|
|
MEMBER SCHOOL spotlight
howard w. blake
school of the arts
tampa florida | |
 Blake High School is located in the Downtown Tampa Partnership district. Surrounded on two sides by the Hillsborough River, Blake offers a variety of programs for its traditional and magnet students.
Over 1400 9th-12th graders engage in rigorous academic, technical and arts programs to prepare them for success in a variety of post-secondary opportunities.
We are the premiere high school for performing, visual, and communication arts in Hillsborough County, Florida.

Our magnet program offerings include visual arts, dance, acting, musical theatre, technical theatre, band, chorus, orchestra, guitar, harp, creative writing, multimedia production, and journalism.
Students in these disciplines continue to receive recognition and accolades on the local, state, and national levels.
Be sure to check out our list of student achievements and accomplishments as part of your tour of this site.
Visit Blake! |
|
SPONSOR MOMENT
wenger corporation
| |
Dynamic Music Chair, Musicians can now engage their entire body in music-making, with the new Nota® conBRIO™ music posture chair for band, orchestra and choir. Cantilever design offers dynamic seating possibilities, coupled with superior ergonomic comfort. Patented chair features durable construction and five-year warranty.
Wenger Corp.
800/4WENGER
|
|
FY2012
sponsors to date | | |
thank you!
$75K and higher
Columbia College Chicago, IL
$65K
Santa Fe University of Art and Design, Santa Fe, NM
$50K
Epcot, Disney Contemporary Resort, Disney Event Group, and Walt Disney World
$20K
Douglas Anderson School of the Arts, Jacksonville, FL
$5K
NobleHour
SoundTree
Webster University Leigh Gerdine College of Fine Arts, St. Louis, MO
Wenger Corporation, Minneapolis, MN
$2.5K
Association of Independent Colleges of Art and Design, San Francisco, CA
Duke Ellington School of the Arts, Washington, D.C.
Houston High School for the Performing and Visual Arts Friends, Houston, TX
$2K
CalArts, Valencia, CA
Harrison School for the Arts, Lakeland, FL
Howard W. Blake High School of the Arts, Tampa, FL
Orange Grove Middle School of the Arts, Tampa, FL
Polk Museum of Art, Lakeland, FL
The Hilda Sutton and William D. Blanton Charitable Foundation, Lakeland, FL
$1K
Denise Davis Cotton, Ed.D., Sarasota, FL
Interlochen Center for the Arts, MI
Orange County High School of the Arts, Santa Ana, CA
$500-$1K
Los Angeles County High School for the Arts, Los Angeles, CA |
|
meet the 2012-2013 officers & board of directors
| | | officers
President
Craig Collins, Ed. D. Principal, Harrison School for the Arts, Lakeland, FL
First Vice President
Rory Pullens
CEO, Head of School, Duke Ellington School of the Arts, Washington, D.C.
Second Vice President
Pamela Jordan
Head of School, Chicago Academy for the Arts, IL
Treasurer
Donn K. Harris Executive Director, Oakland School for the Arts, Oakland, CA
Secretary
Patricia Decker
Director of Recruitment, New York University - Tisch School of the Arts, New York, NY
Immediate Past President
Ralph Opacic, Ed.D.
