SocialDocumentary.net

SPOTLIGHT/July 9, 2012  

 

Dear Readers:

 

I hope all our SDN Spotlight readers are keeping cool during this very hot summer. In Washington and much of the South temperatures reached 105 degrees and higher on Saturday. I hope our international readers are keeping a bit cooler in other parts of the northern hemisphere where it is summer. As you will see in two of the following exhibits, climate and water remain an important topic among photographers submitting work to SDN. As our planet gets increasingly more populated, putting greater pressure on existing resources, land and water become the new currency of power and ordinary people often suffer the consequences.

 

I would also like to take this opportunity to explain who receives SDN Spotlight. Our current combined email list is just over 5,400. In addition to photographers, Spotlight is read by editors of leading publications from across the world who are interested in learning about new photographers working on important stories. Many photographers have told us about opportunities they have received as a result of having their work in Spotlight. Curators, gallerists, agents, and editors of all types look to both the SDN Spotlight and the website directly to stay current on new work by new photographers.  

To offer an incentive to photographers during these sultry summer days, and to make it easier for your work to appear in Spotlight, we are offering a 25% discount through August 15.

 

Lastly, I would like to thank the entire SDN community for making this project a  success.  I look forward to continuing to engage with you over the coming months as we continually work to improve the experience of presenting and experiencing the finest documentary work from around the world. 

 

Best regards,

 

Glenn Ruga
Founder and Director 


 

Featured Exhibits 

  

Ismail Ferdous

Photograph by Ismail Ferdous. Death hides in plain site. 

 

Climate Trap: Bangladesh  

Photographs by Ismail Ferdous    


Shatkhira, Bangladesh is going through a post-war phase. After the great catastrophic tornado Aila in 2009, unemployment and scarcity of food and water have become widespread. This  misfortune has destroyed the embankments, which separated the Bay of Bengal and the local rivers and lakes - dispensing large quantities of saline water. So the people of this region are stuck in a climate trap. 

 

View the exhibit.  


Summer Discount!
25% off through August 15. 

Create a new exhibit or renew existing exhibits and receive a 25% discount through August 15. 

Frame prices are now just $0.75 per image. You can purchase frames now for future exhibits and they never expire. 
Other Recently Added Exhibits

Janos Kis

Life in the Wagon

Janos Kis
Following the fall of Communism in 1989 and the inequalities that followed, a community of homeless people now live in a converted former German hospital train near the city center of Budapest.

Mariusz Smiejek

Caged

Mariusz Smiejek
Northern Ireland gained freedom several years ago but in certain areas of Belfast they still live in a psychological state of siege caused by the architecture that surrounds them.

Michael Biach

Life Along Railroad Tracks

Michael Biach
Ten million people live in Dhaka, Bangladesh, making it one of the world's most populated cities. Poor neighborhoods are continuously growing and the space next to railway tracks has long been occupied by makeshift homes.

Tahir Hasan

A Short Window in Life

Tahir Hasan
A married woman in Bangladesh is not just a wife and a mother; she is a provider of comfort, a team player and in this particular story, an essential contributor to the economic aspect of her nuclear family.

Arifur Rahman

Jatra

Arifur Rahman
Jatra, a traditional form of entertainment among villages in Bangladesh, is undergoing change with the advent of television and other forms of modern entertainment.

Suvra Das

River and Land

Suvra Das
Rivers are the most important geographical features in Bangladesh. As a result of the erosion of Meghna River, every year thousand of people become homeless.
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Courtney. Red dress, normal girl 
Photographs by Eric Kruszewski

Eric Kruszewski

Photograph by Eric Kruszewski. Courtney Gilmour accepted her condition, applied herself, and has grown up into an aspiring and talented young woman. She does not blame Chemical Valley for her condition, for she does not wish to live with resentment and anger. Instead, she chooses a positive attitude and a tenacity for enjoying life.

 

Courtney Gilmour was born in Sarnia, Ontario, also known as Chemical Valley because of the 60+ facilities that comprise 40% of Canada's petrochemical industry. Her right arm ends just above the wrist, and her left arm ends immediately below the elbow. She has one fully functional leg; her other leg ends mid femur. She uses a prosthetic to assist in walking. Today, Courtney is a writer for several online publications and a sketch writer for the famous comedy school Second City in Toronto. 

 

View the exhibit. 


The Last of the Billingsgate Porters
Photographs by Claudia Leisinger

Claudia Leisenger

Photograph by Claudia Leisinger. Scene in the caf� within Billingsgate Market. The walls are lined with photos of past and present porters.

 

On April 28, 2012 a centuries-old way of life and work officially came to an end. This is the story of the last of the Billingsgate Fish Market porters. Billingsgate Market began trading exclusively in fish in 1699. It comprised of two main groups: the merchants who sold the fish and the porters, who with their small numbered enamel badges, traditionally worn on their aprons, had sole licence to transport fish within the market. In January 2012, the City of London Corporation withdrew all trading licences from the porters, revoking a bylaw dating back to 1876. Without this protection, the porters could legally be replaced by cheap casual labour.

 

View the exhibit. 


Faith de las Personas
Photographs by Paul Giguere


Paul Giguere

Photograph by Paul Giguere. Chapel founder.     

