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MEMBER SCHOOL spotlight
cab calloway school of the arts
wilmington, de | |

Our Vision
When a study of arts and academics are combined, each informs and enriches the other. At the Cab Calloway School of the Arts, students will receive an exemplary academic program in all required subject areas, and a special curriculum, which will emphasize the creative, performing, and visual arts.
Our Mission
Cab Calloway School of the Artsinvites students who demonstrate artistic interest and potential to engage in a rigorous curriculum where arts and academics combine to cultivate the development of independent investigation, critical and creative thinking, and th innovative application of acquired skills.

Our graduates will demonstrate a mastery of defined skills that will enable them to be productive, self-directed, lifelong learners, who appreciate and respect diversity.
Our Beliefs
1. Arts and academics have equal value. 2. Arts are integral to education. 3. Through expressional learning and the act of creating, students develop self esteem and self confidence. 4. An education in the arts develops the student as a whole person; academically, emotionally, physically, intellectually, and socially. 5. Passion of learning originates from a passion of teaching. 6. Innovation is fundamental to teaching and learning. 7. All children have a right to an education that recognizes different learning styles. 8. Educational success is the shared responsibility of the student, the family, the school, and the community. 9. All members of the school community have the right to a safe learning environment. 10. Technology allows education to become a more global experience. 11. Risk-taking and a willingness to change are necessary for continuous improvement. 12. Arts lead to a more balanced and innovative learner and citizen.
Visit Cab Calloway! |
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FY2012
sponsors to date | | |
thank you!
$75K and higher
Columbia College Chicago, IL
$65K
Santa Fe University of Art and Design, Santa Fe, NM
$20K
Douglas Anderson School of the Arts, Jacksonville, FL
$5K
NobleHour
SoundTree
Webster University Leigh Gerdine College of Fine Arts, St. Louis, MO
Wenger Corporation, Minneapolis, MN
$2.5K
Association of Independent Colleges of Art and Design, San Francisco, CA
Duke Ellington School of the Arts, Washington, D.C.
Houston High School for the Performing and Visual Arts Friends, Houston, TX
$2K
CalArts, Valencia, CA
Harrison School for the Arts, Lakeland, FL
Howard W. Blake High School of the Arts, Tampa, FL
Orange Grove Middle School of the Arts, Tampa, FL
Polk Museum of Art, Lakeland, FL
The Hilda Sutton and William D. Blanton Charitable Foundation, Lakeland, FL
$1K
Denise Davis Cotton, Ed.D., Sarasota, FL
Interlochen Center for the Arts, MI
Orange County High School of the Arts, Santa Ana, CA
$500-$1K
Los Angeles County High School for the Arts, Los Angeles, CA |
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2012-2013 officers & board of directors | | | officers
President
Craig Collins, Ed. D. Principal, Harrison School for the Arts, Lakeland, FL
First Vice President
Rory Pullens
CEO, Head of School, Duke Ellington School of the Arts, Washington, D.C.
Second Vice President
Pamela Jordan
Head of School, Chicago Academy for the Arts, IL
Treasurer
Donn K. Harris Executive Director, Oakland School for the Arts, Oakland, CA
Secretary
Patricia Decker
Director of Recruitment, New York University - Tisch School of the Arts, New York, NY
Immediate Past President
Ralph Opacic, Ed.D.
Executive Director, Orange County High School of the Arts, Santa Ana, CA
board of directors
R. Scott Allen, Ph.D. (2012)
Principal, HSPVA, Houston, TX
Douglas Ashcraft, D.M.A. (2012)
Dean of the Arts, Idyllwild Arts Academy, Idyllwild, CA
Bill Barrett (2013)
Executive Director, Association of Independent Colleges of Art & Design, San Francisco, CA
Kim Bruno (2012)
Principal, LaGuardia Arts HS, NYC
Jackie Collins (2012)
Principal, Idaho Arts Charter, Nampa ID
Jackie Cornelius (2013)
Exeutive Director of Fine Arts, Duval County Public Schools; and Principal, Douglas Anderson School of the Arts, Jacksonville, FL
Denise Davis-Cotton, Ed.D. (2013) Founder of Detroit School of Arts (retired), College of Education, Argosy University, Sarasota, FL
Dottie Marshall Englis (2013)
Chair, Conservatory of Theatre Arts, Leigh Gerdine College of Fine Arts, Webster University, St. Louis, MO
David A. Flatley (2012) Executive Director, Center for Community Arts Partnerships, Columbia College Chicago, Chicago, IL
Roy Fluhrer, Ph.D. (2013)
Director, Fine Arts Center, Greenville, SC
Suzy Highland, Ed.D. (2012)
Academic Counselor, New Orleans Center for Creative Arts, New Orleans, LA
Sally Gaskill (2013)
Associate Director, Strategic National Arts Alumni Project, Bloomington, IN
Carol Kim (2013)
Vice President of International Affairs, CalArts, Valencia, CA
William Kohut (2012)
Principal, Denver School of the Arts, Denver, CO
Mary Martha Lappe (Founding Director)
Executive Director, HSPVA Friends, The High School for Performing & Visual Arts, Houston, TX
Terri Milsap (2012)
Principal, ChiArts, Chicago IL
Valerie Morris (2013)
Dean, School of the Arts, College of Charleston, Charleston, SC
Scott M. Rudes, Ph.D. (2012)
Principal , Orange Grove Middle Magnet School of the Arts, Tampa, FL
Tom Sherry (2013)
Architect, AIA, LEED, AP, Design Principal, Hamilton Anderson Associates, Detroit, MI
Tim Wade (2013)
Vice President of Student Affairs, Interlochen Center for the Arts, Interlochen, MI
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asn calendar of events and gatherings
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may 2-6, 2012 board of directors' meeting, columbia college, chicago, il
october 15-19, 2012 conference chicago, chicago academy of arts, chiarts, columbia college, chicago, il
october 2013 conference new york city, nyu tisch, nyu steinhardt, laguardia
october 2014 conference denver, co, denver school of the arts
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good luck and godspeed | | |
Alexander McQueen
1969-2010
Visionary Designer,
Hero-Artist
"You've got to know the rules to break them. That's what I'm here for, to demolish the rules but to keep the tradition."
Images from Metropolitan Museum of Art Exhibition, Alexander McQueen, Savage Beauty
named best exhibition by art critics' association 2011 in category best architecture or design show
 Jack the Ripper Stalks His Victims (MA Graduation Collection), 1992 Pink silk satin printed in thorn pattern lined in white silk with encapsulated human hair