Executive Director, Orange County High School of the Arts, Santa Ana, CA
board of directors
R. Scott Allen, Ph.D. (2012)
Principal, HSPVA, Houston, TX
Douglas Ashcraft, D.M.A. (2012)
Dean of the Arts, Idyllwild Arts Academy, Idyllwild, CA
Bill Barrett (2013)
Executive Director, Association of Independent Colleges of Art & Design, San Francisco, CA
Kim Bruno (2012)
Principal, LaGuardia Arts HS, NYC
Jackie Collins (2012)
Principal, Idaho Arts Charter, Nampa ID
Jackie Cornelius (2013)
Exeutive Director of Fine Arts, Duval County Public Schools; and Principal, Douglas Anderson School of the Arts, Jacksonville, FL
Denise Davis-Cotton, Ed.D. (2013)
Founder of Detroit School of Arts (retired), College of Education, Argosy University, Sarasota, FL
Dottie Marshall Englis (2013)
Chair, Conservatory of Theatre Arts, Leigh Gerdine College of Fine Arts, Webster University , St. Louis, MO
David A. Flatley (2012) Executive Director, Center for Community Arts Partnerships, Columbia College Chicago, Chicago, IL
Roy Fluhrer, Ph.D. (2013)
Director, Fine Arts Center, Greenville, SC
Suzy Highland, Ed.D. (2012)
Dean of Student Services & Instructional Programs, New Orleans Center for Creative Arts|Riverfront, New Orleans, LA
Sally Gaskill (2013)
Associate Director, Strategic National Arts Alumni Project, Bloomington, IN
Carol Kim (2013)
Vice President of International Affairs, CalArts, Valencia, CA
William Kohut (2012)
Principal, Denver School of the Arts, Denver, CO
Mary Martha Lappe (Founding Director)
Executive Director, HSPVA Friends, The High School for Performing & Visual Arts, Houston, TX
Terri Milsap (2012)
Principal, ChiArts, Chicago IL
Valerie Morris (2013)
Dean, School of the Arts, College of Charleston, Charleston, SC
Scott M. Rudes, Ph.D. (2012)
Principal , Orange Grove Middle Magnet School of the Arts, Tampa, FL
Tom Sherry (2013)
Architect, AIA, LEED, AP, Design Principal, Hamilton Anderson Associates, Detroit, MI
Tim Wade (2013)
Vice President of Student Affairs, Interlochen Center for the Arts, Interlochen, MI
|
|
thank you to the outgoing 2011
arts schools network board of directors for their service! | |
President Ralph Opacic, Ed.D. (2011) Executive Director Orange County High School of the Arts Santa Ana, CA
1st Vice President Tim Wade (2011) Vice President of Student Affairs Interlochen Center for the Arts Interlochen, MI
2nd Vice President Craig Collins, Ed.D. (2011) Principal Harrison High School for the Arts Lakeland, FL
Secretary Rory Pullens (2011) CEO, Head of School Duke Ellington School of the Arts Washington, D.C.
Treasurer Bill Barrett (2011) Executive Director Association of Independent Colleges of Art & Design San Francisco, CA Immediate Past President Denise Davis-Cotton, Ed.D. (2011) Faculty, College of Education
Argosy University Sarasota, FL
Founder, Detroit School of the Arts, MI
Directors
R. Scott Allen, Ph.D. (2012)Principal, Houston High School for Performing and Visual Arts, TX
Douglas Ashcraft, D.M.A. (2012)
Dean of the Arts, Idyllwild Arts, CA
Kim M. Bruno (2012) Principal Fiorello H. LaGuardia High School of Music & Art and Performing Arts New York, NY
Jackie Collins (2012)
Principal, Idaho Arts Charter, Nampa, ID
Jackie Cornelius (2011)
Executive Director of Fine Arts, Duval County Public Schools; and Principal, Douglas Anderson School of the Arts, Jacksonville, FL
Patricia Decker (2011) Director of Recruitment New York University Tisch School of the Arts New York, NY Dorothy Marshall Englis (2011) Chair, Conservatory of Theatre Arts Webster University St. Louis, MO David A. Flatley (2012) Executive Director Center for Community Arts Partnerships Columbia College Chicago Chicago, IL Roy Fluhrer, Ph.D. (2011) Director Fine Arts Center 102 Pine Knoll Drive Greenville, SC Donn K. Harris (2011) Executive Director Oakland School for the Arts Oakland, CA Suzy Highland, Ed.D. (2012)
Academic Counselor, New Orleans Center for the Creative Arts, LA
Pamela Jordan (2012) Head of School, Chicago Academy for the Arts, IL
Carol Kim (2012) Vice President of International Relations CalArts Valencia, CA
William Kohut (2012)
Principal, Denver School of the Arts, CO
Mary Martha Lappe ASN 1981Founding Director Executive Director, HSPVA Friends The High School for Performing & Visual Arts Houston, TX Terri Milsap (2012) Principal, ChiArts, IL
Scott M. Rudes, Ph.D. (2012) Principal, Orange Grove Middle Magnet School of the Arts, Tampa, FL
Tom Sherry (2011) Architect, AIA, LEED, AP, Design Principal Hamilton Anderson Associates Detroit, MI |
| subscribe to e-news | |
|
good luck and godspeed | | |
at the end of the day, give us a quote
Mary Oliver, Poet
1935-alive!
