POINT OF VIEW
Newsletter for YA Readers & Writers
June 2010
In This Issue
YA Novel Review
Writing Exercise
Educator Project
News
Message

In a writing workshop I once took, the literary novelist Ethan Canin told us that reading is "about connecting with a sensibility."  This resonated with me as a writer because I know that when something I read compels me, it's because I feel like I'm connecting to a certain world view in a piece of writing, a specific take on a timeless theme, a fresh, original voice.  A teacher I had in college used to like to say "there are no new plots, just new characters" - and I'd like to take that one step further.  New sensibilities.  Lucky for all of us writers - each of our sensibilities is truly individual.  No one else in the wide world sees the way we see - through our unique experience, through our distinctive eyes.
 
And that's the heart of point of view. 
 
Not just who's telling the story or how it's being told but the entire world view that an author translates through a piece of writing to a reader. 
 
Different readers connect to different point of views, to different sensibilities. It's why I can read something and think "Wow, this engages me. I'm hooked."  And the guy sitting next to me in the café can tell me he couldn't get through it.  It's two sensibilities connecting - or not. 
 
So that's why I think Point of View is essential as a writer and a reader.
 
The Fortunes of Indigo Skye
by Deb Caletti

I'm so grateful that a young reader who read my novel emailed me to tell me she thought I'd love Deb Caletti if I hadn't already read her books. How right she was. Even though this sweet concept has perhaps been done before (think Bridget Fonda's movie with Nic Cage about the waitress getting the big tip), it hasn't been done like this. Caletti is such a gifted writer - she has such a clean, detailed sense of place, of people, of language. I love Indigo. I love the way she sees the world and the way she processes this huge change in her life.  Even when we vow not "to change," in reality everything changes us. We change all the time. It's how we choose to change and grow that determines our evolving character.  June is a time for big change whether because of graduation, a change from being in school to not being in school, or simply a change to longer, sun-drenched days.

Writing Exercise

Change.
Great stories often start with a moment of change for a character.  Use this concept of change as a jumping off place to create a character who is experiencing some sort of evolution/crisis/awakening.  A moment of change.  Whether major or minor.  Happy or sad.  Lasting or fleeting. 

Write for a minimum of twenty minutes and see who comes to life for you on the page. 
Outside Reading School Project

How does what happens to Indigo change her?  Compare this to something in your own life that has had a profound impact on you, has changed you in some way.  You can write this as an essay, a long poem, or create a visual representation of  your answer (like a collage or painting) and include a short written description of why you choose the visual representation that you did.

Songs for a Teenage Nomad
by Kim Culbertson

Sourcebooks Fire (September 1, 2010)
 
Upcoming Events
June 21st-24th
Teen Writing Workshop
The Center for the Arts
Grass Valley, CA
To all my readers and writers
I look forward to sharing more with you next month. I welcome your thoughts and insights.
 
Contact Info
KimCulbertson.com
kim@kimculbertson.com