The Horn of Plenty, autumn/winter 2009-10 Black duck feathers

Highland Rape, autumn/winter 1995-96 (jacket and skirt not worn together on the runway) Jacket of McQueen wool tartan with green wool felt sleeves; skirt of McQueen wool tartan

VOSS, spring/summer 2001 Jacket of pink and gray wool bird's-eye embroidered with silk thread; trouser of pink and gray wool bird's-eye; hat of pink and gray wool bird's-eye embroidered with silk thread and decorated with Amaranthus

Widows of Culloden, autumn/winter 2006-7 Cream silk tulle and lace with resin antlers
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elementary and middle arts school
committee chair's message | | |
Dear , | |
Elementary and Middle School Committee Chair's Message
I am pleased to report that the Arts Schools Network's newest committee is off to a great start! After an initial "meeting of the minds" at the January conference, our group of international arts educators (thank you, British Colombia!) has been in frequent correspondence with one another, working hard on behalf of ASN!
The Elementary and Middle School committee (EMSC) was formed in response to the critical role that these schools play in the K-20 arts education spectrum. Realizing that our schools prepare students for success in high school and beyond, we have set out to establish goals and objectives which aim to strengthen collegial discourse and provide resources for our members. Currently, the committee has developed a survey instrument which will be sent to all current and prospective members to garner input regarding topics of interest for our next conference, as well as identifying future professional development strands that specifically target the needs of K-8 arts educators.
Arts Integration. Through the discussions of our committee, it has become clear that one of the major components of our work will focus on arts integration. There are several excellent models at the elementary and middle school level, and we are pleased to have representatives and experts in this area serving on our committee. As you "save the date" for the October, 2012 conference in Chicago, please know that the EMSC will be offering school visits and sessions that will focus on exciting and varied ways of integrating the arts throughout all curricula.
"On Your Way, Junior Edition" Following the example set at the Orlando conference, the EMSC has begun preliminary discussions about offering a talent identification and scholarship program designed to recognize aspiring artists and the elementary and middle school level. It is our hope to design a program which could result in summer camp scholarships for the award winners, as well as strengthening our ties with colleges, universities, and other quality summer camp providers.
Ideas Exchange. As mentioned in previous issues of this e-newsletter, one of the tenets of ASN is providing networking opportunities for our members. To that end, we are proposing to include a weekly blog on pertinent elementary and middle school issues, utilizing our members and their expertise to fuel the discussion. We will also use the forum as a place to exchange lesson plans, arts integration ideas and concepts, and a platform for future site visits and teacher exchanges. We're still in the discussion phase, so I hope you will send me your thoughts about this (my e-mail is listed below)
The EMSC is committed to providing high quality content that meets the needs of our group. We're still in the process of identifying elementary and middle arts schools around the globe to join our network, so I hope you'll send me some prospective leads from your region and invite them to join. In honor of our upcoming conference in Chicago, Mayor Richard Daley once said, "Politicians don't bring people together. Artists do." Our committee is looking forward to bringing people together through the power of the Arts Schools Network!