Poem (the spirit likes to dress up)
The spirit
likes to dress up like this:
ten fingers,
ten toes,
shoulders, and all the rest
at night
in the black branches,
in the morning
in the blue branches
of the world.
It could float, of course,
but would rather
plumb rough matter.
Airy and shapeless thing,
it needs
the metaphor of the body,
lime and appetite,
the oceanic fluids;
it needs the body's world,
instinct
and imagination
and the dark hug of time,
sweetness
and tangibility,
to be understood,
to be more than pure light
that burns
where no one is --
so it enters us --
in the morning
shines from brute comfort
like a stitch of lightning;
and at night
lights up the deep and wondrous
drownings of the body
like a star.

|
|
|

|
| executive director's message | | |
Dear ,
Happy New Year! According to Chinese astrology, this is the Year of the Dragon, which is one of the 12-year cycles of animals which appear in the Chinese zodiac related to the Chinese calendar. The dragon is the only animal that is legendary, and the Chinese associate it with power and wisdom. The Year of the Dragon itself is considered to be auspicious.
Crafting a New Year's resolution and designing a good lesson plan have a lot in common. (Reeves, ASCD, 2011; Revised Bloom's Taxonomy)
- Remember to put past knowledge into present consciousness.
- Truly grasp the meaning of something; gain a deep understanding.
- Apply what you know and understand to bring about new desired results.
- Analyze the whole and break into parts.
- Evaluate to determine the value or worth of something according to specific criteria.
- Create, synthesize, bring something new into being.
And like educational data-driven decision making, the corporate world does not wait until the end of the fiscal year to re-establish its desired outcomes and strategies based on quarterly results.
The Conference Board CEO Challenge 2011 Mid-Market Report released by The Conference Board, Inc., September 2011 and rreported by Martin Cohen, is an analysis of the responses to the 2011 CEO Challenge survey from the 114 U.S. firms with revenues of under $1 billion. The annual CEO Challenge survey focuses attention on the voices of business leaders from companies of various sizes and industries, and reflects, in this year's survey more than ever, the globalization of world business. The challenges facing CEOs, in order of importance, include:
- Business Growth
- Government Regulation
- Innovation
- Talent
- Costs Optimization
- Customer Relationships
- International Expansion
- Corporate Brand and Reputation
- Sustainability
- Investor Relations
Let's dive deep into #1, Business Growth! Finally we are not crashing, contracting, shrinking, falling; now the corporate world wants to grow. The top strategies for growth are organic and inquisitional in nature. Organic growth, as described in strategies, introduces innovations and new value propositions, enters or expands into new customer and client segments, and introduces new products and services. This illustrates and reaffirms to me the need for creativity and innovation in our schools.
Now look at #10, Investor Relations, and read up to #6. These rank lower because this group of CEOs and their respective organizations have been able to sustain healthy relationships inside and outside of their sphere of influence, which frees them to seek growth through innovation.
In the Year of the Dragon, a popular Chinese wish for the New Year: "May you realize your ambitions."
