The New Moon
VOLUME 6, NO. 12 | April 25, 2009

What's New

New Guidelines Available for ACTA’s Apprenticeship Program

Master artist Ju Yang (left) and her apprentice and daughter-in-law Pao Ge Vue

Master artist Ju Yang (left) and her apprentice and daughter-in-law Pao Ge Vue with the White Hmong tiab dawb (hand-pleated ceremonial hemp skirt) completed during their apprenticeship.
Photo: Sherwood Chen

This month ACTA announces the availability of guidelines and application forms for the tenth round of its Apprenticeship Program.  Guidelines and application forms are now available online.  Alternatively, please call the Alliance at (415) 346-3800 to request a copy be mailed to you.  The postmark deadline for submission of applications is July 15, 2009.

ACTA’s Apprenticeship Program fosters cultural transmission by contracting master artists for $3,000 to offer intensive one-on-one training in a specific art form to qualified apprentices for six to twelve months.  Master artists and apprentices must apply together and be based in California.  Information about past apprenticeships is available at on ACTA’s website.

ACTA’s Apprenticeship Program is funded by The Columbia Foundation, the East Bay Community Foundation, the Fresno Arts Council, The Walter & Elise Haas Fund, The James Irvine Foundation, and the National Endowment for the Arts.  Additional support provided by the California Arts Council, the California Community Foundation, and The San Francisco Foundation.

For More Information Contact

Sherwood Chen
Associate Director
(415) 346-3800
Email

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New Guidelines Available for ACTA’s Living Cultures Grants Program

Master artist Ju Yang (left) and her apprentice and daughter-in-law Pao Ge Vue

Students celebrate having passed through ‘uniki: an intense period of study of ancient Hawaiian hula which demands knowledge of chant, dance, implement making, plant knowledge, lei making, history, and lineage.  Na Lei Hulu I Ka Wekiu students under kumu (mater) Patrick Makuakane are given leis by their families and friends upon completion of the ‘uniki.  This ceremony was supported in part by a 2006 Living Cultures Grants Program grant.
Photo: Lily Kharrazi

This month ACTA announces the availability of guidelines and application forms for the fifth round of its Living Cultures Grants Program.  Guidelines and application forms are now available online.  Alternatively, please call (415) 346-5200 to request a copy be mailed to you.  The postmark deadline for submission of proposals is August 1, 2009.

The Living Cultures Grants Program funds nonprofit organizations to support exemplary California-based traditional arts projects with grants of up to $7,500 for projects that demonstrate significant impact on particular cultural traditions.  Descriptions of previously funded projects are available on ACTA’s website.

The Living Cultures Grants Program is a project of the Alliance for California Traditional Arts in partnership with The Walter & Elise Haas Fund, The William & Flora Hewlett Foundation, and The James Irvine Foundation.

For More Information Contact

Lily Kharrazi
Living Cultures Grants Program Manager
(415) 346-5200
Email

ACTA staff is always available to discuss the program and is happy to work with first-time grant seekers.

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Save the Date!—Alliance Informational Meetings

ACTA will be hosting informational meetings throughout the state, in Los Angeles (April 26), Fresno (May 4), Riverside (May 6), San Jose (May 7), Oakland (May 12), and San Diego (May 13).  Join ACTA staff for an informational meeting in your area to learn more about ACTA’s programs and other funding opportunities for folk & traditional artists and organizations. 

New this year: an online seminar!  ACTA will also host an online seminar (webinar) on June 12, 2009 at 1:00 p.m.  Those with internet and telephone access may join us for a “virtual” informational meeting.  Visit ACTA’s website to register for the webinar.

For more information about these meetings, contact Lily Kharrazi, Living Cultures Grants Program Manager via email or at (415) 346-5200.

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American Masterpieces: The Artistic Legacy of California Indian Basketry on Exhibit in Sacramento

Globular diagonally twined cooking basket

On display as part of the American Masterpieces: The Artistic Legacy of California Indian Basketry exhibit, this globular diagonally twined cooking basket is attributed to Mary Benson (c. 1872-1930), a Pomo basketweaver from Mendocino County.

Article and photos courtesy of the California Arts Council.

Editor’s Note: The American Masterpieces: The Artistic Legacy of California Indian Basketry project is a joint project of the California Arts Council, California State Parks, and The California Museum.  The exhibit will be on display at The California Museum, 1020 O Street, Sacramento, until March 14, 2010.