Sincerely,
Scott M. Rudes, Ph.D.
Chair, ASN Elementary and Middle School Committee
Principal, Orange Grove Middle Magnet School of the Arts
Tampa, FL
scott.rudes@sdhc.k12.fl.us
Elementary and Middle School Committee members include:
Arts in the Basic Curriculum Project: Christine Fisher, Director
Ashley River Creative Arts Elementary School: Jayne Ellicott, Principal
ASIA North Poplar Elementary: Rachel Lack, Teacher; Deanna Worden, Teacher
Bak Middle School of the Arts: Elizabeth Kennedy, Principal
Center for Community Arts Partnership: David Flatley, Executive Director
Mary Palmer & Associates: Mary Palmer, Principal
Muller Elementary: Wendy Harrison, Principal
North Fort Myers Academy for the Arts: Holly Kurth, Art Instructor; Alyson Robben, Drama Instructor
Orange Grove Middle Magnet School of the Arts: Michael Finkelstein, Assistant Principal
Philip Shore Elementary Magnet School of the Arts: Barbara Mercer, Principal
Rotella Interdistrict Magnet School: Gina Calabrese, Principal; Meg Harrison, Integrated Arts Coordinator; Mary Monroe, Teacher; and Marly Parker, Drama Literacy Specialist |
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 THE WAVE
Paul ShapiroArts Director Michael CiminoTheater Instructor Seattle Academy of Arts & Sciences seattleacademy.org
In our exploration for a warm up for our acting classes, Michael Cimino and I developed the WAVE. For many students, the wave is an activity that they will do daily for 2 or 3 years. Though the structure is consistent, the exercise evolves uniquely each day. There are two parts to the WAVE. First is the initial teaching of the exercise, which may take a complete class. The second part is the daily exercise, which takes only 5 minutes. In this article, we provide the basic structure. <read more> |
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support music call march 22 | | |

RSVP NOW for March SupportMusic Coalition Conference Call
Join the SupportMusic Coalition teleconference "LIVE" from the National Association of School Music Dealers Conference on Thursday, March 22, 2012 at 10:00am PDT / 1:00pm EDT.
The call will feature revised content format which includes a first-ever interactive advocacy forum and groundbreaking program "The Shifting Paradigm-Principals Leading the Effort".
RSVP Here for call details and complete agenda.
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call for papers: teacher evaluation and arts education | |
Arts Education Policy Review is accepting manuscripts for a special issue addressing teacher evaluation and arts education.
Articles should address or relate to any of the following topics:
- State-level teacher evaluation policies and their effects on P-16 arts education
- Local and district-level teacher evaluation policies and their effects on P-12 arts education
- Teacher evaluation policies in higher education and their effects on preservice arts teacher education
- Descriptions of innovative approaches to P-16 teacher evaluation in the arts
- Reports of initiatives taken by P-16 schools and/or arts organizations to advocate for arts-specific teacher evaluation processes
The deadline for submissions is September 15, 2012.
Submissions and questions can be sent to the Editor-in-Chief, Colleen M. Conway, at: conwaycm@umich.edu .
For more information about Arts Education Policy Review including complete submission guidelines, please visit the journal's webpage.
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art critics' association announces awards for best shows of 2011 | |
 On Thursday, the American chapter of the International Association of Art Critics announced the winner of its annual AICA Awards honoring artists, curators and institutions for excellence in art exhibitions in 2011.
The 24 winners, selected by the 400 critics and other art experts who make up the association's membership, include an installation by Sarah Sze on the High Line (Best Project in a Public Space); the exhibition "Bye Bye Kitty!!!" at the Japan Society (Best Show in a Non-Profit Gallery or Space); the Metropolitan Museum of Art's "Alexander McQueen: Savage Beauty" (Best Architecture or Design Show); and the Paula Cooper Gallery's presentation of Christian Marclay's "The Clock" (Best Show in a Commercial Gallery in New York).
Awards will be presented at a ceremony at the Asia Society in New York on April 2.
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idyllwild appoints dean of academics
meet dr. julia bucci | | |