Sincerely,
Kristy Callaway
Executive Director
Arts Schools Network
| |
|
on your way student talent recognition
winners will be announced
january 17
special thanks to the following:
arts app, college and career committee, and judges
Filmmaking Judges
- Brian King, USC Thornton School of Music, Associate Professor of Practice and Director, Scoring for Motion Pictures & Television
- Dirk Matthews, Film Faculty and Associate Director Columbia College Portfolio Center
Classical Voice Judges
- David Templeton, College of Charleston, School of the Arts, Assistant Professor Voice and Opera
- Deanna McBroom, College of Charleston, School of the Arts, Professor Voice/Director of the Voice Program
Musical Theatre/Acting
- Kent Gash, NYU Tisch, Director of New Studio on Broadway: Music Theatre and Acting
- Lara Teeter, Webster Leigh Gerdine School of the Arts, Associate Professor Musical Theatre
Visual Arts Judges
- Kim Russo, Fine Arts Department Head, Ringling College of Art and Design
- Michael Wyshock, Faculty Visual Arts, Ringling College of Art and Design
|
|
city of charleston seeking director of cultural affairs | | |
Position:
Director of Cultural Affairs
Dept/Div:
Executive/Cultural Affairs
Position Type:
Regular, Full-Time
Authorized Hiring Range:
$53,273-$63,000 / Year
Application Deadline:
January 13, 2012
Manages and directs all activities of the Office of Cultural Affairs by performing the following duties. Assists the Mayor with developing and defining City Arts Policy, as well as with strategic planning for arts activities supported by the City. Serves as spokesman for the City Arts Policy and programs. Acts as liaison to Charleston's arts and cultural groups, and serves as City representative on Charleston's arts organizations' boards. Develops Public Art Policy and monument plan for the City. Writes and manages the budgets for the Office of Cultural Affairs. Produces, directs and administers City-sponsored festivals, events and art programs. Administers the purchase awards program and manages the permanent collection of Mayor's Purchase awards of MOJA and Piccolo Spoleto festivals. Coordinates activities of the Charleston Area Festival Council. Administers the City's Grant-In-Aid program for Charleston arts groups. Develops strategies for arts education programs in partnership with Charleston City Schools and Mayor's Children's Commission (i.e. City Arts for Kids, educational outreach programs, etc.). Oversees the Office of Cultural Affairs' function as clearinghouse for arts information: serves as catalyst to foster coordination and communication among Charleston's performing arts, visual and literary groups and their activities; promotes community art and calendar, etc. Raises funds for special projects, as directed, and applies for grants and corporate sponsorships in support of City art projects. Coordinates special events for the Mayor's Office, including events for visiting foreign dignitaries, and the Mayor's Spoleto Reception. Performs other duties as assigned.
Requires:
Bachelor's degree (BA/BS) or equivalent in business administration, arts management or a related field; and six to eight years of related experience and/or training; or equivalent combination of education and experience. Valid State SC Driver's License. To perform this job successfully, an individual should have a thorough knowledge of Microsoft Windows, Outlook, Excel and Word or similar software.
http://www.charleston-sc.gov/home/home.aspx
|
| new american plays celebration | |  February 26 - April 15, 2012
The Humana Festival of New American Plays is the leading event of its kind, launching new plays into the national spotlight, right in your backyard! Catch groundbreaking works that represent many generations, many voices and many views, including yours. The festival runs the gamut from comedies to dramas to plays that forge new theatrical territory. Combined with world-class design and performances, this celebration of American playwrights' innovation and imagination has something in it for everyone.

View educational play guides online!
|
|
midwestern voices and visions, an initiative of
the alliance of artists communities | | |

Seven artist residency programs, led by the national Alliance of Artists Communities and supported by The Joyce Foundation, set out to identify strong voices that represent today's most promising and provocative talent and that reflect the rich diversity of the Midwest - artists whose work may as yet be unfamiliar but whose compelling visions help define the region and the country.
Midwestern Voices and Visionscelebrates, supports, and promotes the work of highly talented, yet under-recognized artists of color and broadens awareness of and support for the opportunities available at Midwestern residency programs for artists of diverse backgrounds.
|
| Scott, Cal and Wes want to give away $500 | | |
Check out what Scott and Wes, Managing Partners at NobleHour have done...just to give away $500
Scott and Wes are so excited about MLK Day and NobleHour's upcoming launch, they made a video too! They rounded up SweatMonkey's founder, Cal Fore, to help them show you how easy it is to enter--and why you shouldn't miss out on a chance to win $500! See what Scott, Cal and Wes have to say:
 | | NobleHour's Launching on MLK Day 2012 |
Now it's your turn! Grab your phone or video camera and make a short, original video telling us what you're doing for others. In honor of the MLK Day of Service, we'll enter you to win a $500 award to help your school, nonprofit organization, community, or civic group. We'll also set up the winner and four runners-up with a free community for a year on NobleHour to help manage their civic engagement.