The gentle notes of GRAMMY-award winner Mary Youngblood's flute rose above the din of voices on March 11, 2009, at The California Museum in Sacramento, as the onlookers admired the exquisite baskets on display. Over 200 people attended the pre-opening reception for American Masterpieces: the Legacy of California Indian Baskets, a special exhibit brought together through the efforts of the California Arts Council and California State Parks, with funds from the National Endowment for the Arts' American Masterpieces program.

Mary Tarango, Tribal Chair of the Wilton Rancheria, opened the evening by inviting the reception attendees (and all potential viewers of the exhibit) “onto the land” of the sovereign tribes in California through viewing the exhibit. For thousands of years baskets were essential implements to Native Californians, and over 80 baskets, their uses, and an oversized lighted floor map of California demonstrating the baskets' geographic origins are on display.

Read more about the American Masterpieces exhibit on ACTA’s website.

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CounterPULSE Announces Resident Artists for its 2009 Performing

This month CounterPULSE announced the 2009 Performing Diaspora Resident Artists.  CounterPULSE’s Performing Diaspora is a festival, residency program, commissioning program, and symposium featuring dance, music, theater, media, and interdisciplinary artists who are using traditional forms as a basis for experimentation and innovation.

Read more about CounterPULSE’s Performing Diaspora and the 2009 Resident Artists on ACTA’s website.

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New Group is Formed to Sponsor Native Arts

A new foundation to support the work of American Indian, Native Hawaiian and Alaska Native artists has been established, formally opening its doors on April 21, 2009.  With an initial $10 million from the Ford Foundation, the Native Arts and Cultures Foundation will be the first permanently endowed national foundation of its kind.

Read more about the formation of the Native Arts and Cultures Foundation on the NY Times website.

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Funding

ACTA's Traditional Arts Development Program
Alliance for California Traditional Arts

Deadline: Ongoing

ACTA's Traditional Arts Development Program makes contracts up to $1,500 to support consultancies, mentorships, and travel opportunities that foster a new level of growth for individual folk & traditional artists and organizations engaged in this field in California.  Requested services may be focused on organizational, program, and/or artistic development goals.  Individual artists and cultural practitioners, as well as organizations, whether incorporated or not, may apply.

A sampling of past contracts include:

Artistic Mentorships

Gen Taiko (San Francisco), an organization dedicated to promoting, preserving and presenting Japanese traditional arts including taiko (traditional Japanese drumming), traditional folk dance, and folk song forms. Its artistic director, Melody Takata, was trained by National Heritage Fellow Madame Fujima Kansuma to learn the Nihon Buyo (Japanese classical) dance called Kojo No Tsuki (Moonlit Castle Ruins). Ms. Takata taught the dance to four of her students and performed it at Gen Taiko’s 10th Anniversary Concert in November 2005.

Organizational Consultancies:

Kwashi Amevuvor (Los Angeles), a master drummer from Ghana, West Africa, worked with consultant Janet Planet, who assisted him with marketing and web design to develop professional promotional materials to publicize the work of the artist and the traditional cultural arts of Ghana. In addition, Ms. Planet’s consultancy supported Mr. Amevuvor’s efforts in organizing a cultural study tour of Ghana.

Travel Opportunities

The Eszterlánc Hungarian Folk Ensemble (Foster City) traveled to Southern California to perform for an audience of over two thousand at the annual Magyar Sajtónap (Hungarian Press Day) hosted by the newspaper California Hungarians. At this event Eszterlanc dancers had the opportunity to perform with members of the Karpatok Folk Ensemble of Southern California, which is led by Istvan Szabo.

Requests for organizational consultancies, artistic mentoring, and travel support may be submitted to ACTA at any time.  Download the application and application instructions from ACTA's website or call (559) 237-9812 to request a copy be mailed to you.

ACTA's Traditional Arts Development Program is supported by grants from the California Arts Council, the Walter and Elise Haas Fund, and the National Endowment for the Arts.

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Native Arts @ NEFA
The National Native Artists Exchange
New England Foundation for the Arts

Deadline – Ongoing

The Native Artist Exchange, a program of the New England Foundation for the Arts (NEFA), provides support for Native artists residing in any of the 50 United States to travel to different regions of the country so that they may exchange artistic knowledge and skills. This fund is designed to encourage and assist American Indian, Alaskan Native and Native Hawaiian artists, and provides an opportunity for Native artists to teach, learn, and collaborate in traditional and/or contemporary Native art forms through travel from one region to another across the nation.