March 15, 2012
Idyllwild Arts President Brian D. Cohen is pleased to announce the selection of Dr. Julia Bucci as Dean of Academics for Idyllwild Arts Academy effective in June of 2012. Julia replaces Anna-Karin Li, who has been instrumental in strengthening the academic program at Idyllwild Arts. Julia comes to IA from the Dana Hall School in Wellesley, Massachusetts, where she has been Chair of the English Department since 2005.
Julia holds a PhD. in English from University of Massachusetts, and a B.A. from the University of Chicago. She has taught at the Moses Brown School in Providence, Rhode Island, at Salve Regina University in Newport, Rhode Island, and at Mount Holyoke College in South Hadley, Massachusetts. Julia has written articles and reviews for various publications, and has been active in curriculum development, teacher and leadership training, and instructing in all aspects of writing and speaking.
Julia has stated that her goals as an educator are to "to kindle intellectual passion, to fan the flames of creativity, and to nurture fiery resilience." She feels that her strengths as an administrator "lie in my ability to develop plans and procedures for leading a group through major projects, to understand both the big picture and how the smaller pieces fit in - and also to inspire others through my example."
View announcement. |
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the art of video games
smithsonian exhibition explores the 40-year history | |

Video games are a prevalent and increasingly expressive medium within modern society. In the forty years since the introduction of the first home video game, the field has attracted exceptional artistic talent. An amalgam of traditional art forms-painting, writing, sculpture, music, storytelling, cinematography-video games offer artists a previously unprecedented method of communicating with and engaging audiences.
The Art of Video Games is one of the first exhibitions to explore the forty-year evolution of video games as an artistic medium, with a focus on striking visual effects and the creative use of new technologies. It features some of the most influential artists and designers during five eras of game technology, from early pioneers to contemporary designers. The exhibition focuses on the interplay of graphics, technology and storytelling through some of the best games for twenty gaming systems ranging from the Atari VCS to the PlayStation 3. Eighty games, selected with the help of the public, demonstrate the evolution of the medium. The games are presented through still images and video footage. In addition, the galleries will include video interviews with twenty developers and artists, large prints of in-game screen shots, and historic game consoles. Chris Melissinos, founder of Past Pixels and collector of video games and gaming systems, is the curator of the exhibition.
Visit the exhibition website. |
| entrepreneur of school start ups | | |