Submissions are due 11:59 pm (EST) on Jan 12, 2012!
It's really easy to enter: just create a short video telling us what you're doing for others. Use your video camera, computer webcam, cell phone - whatever device you choose!
Enter Now at NobleHourMLK and read Official Rules and Regulations
Have fun, be creative, and good luck!
|
| best colleges values | | |

The top-100 public colleges and universities on our list deliver a quality education at an affordable price.
By Jane Bennett Clark, Senior Editor From Kiplinger's Personal Finance magazine, February 2012
For public colleges and universities, the march out of the recession has become a long, slow slog. State appropriations for higher education have been gutted. The federal stimulus money that sustained colleges for several years is just about gone. Enrollment keeps climbing, the demand for financial aid remains high, and the average annual tuition increase is heading toward double digits.
Given these hard times in higher ed, the word value takes on special resonance. We've retooled our rankings to give more weight to criteria we consider crucial to academic value, including the percentage of students who return for sophomore year and the four-year graduation rate. Each category measures a college's ability to keep students engaged and on track for graduation. On the cost side, we continue to reward colleges with low sticker prices and abundant financial aid. But now, as student debt grows worrisome, we give bonus points to colleges that keep borrowing low.
Read the full report. |
|
cool jobs for an international arts phenomena
cirque du soleil - on stage, tech & show support, corporate career opportunities
| | |
cirque du soleil
After recently attending my first show in Las Vegas, I had to research, what is the machine Cirque du Soleil? An organization is as good as its people, so I explored online the various employment pathways by which one could enter this dynamic company.
If you are an artist (and this is a broad definition), Cirque would like to know through your uploaded CV and other audition materials:
- Where you learned and honed your skills: e.g., the schools you attended, gym clubs, music conservatories, etc.
- If you're an autodidact who learned your skills on your own, please tell us all about it.
- The main discipline you excel in, as well as:
- The levels of achievement you have attained;
- Your experience on stage, in competition and at sponsored showcases or other events;
- Other disciplines you may be familiar with or have experience in.
- Your address, phone number, e-mail and website (if applicable).
- Anything else about yourself that you'd like to share.
Show production, support and operations includes everything from automation project manager and casting talent scout on a creation team, to head rigger and artistic director on a show.
International headquarters is located in Montreal. This is also where their Costume and Props teams are located. It is in this dynamic and creative environment that costumes, props, hats, wigs, shoes, lace and textiles are made at the hands of some incredibly talented individuals.
The corporate services team brings together many talented, high-level professionals with diverse backgrounds from all over the world! They offer a wide range of exciting career opportunities in IT, finance / accounting, legal and business affairs, human resources and beyond.
Cirque du Soleil is a dynamic and creative environment, including very talented and diverse professionals working to support its brand, Internet marketing, internal communications, event management and much more.
Check out their jobs website!
|
| metropolitan opera HD LIVE spring 2012 season | | |
The Metropolitan Opera's Peabody and Emmy Award-winning series
The Met: Live in HD continues for its sixth season, featuring 11 live transmissions.
Don't miss the chance to experience the Met live at your local movie theater!
Want opera in your theatre? Apply online.
January 21 The Enchanted Island- New Production
In one extraordinary new work, lovers of Baroque opera have it all: the world's best singers, glorious music of the Baroque masters, and a story drawn from Shakespeare. In The Enchanted Island, the lovers from Shakespeare's A Midsummer Night's Dream are shipwrecked on his other-worldly island of The Tempest. Inspired by the musical pastiches and masques of the 18th century, the work showcases arias and ensembles by Handel, Vivaldi, Rameau, and others, and a new libretto devised and written by Jeremy Sams. Eminent conductor William Christie leads an all-star cast with David Daniels (Prospero) and Joyce DiDonato (Sycorax) as the formidable foes, Plácido Domingo as Neptune, Danielle de Niese as Ariel, and Luca Pisaroni as Caliban. Lisette Oropesa and Anthony Roth Costanzo play Miranda and Ferdinand. The dazzling production is directed and designed by Phelim McDermott and Julian Crouch (Satyagraha and the Met's 125 anniversary gala).
