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In a writing workshop I once took, the literary novelist Ethan Canin told us that reading is "about connecting with a sensibility." This resonated with me as a writer because I know that when something I read compels me, it's because I feel like I'm connecting to a certain world view in a piece of writing, a specific take on a timeless theme, a fresh, original voice. A teacher I had in college used to like to say "there are no new plots, just new characters" - and I'd like to take that one step further. New sensibilities. Lucky for all of us writers - each of our sensibilities is truly individual. No one else in the wide world sees the way we see - through our unique experience, through our distinctive eyes. And that's the heart of point of view. Not just who's telling the story or how it's being told but the entire world view that an author translates through a piece of writing to a reader. Different readers connect to different point of views, to different sensibilities. It's why I can read something and think "Wow, this engages me. I'm hooked." And the guy sitting next to me in the café can tell me he couldn't get through it. It's two sensibilities connecting - or not. So that's why I think Point of View is essential as a writer and a reader.
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 Audition by Stasia Ward Kehoe Stasia Ward Kehoe has written a beautiful novel. Told in the form of a series of poems, she documents the growth of a young dancer who wins a prestigious dance scholarship to the Jersey Ballet. During her time there, she begins to learn to differentiate the dreams she has for herself and the ones other people want for her. It's a beautifully formed coming of age novel. But that's not why I'm featuring it here. I'm featuring it here because Stasia's doing something really special with this book. She has formed a group called Stages on Pages where she invited eleven other authors (myself included) to share how the arts have inspired our writing. She is touring the country with Stages on Pages to showcase why it's so important for young people to have a creative spark in their lives. I am honored to work with her on this project, and dazzled by her commitment to its intent. So this is a special Sept./Oct. edition of my newsletter that thanks Stasia and hopes to bring attention to this dynamic program she has created. |
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Writing Exercise
Using a series of poems, Audition is told through Sara's eyes as she navigates the world of the Jersey Ballet. Choose one other character in the novel and through his or her POV, write a series of 4-5 poems using Kehoe's sense of style, attention to detail, and voice. Bind these poems as a small book and include a cover with a title.
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Outside Reading School Project
In addition to the Audition project mentioned above, Stasia and I have created eleven other school projects to partner with all of the novels in the Stages on Pages program. Please check out the Stages on Pages website for details on these individual school projects (including a new project for Instructions for a Broken Heart!).
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Instructions for a Broken Heart by Kim Culbertson
I appreciate any other great reviews you'd like to add to Amazon, goodreads, etc. And I thank you in advance - it means a lot! "Culbertson balances the story between teen angst and a nice Italian travelogue. The author has a flair for evocative descriptions. . . The major strength here is in the literary quality of the writing, although teens may be more interested in the characters' relationship." -- Kirkus Reviews Sourcebooks Fire (May 1, 2011) Also, check out the official trailer!!  | | "Instructions for a Broken Heart" by Kim Culbertson - *Official Trailer* |
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Need a gift?
Inspire the special people in your life to keep a song journal chronicling the soundtrack of their lives.
Bundle any combination of the following: a Writing Journal, a CD, and/or an iPod with Songs for a Teenage Nomad
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