february 28, 2012
by leigh buchanan
inc. magazine
The Most Accomplished, Best-Connected Entrepreneur You've Never Heard Of
After a couple dozen successes, Howard Tullman is building Flashpoint Academy, which he calls the front seat of the world stage.
From the moment he queues up a movie, boots his computer, and hits the treadmill at 4 a.m.-unfathomably refreshed after three hours' sleep-Tullman is a blur. By 8 a.m., having consumed several newspapers, watched half a film (he sees about 120 a year for professional reasons), and cleared his first 100 e-mails, he arrives at Tribeca Flashpoint Academy, the showplace digital-media-arts college he built one summer in Chicago while all the normal people were at the beach. On a typical day, he might brainstorm with Fortune 500 executives in his ADD-décor office; sit in on a commercial being shot by students on a sound stage at Chicago's Merchandise Mart; lead tours for celebrities such as Bill Clinton, Quentin Tarantino, or the documentarian Ken Burns; counsel a graduate on his or her first start-up; hunker down with managers from one of the half a dozen companies he invests in; tinker with the incubator he is building to house 15 of his own product ideas; and teach a class at Northwestern's Kellogg School of Management. Notice how I said and? Not or. Phew
Read full article. |
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what motivates entrepreneurs? | | |
march 2012
inc. magazine
by leigh buchanan
the motivation matrix, why people start businesses, what they want out of the entrepreneurial life, and how their values change over time
Ask entrepreneurs about their companies, and they answer with alacrity and specificity. Ask why they wanted to start those companies, and they grow vague: "It's in my DNA." "I have a passion for it." "No one else would hire me."
Take the motivation matrix quiz.
But entrepreneurs' true motivations are more nuanced than that. They are also important. Founders who understand what matters most to them are more likely to create ventures that satisfy them emotionally as well as materially, according to Noam Wasserman, an associate professor at Harvard Business School. "One of the key things about entrepreneurs is that they have far more potential to make decisions with both head and heart," says Wasserman. "When you're taking the world on your shoulders, you have to ask yourself, Why am I doing this? If you only listen to your head, the decisions you make at every fork in the road can drive you farther from your personal promised land."
Wasserman's book The Founder's Dilemmas: Anticipating and Avoiding the Pitfalls That Can Sink a Startup will be published this month. Based on his popular Harvard Business School class, Founders' Dilemmas, thebook helps aspiring entrepreneurs think through the crucial decisions aboutwhen and how to launch. It also urges people already running businesses to conduct a little soul searching about what they want from the experience.
View full article.

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dramaturgy program launched by
webster university conservatory of theatre arts | | |
Webster University's program in Theatre Studies & Dramaturgy challenges its students to analyze the content of performances as well as the contexts in which they occur. The program trains future theatre makers, educators, critics, and scholars. It also introduces other professional paths in the performing arts such as dramaturgy, play development, advocacy, and arts administration. With a study abroad component and the potential for double majoring, the program prepares students for global citizenship and individual excellence. Offering students with a passion for theatre a stirring anchor for an outstanding liberal arts education, our curriculum encourages success in any field that values interpretation, exploration, and collaboration.
Visit webiste.
What is dramaturgy? Some people describe dramaturgs as structural engineers. Their job, after all, is to ensure that the architecture of a play is solidly constructed. Others describe dramaturgs as explorers, since a dramaturg ventures inquisitively into the new world that a theatre production seeks to create and discovers paths yet to be treaded. In truth, you may ask ten theatre professionals what a dramaturg is, and you will probably get eleven different answers. From conducting production research to nurturing new plays, from shaping production seasons to creating educational resources, the tasks that a dramaturg often plays today are quite broad and often very exciting.
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| sante fe university of art and design launches summer musical theatre program for high school juniors and seniors | | |
Santa Fe, N.M.-March 9, 2012-Santa Fe University of Art and Design is launching the 2012 Summer Theatre Intensive, a new program on musical theatre for high school juniors and seniors. The program, which will run from June 20 through July 8, 2012, offers student workshops in music theatre performance, theatrical costume design and theatrical backstage. It also includes a workshop for high school drama and music teachers who want to develop their professional expertise in student coaching and musical theatre production. The university is offering five full-tuition scholarships for the program to students from Santa Fe. Details about auditions and scholarship requirements will be announced in mid-March.
For more information, visit this Web page about the program or contact Terri Ross at terri.ross@santafeuniversity.edu. |
| huffington post names best education books 2011 | |
january 26, 2012
by gary stager
Tricia Tunstall's beautiful new book, Changing Lives: Gustavo Dudamel, El Sistema, and the Transformative Power of Music, tells the story of El Sistema, perhaps the world's most exciting large-scale (systemic) education project. At a time when presidential candidates call for children to clean toilets as a way of "learning the dignity of work,", El Sistema, teaches hundreds of thousands of children each year to realize their potential as productive citizens by learning to play classical music at a level previously unimagined. This incredibly well-written book reminds us of how arts education can change lives. The book asks much of each of us, but the rewards are extraordinary. It reminds us what it means to be human and of the most humane purposes of education. Readers will be empowered to dream bigger, act bolder and eschew the incrementalism plaguing public education policy. The lessons for educators, politicians and parents are innumerable.
You should also get the fantastic DVDs, El Sistema: Music to Change Lives and The Promise of Music to bring music and motion to the ideas in Tunstall's fantastic book.
Teaching Minds: How Cognitive Science Can Save Our Schools by Roger Schank
Dr. Schank is one of the leading experts on artificial intelligence, storytelling, simulation, entrepreneurship and learning. His new book is another fearless volume about what is wrong with education and how it may be "fixed." Schank is hilarious, provocative and not a person you want to argue with. This important book may help cleanse school leaders of the nonsense spread by Pink, Willingham and Marzano. From Schank's web site: "Unfortunately education and teaching rarely means either of these things in today's world. The premise of my new book is simple. We have all gone to school. We all know that school is organized around academic subjects like math, English, history and science. But how else might school be organized? There is an easy answer to this: organize school around thought processes."
The Hundred Languages of Children: The Reggio Emilia Experience in Transformation by Edwards, Gandini and Foreman is the most comprehensive book on the phenomenal "Reggio Emilia approach" to education. The 3rd volume of this comprehensive anthology has been long-awaited and includes multiple perspectives. It is a must read and re-read for many years to come. |
| wikipedia redefining research | |  Via: Open-Site.org" style="color: #000000; font-weight: bold; text-decoration: underline; " linkType="1" track="on" target="_blank" >wiki research graphic
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great conversations and resources in the americans for the arts' arts education blog salon | |