February 11 Wagner's Götterdämmerung - New Production
With its cataclysmic climax, the Met's new Ring cycle, directed by Robert Lepage, comes to its resolution. Deborah Voigt stars as Brünnhilde and Jay Hunter Morris is Siegfried-the star-crossed lovers doomed by fate. Fabio Luisi conducts.
February 25 Verdi's Ernani
Angela Meade takes center stage in Verdi's thrilling early gem. Marcello Giordani is her mismatched lover, and all-star Verdians Dmitri Hvorostovsky and Ferruccio Furlanetto round out the cast.
April 7 Massenet's Manon- New Production
Anna Netrebko's dazzling portrayal of the tragic heroine in Laurent Pelly's new production travels to the Met from the Royal Opera House, Covent Garden. Piotr Beczala and Paulo Szot also star, with the Met's Principal Conductor Fabio Luisi on the podium.
April 14 Verdi's La Traviata
Natalie Dessay will put on the red dress in Willy Decker's stunning production, in her first Violetta at the Met. Matthew Polenzani sings Alfredo, Dmitri Hvorostovsky is Germont, and Principal Guest Conductor Fabio Luisi is on the podium.
Visit Met Opera HD LIVE!
|
|
calendar of events and gatherings
| | |

january 17 on your way student talent recognition winners announced: classical voice, filmmaking, musical theatre and visual arts
january 23-29, 2012 conference arts works, making your way, orlando, fl
may 2-6, 2012 board of directors' meeting, columbia college, chicago, il
october 15-19, 2012 conference chicago, chicago academy of arts, chiarts, columbia college, chicago, il
october 2013 conference new york city, nyu tisch, nyu steinhardt, laguardia
october 2014 conference denver, co, denver school of the arts
|
| iphone, ipad app teaches music basics | | |
seeing is believing, for a beginner
garage band app
Description
GarageBand turns your iPad, iPhone and iPod touch into a collection of Touch Instruments and a full-featured recording studio - so you can make music anywhere you go. Use Multi-Touch gestures to play pianos, organs, guitars, drums, and basses. They sound and play like their counterparts, but let you do things you could never do on a real instrument. Enjoy a full range of Smart Instruments that make you sound like a pro - even if you've never played a note before. Plug an electric guitar into your iPad, iPhone or iPod touch and play through classic amps and stompbox effects. Use the built-in microphone or a guitar to record, or capture any performance. Then mix up to eight tracks to create a song you can share.
Play your iPad, iPhone and iPod touch like a musical instrument Perform on dozens of musical instruments on the innovative Multi-Touch keyboard. Tap out beats from the seat of acoustic and electronic drum kits. Recreate legendary guitar rigs with 9 amps and 10 stompbox effects. Record your voice using the built-in microphone, and apply fun sound effects. Use the Sampler to create an instrument from sounds you record, then play them on a keyboard.
 Sound like a virtuoso with Smart Instruments Tap chords to instantly create keyboard grooves with the Smart Keyboard. Strum chords on acoustic and electric Smart Guitars, or trigger fingerpicking patterns for popular chords Groove with an onscreen electric or upright Smart Bass by tapping on chords. Drag drum instruments onto a grid to create your own beats with the Smart Drums.
Create a song anywhere you go Arrange and mix your song with up to eight tracks using Touch Instruments, audio recordings, and loops. Trim and place musical regions exactly where you want them to play. Use the Mixer to fine-tune each track's volume - solo or mute any track, or adjust pan, reverb, and echo. Use over 250 professionally prerecorded loops as a backing band to your song.