For more information, including guidelines and application materials, visit the New England Foundation for the Arts’ website.

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The Guitar Center Music Foundation

Deadline – Ongoing

The Guitar Center Music Foundation’s mission is to aid nonprofit music programs across America that offer music instruction so that more people can experience the joys of making music.

The Guitar Center Music Foundation accepts grant applications throughout the year from 501(c)(3) organizations that offer music instruction programs to participants of any age.  The applicant program must successfully enhance the state of music education in the United States.  The Grant Committee reviews all applications three times yearly, and grant awards range from $500 to $5,000.

For more information visit the Guitar Center Music Foundation’s website.

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San Francisco Creative Capacity Fund

Deadline: In 2009, the 15th of Each Month
Restricted to San Francisco

The San Francisco Arts Commission (SFAC) and Grants for the Arts (GFTA), have joined together to establish the San Francisco Creative Capacity Fund, a special field-building initiative to support professional development and peer learning opportunities for San Francisco artists and arts administrators.

Launched in 2009 as a pilot program, the Creative Capacity Fund (CCF) will provide scholarship reimbursements to eligible applicants, including individual artists and arts administrators of small and emerging arts organizations, to attend classes and workshops that will enhance their knowledge and administrative skills and help sustain their work in the arts.  A number of service organizations and workshop providers will be involved as partners in this endeavor, and the Fund will be administered by the Center for Cultural Innovation (CCI), a California training and financial services incubator for the arts, in San Francisco.

For more information, including guidelines and application instructions, visit the San Francisco Creative Capacity Fund’s website.

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Artists’ Resource for Completion
The Durfee Foundation

Deadline: April 28, 2009
Restricted to Los Angeles County

The Durfee Foundation’s Artists' Resource for Completion grants provide rapid, short-term assistance to individual artists in Los Angeles County who wish to enhance work for a specific, imminent opportunity that may significantly benefit their careers.  Artists in any discipline are eligible to apply.  The applicant must already have secured an invitation from an established arts organization to present the proposed work.  The work must be scheduled for presentation within six months of the application deadline.  Applications are reviewed quarterly.

Grants of up to $3,500 will support purchase or rental of materials, equipment, or space to complete work already scheduled for a specific event – an exhibition, performance, publication, reading, etc; auxiliary travel or shipping associated with the proposed event; and stipends/fees for collaborating artists (performers, designers, etc.) whose participation would expand or enhance the proposed work.

The Foundation is especially interested in encouraging applications from traditional artists.  Previous grants have supported such artists and projects as:

  • Malathi Iyengar – for costs related to the performance of the Ramayana at a dance festival in India
  • Norma Navarro – for costs related to the exhibition of the artist's carved gourds at Plaza de la Raza in Los Angeles
  • Jesus Guzman – for costs related to a performance of by Mariachi Los Camperos de Nati Cano in Los Angeles

For more information, including guidelines and application forms, visit the Durfee Foundation's website.

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Engaging Dance Audiences
Dance/USA

Deadline: May 4, 2009

With support from the Doris Duke Charitable Foundation and the James Irvine Foundation, Dance/USA has launched Engaging Dance Audiences (EDA), a $1.9 million pilot program that enables Dance/USA to analyze current dance-going activities, and its members to explore and research methods of engaging audiences for dance, learn from peers, and share the learning nationally.  EDA consists of four components, three of which involve direct support to Dance/USA members.  The fourth component involves field-wide research on dance audiences:

  1. Project Support. Grantees will be funded to develop new or refine existing engagement practices and share their discoveries with the dance field. Projects could enhance ongoing activities or be completely new.

    Timeline: Grantee project activities may begin as early as January 2010 and must be completed no later than June 30, 2011. See the Program Calendar for the full timeline.

    Grant amounts will range according to the size of the project and the organization’s operating budget, but will generally be between $25,000 and $125,000, and no greater than $150,000.
  2. Audience Engagement Research. Grantees will cooperate with consultants Alan Brown and Jennifer Novak of WolfBrown to conduct research on their own audience engagement.  WolfBrown will provide technical assistance to the grantees in designing and executing audience surveys.
  3. Learning Community.  At its core, EDA is a learning initiative.  Grantees will participate in a learning community about engaging audiences, including regular meetings and conference calls. Results of projects will be posted on Dance/USA's website.
  4. Additional Audience Research.  Dance/USA will also commission additional field-wide research on audiences to be conducted by WolfBrown, the scope of which is to be determined.