Arts Education Blog Salon March 12-16
March is Arts Education Month! At Americans for the Arts, we celebrated by hosting a blog salon about a hot topic in arts education-quality. We looked at what "quality" means in terms of student engagement and organizational capacity. Fifteen leaders from across the country posted their thoughts on this topic each day from March 12-16 on ARTSblog. It's not too late to read and add your comments!
Day 5
Art-Filled Learning: A Way of Life by Michelle Burrows
DREAM & TELL!: Arts Integration Models at Work (Part Two) by Merryl Goldberg
Quality, Engagement, & Partnerships: Strategically Compromising on Perfection (Part Two) by Jessica Wilt and Alex Sarian
Stop Stealing Dreams (Part Five) by Seth Godin
So...What's Your Equation for Quality? by Kristen Engebretsen
Day 4
DREAM & TELL!: Arts Integration Models at Work (Part One) by Merryl Goldberg
Observing Where We Are, How We Got Here, & What is Next by Jennifer Bransom
When is It a Partnership & When is It Something Else? by Victoria Plettner-Saunders
It's About Freedom of Thought: Why Arts Education is a Civil Rights Issue by Anthony Brandt
The Creative Process Ensures Quality Instruction by Joyce Bonomini
Growing Stronger Together: Arts Partnerships in Philadelphia by Sahar Javedani
Stop Selling Dreams (Part Four) by Seth Godin
Day 3
Building Commonly Valued Outcomes & Committing to the Journey by Jennifer Bransom
Collective Impact is Possible with Show of Support, Not Defensiveness by Talia Gibas
Rushing Children Toward Adult Thinking Sacrifices Creativity, Mental Flexibility by Anthony Brandt
Piecing Together the Partnership Puzzle by Lynne Kingsley
Quality, Engagement, & Partnerships: Strategically Compromising on Perfection (Part One) by Alex Sarian and Jessica Wilt
Where We Are & Where We Ought to be Going by Jane Remer
Stop Stealing Dreams (Part Three) by Seth Godin
Day 2
Tolerating the Uneasiness of Not Knowing the Outcome by Anthony Brandt
How Does One Engage a Class of Seventh Grade Students in a Civics Discussion? by Alyx Kellington
Making a Collective Impact by Victoria Plettner-Saunders
"Talking About Quality Arts Education is _____." by Talia Gibas
Quality Education Must Include the Arts...and Partnerships by Joyce Bonomini
Investing in Successful Partnerships by Mandy Buscas
Stop Stealing Dreams (Part Two) by Seth Godin
Day 1
Equation for Quality by Kristen Engebretsen
How Do We Define Quality, Engagement and Partnership in the Arts Education World by Jane Remer
Stop Stealing Dreams (Part 1) by Seth Godin
The Parallels of Quality Dining and Quality Arts Education by Jennifer Bransom
Visit the blog salon. |
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