Share your songs Email songs right from GarageBand (AAC). Export your song and add it to the iTunes library on your Mac or PC. Send a project to your Mac and open it in GarageBand to continue refining your song.
garage band app
|
|
academy of awards timeline
feb 26 presentation of oscars | | |

oscar presentation countdown
academy of motion picture arts and sciences
Tuesday, December 27, 2011
Nominations ballots mailed
Friday, January 13, 2012
Nominations polls close 5 p.m. PT
Tuesday, January 24, 2012
Nominations announced 5:30 a.m. PT, Samuel Goldwyn Theater
Wednesday, February 1, 2012
Final ballots mailed
Monday, February 6, 2012
Nominees Luncheon
Saturday, February 11, 2012
Scientific and Technical Awards presentation
Tuesday, February 21, 2012
Final polls close 5 p.m. PT
Sunday, February 26, 2012
84th Academy Awards presentation
About
The Oscars reward the previous year's greatest cinema achievements as determined by some of the world's most accomplished motion picture artists and professionals. The Academy's roughly 6,000 members vote for the Oscars using secret ballots, which are tabulated by the international auditing firm of PricewaterhouseCoopers. The auditors maintain absolute secrecy until the moment the show's presenters open the envelopes and reveal the winners on live television.
And the Oscar Goes To...
Awards are presented for outstanding individual or collective efforts in up to 25 categories. Members select winners from as many as five nominees in each category, which are determined by members of the relevant Academy branch. (For instance, only film editors may nominate for the Achievement in Film Editing award.) The only exceptions are the Best Picture category, for which nominees are selected by the entire membership, and the Best Foreign Language films, which are nominated by a committee of members drawn from all branches.

|
|
documentarians fear proposed oscar rule
| | |
new york times
By Michael Cieply
Published January 8, 2012
LOS ANGELES - In a move to trim the number of documentaries submitted annually for Oscar consideration, the Academy of Motion Picture Arts and Sciences is poised to require a movie review from The New York Times or The Los Angeles Times to qualify a documentary feature for the Academy Awards, according to a draft of the rule.
The plan, which raised alarm among some filmmakers who learned of it over the weekend, is expected to be disclosed this week, according to people briefed on its terms. Those people spoke on condition of anonymity to avoid conflict with the Academy.
Academy officials did not immediately respond to queries on Sunday.
The review requirement is an unusual twist in a long list of qualifying standards that apply to the various Oscar categories, including best picture, best animated feature, best foreign language film and others.
It would trim the number of films that must be viewed annually by the Academy's relatively small documentaries branch (it has just 157 members), which narrows the field to 15 qualifying movies, and then five nominees. In 2011 the branch considered 124 movies, up 23 percent from 101 films from a year earlier.
But the rule would hinder the prospects of those who make smaller and less prominent movies; these filmmakers have often qualified their documentaries without the kind of commercial release that typically leads to reviews in the two newspapers.
Particularly hard hit would be DocuWeeks, a program sponsored by the International Documentary Association, which for more than a decade has let filmmakers pay a fee to have their pictures shown briefly in New York and Los Angeles, thus qualifying for awards. Under the new rule, those films would be considered only if a movie critic for one of the two newspapers chose to review it, something that typically does not happen. At least one film on this year's Oscar qualifying list, the documentary "Semper Fi: Always Faithful," about the Marine Corps and tainted water at Camp Lejeune, was shown through DocuWeeks and appears not to have been reviewed in either paper before its submission. Another dozen films - including "The Mexican Suitcase," "The Power of Two" and "Unfinished Spaces" - qualified for Oscar consideration through the program, but also appear not to have had the reviews that would be required for next year's awards.
"This will be a disappointment to a certain number of filmmakers," said Thom Powers, the documentary programmer for the Toronto International Film Festival, on learning of the policy.
Powers called it "a strange thing, indeed" for the Academy to shift decision-making to a third party, in this case the New York and Los Angeles newspapers. But, he added, "I can understand that the Academy wants to focus its recognition on films that have had a kind of legitimate theatrical release."
View full article.
|
|
|
|
|