Emptiness of American Thinking at a Time of Grave Peril .
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COMING NEXT FROM
THE OLIVER ARTS & OPEN PRESS |
AUTUMN LAMP IN RAIN, poetry by Han Glassman (Yoo Han Pil)
LISTENING TO THE THUNDER, poetry by Helen Tzagoloff
THE EXPEDITION SETS OUT, poetry by Alan Salant
DANCE WITHOUT STEPS, prose narrative by Paul Bendix
TRANSPARENCIES, new poetry from Gregory Marszal
AND MORE. . .
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IN THE MEANWHILE. . .
A NOTE:
Working without assets, endowment, or reserves, The Oliver Arts & Open Press aims to publish works of high merit and significance that are ignored or suppressed by mainstream publishing. If you care about this cause and are able or would like to help with it, we at Oliver would be enormously grateful, as would the authors whose work we seek to celebrate and make known.

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