POINT OF VIEW
Newsletter for YA Readers & Writers
July 2010
In This Issue
YA Novel Review
Writing Exercise
Educator Project
News
Message

In a writing workshop I once took, the literary novelist Ethan Canin told us that reading is "about connecting with a sensibility."  This resonated with me as a writer because I know that when something I read compels me, it's because I feel like I'm connecting to a certain world view in a piece of writing, a specific take on a timeless theme, a fresh, original voice.  A teacher I had in college used to like to say "there are no new plots, just new characters" - and I'd like to take that one step further.  New sensibilities.  Lucky for all of us writers - each of our sensibilities is truly individual.  No one else in the wide world sees the way we see - through our unique experience, through our distinctive eyes.
 
And that's the heart of point of view. 
 
Not just who's telling the story or how it's being told but the entire world view that an author translates through a piece of writing to a reader. 
 
Different readers connect to different point of views, to different sensibilities. It's why I can read something and think "Wow, this engages me. I'm hooked."  And the guy sitting next to me in the café can tell me he couldn't get through it.  It's two sensibilities connecting - or not. 
 
So that's why I think Point of View is essential as a writer and a reader.
 
Twenty Boy Summer
by Sarah Ockler

First of all, I just have to say that I have always had a huge soft spot for summer beach vacation books. I loved them as a girl and I love them now, so right away Twenty Boy Summer just had that warm feeling of summer vacation books that I've loved from my past. This is a sweet young adult book with layers (it certainly deals with the painful arc of letting go of a loved one - and a secret) and Ockler is a lovely new voice in young adult fiction. I don't like to compare writers to other writers (because we are really just all our own voices) but I think readers of Deb Caletti and Ann Brashares would find a new soul-mate in Sarah Ockler.
Writing Exercise

Ahhhh, Summer.  Beaches.  Lakes.  Sprinklers. Long sunny days.  Warm afternoon rainstorms.  Memories of summer help define how and where we spent our childhoods, help make shape of those lazy days where we had time to reflect on who we were or where we wanted to go.  Or they just gave us a lot of time to read by a lapping lake or eat a drippy ice cream cone on the warm sidewalk outside the ice cream shop.  What was summer for you?  Think of one specific moment (playing guitar under a tree or seeing a favorite summer movie) and write it down.  Put every sense down on the paper: what did you see, smell, touch, taste, hear?  Where were you?  How old were you?  Write it all out on the paper and relive that summer moment.

Outside Reading School Project

Sea glass is an important symbol in this novel.  Why?  Write out a short paragraph explaining what you felt the role of sea glass was in the novel.  Next, what other symbols in the novel did you feel were important?  Explain why in another detailed paragraph.  Use examples from the book to support your arguments.

Songs for a Teenage Nomad
by Kim Culbertson

Sourcebooks Fire (September 1, 2010)
 
Upcoming Events
Northern California Storybook and Literature Festival
July 31st 10:00 am - 5:00 pm
Roseville, CA
To all my readers and writers
I look forward to sharing more with you next month. I welcome your thoughts and insights.
 
Contact Info
KimCulbertson.com
kim@kimculbertson.com