 

The media's portrayal of Mexico focuses on the drug violence, immigration issues, etc. It is a continuing sign of the failure of the media to diversify their coverage of international issues and focus on root cause problems. Working with the Benedictine Sisters at the Guadalupe Center, I visited several townships which are settlements of people, living in poverty, not officially recognized by the government and thus are ineligible for public services. Over a period of 16 years, one of the oldest townships had transformed itself. There are paved roads, electricity, and, most importantly, public bus routes. The township, through political involvement, activism, and community cohesiveness had brought many of these changes about on their own. My hope is this project will help to bring attention to the issues faced by the indigenous people of Mexico and to highlight the positive aspects and results that community-based approaches can achieve.  

 

View the exhibit.


In My Courtyard I Have Found You
Photographs by Natisha Mallick


Natisha Mallick

Photograph by Natisha Mallick. The famous qawwals Nizami Brothers lead by Ghulam Sabir Nizami sing a qawwali in the praise of Nizamuddin Aulia at the Hazrat Nizamuddin Dargah in New Delhi.

 

Located within the meandering lanes of Nizamuddin in New Delhi, India is one of the most important centers for Sufism, the Dargah Hazrat Nizamuddin, where the tomb of Hazrat Nizamuddin Aulia and Amir Khusrau Dehlavi are worshiped and prayed over each day by thousands of Sufi pilgrims. Here amidst the offerings, devotional Qawwalis practitioners hope to reach trance-like meditative states and find God.

 

View the exhibit.  

SDN News  

Miguel Candela, winner of SDN's Art of Documentary competition, awarded Best New Talent at the Prix de la Photographie Paris    

 

Miguel Candela, From Brothels.   

 

Miguel Candela, recently featured at SDN's exhibition at the New York Photo Festival, was awarded Best New Talent at the Prix de la Photographie Paris (Px3). Candela was the winner of SDN's Call for Entries on The Art of Documentary for his entry on Brothels. This same body of work won him this prestigious award in Paris.  

 

The "Prix de la Photographie, Paris" (Px3) promotes the appreciation of photography, to discover emerging talent, and to introduce photographers from around the world to the artistic community of Paris. Selected winning photographs from this competition are exhibited in a high-profile gallery in Paris and Gold, Silver, and Bronze medal images are published in the high-quality, full-color Px3 Annual Book.  

 

View Miguel Candela's exhibit on SocialDocumentary.net 


Kael Alford Wins the Michael P. Smith Fund's 2012 Grant for Documentary Photography

 

Kael Alford

Kael Alford. Jacob Walker's Louisiana Tattoo, Isle de Jean Charles, Louisiana, 2008.    

 

Kael Alford of Dallas, TX is the recipient of the 2012 Michael P. Smith Fund for Documentary Photography (MPS Fund) Grant. The MPS Fund awards $5000 annually to a Gulf Coast photographer working on a long-term cultural documentary project.

 

Kael Alford won for her eloquent work "Bottom of da Boot: Losing the Coast of Louisiana" which documents the Native American communities of Pointe-aux-Chenes and Isle de Jean Charles, Louisiana. Alford's portraits, tableaux and landscapes describe her maternal grandmother's birthplace. While the project began out of personal curiosity, Alford's work has developed into a multi-year documentary chronicling the rapid coastal land-loss that threatens the cultures and environment across southeast Louisiana.

 

More information>> 


Documentary Photographer and Educator, Lori Waselchuk, is Recipient of 2012 Pew Fellowship in the Arts            


Lori Waselchuk
Lori Waselchuk, Calvin Helps Turn George in Bed, 2007. 

Lori Waselchuk's photographs of post-Katrina New Orleans and the hospice at Angola Prison in Louisiana bring us into intimate contact with these complex subjects. Waselchuk engages in conversation and collaboration with the people she photographs, which often leads to new and unexpected artistic directions. Grace Before Dying, her photographic documentary about the Louisiana prison hospice, generated a publication and a traveling exhibition that showed in prisons and public spaces in Philadelphia; Boston MA; Washington, DC; and elsewhere. Waselchuk's images have appeared in magazines and newspapers worldwide, including Newsweek, Time, LIFE, the New York Times, and the Los Angeles Times. She is currently interviewing and photographing block captains in various Philadelphia neighborhoods for a new a project that will reveal the individual and shared histories of this city's diverse citizenry.

Pew Fellowships in the Arts (PFA) was established by The Pew Charitable Trusts in 1991, and annually awards up to 12 fellowships of $60,000 to artists of exemplary talent in the five-county Philadelphia area. The goal of PFA is to assist the region's most talented artists in furthering and innovating their work by awarding substantial financial support accompanied by a set of customized, focused professional- and career-development resources.

Read more about the Pew Fellowship in the Arts.
View Lori Waselchuk's online exhibit on SDN. 

About SocialDocumentary.net
SocialDocumentary.net is a website for photographers, NGOs, journalists, editors, and students to create and explore documentary exhibits investigating critical issues facing the world today. Recent exhibits have explored oil workers in the Niger River Delta, male sex workers in India, Central American immigrant women during their journey north, and Iraqi and Afghan refugees in Greece.Click here to view all of the exhibits.