Both organizational and individual members of Dance/USA may participate in EDA.  Applicants must have 501(c)3 status and be an organizational member in good standing by May 4, 2009.  Individual members may be part of a consortium or upgrade their membership to become an organizational member and be eligible to apply on their own.

For more information, including guidelines and application instructions, visit Dance/USA’s website.

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Challenge America: Reaching Every Community
National Endowment for the Arts

Deadline – May 28, 2009

Challenge America: Reaching Every Community grants are for support, primarily to small and mid-sized organizations, of projects that extend the reach of the arts to underserved populations – those whose opportunities to experience the arts are limited by geography, ethnicity, economics, or disability.  Grants are for $10,000.

For more information, including guidelines and instructions to apply, visit the National Endowment for the Arts’ website.

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Visions from the New California
Alliance of Artists Communities

Deadline: June 1, 2009

Funded by the James Irvine Foundation, the Alliance of Artists Communities’ Visions from the New California project seeks to support and promote the work of outstanding California visual artists from geographically and ethnically diverse communities (particularly beyond the San Francisco and Los Angeles metropolitan areas).

Each year, six selected artists will receive a one-month residency free of charge at one of the participating residency programs and a $4,000 unrestricted cash stipend  Each artist’s residency experience will be documented in a widely distributed publication designed to assist the careers of the award recipients.

For more information, including guidelines and application instructions, visit Visions from the New California’s website.

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Longhouse National Native Grant Program

LOI Deadline: June 1, 2009

The Evergreen State College Longhouse Education and Cultural Center, with funding from the Ford Foundation, announces its third round of national funding for Native artists (American Indians, Alaska Natives, and Native Hawaiians) in the United States.  Two grant programs, the National Native Creative Development Program and the National Native Master Artist Initiative, are available.

For more information, including guidelines and application instructions, visit the Evergreen State College Longhouse Education and Cultural Center’s website.

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Music Presenting Grant
California Arts Council/Department of Justice

Deadline: July 1, 2009

The California Arts Council (CAC) has teamed up with the California Department of Justice (DOJ) to distribute funds from a court case involving the music industry.  Funds from this settlement are to be distributed through the California Arts Council for music performances to geographically-diverse regions of California that would appeal to a broad range of musical tastes.

Available are one-time grants up to $15,000 to presenting organizations to offer discounted or free music performances that will serve California's underserved, rural and/or inner-city populations.  Collaborative projects are particularly encouraged.  Funds are available on a 2-to-1 basis; that is, the CAC will provide $2 for every $1 provided by the presenters as a match.  All schools with a history of presenting, including colleges, are encouraged to apply as presenters or be considered as venues.

For more information, including guidelines and application instructions, visit the California Arts Council’s website.

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Apprenticeship Program
Alliance for California Traditional Arts

Deadline: July 15, 2009

ACTA’s Apprenticeship Program fosters cultural transmission by contracting master artists for $3,000 to offer intensive one-on-one training in a specific art form to qualified apprentices from six to twelve months.  Master artists and apprentices must apply together and be based in California.

Guidelines and application forms are now available online.  Alternatively, please call (415) 346-3800 to request a copy be mailed to you.  The postmark deadline for submission of applications is August 1, 2008.

ACTA’s Apprenticeship Program is funded by The Columbia Foundation, the East Bay Community Foundation, the Fresno Arts Council, The Walter & Elise Haas Fund, The James Irvine Foundation, and the National Endowment for the Arts.  Additional support provided by the California Arts Council, the California Community Foundation, and The San Francisco Foundation.

For More Information Contact

Sherwood Chen
Associate Director
(415) 346-3800
Email

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Living Cultures Grants Program
Alliance for California Traditional Arts

Deadline: August 1, 2009

ACTA’s Living Cultures Grants Program funds nonprofit organizations to support exemplary projects in the traditional arts in California.  Approximately 40 grants of up to $7,500 will be made in this funding cycle.

Guidelines and application forms are now available online.  Alternatively, please call (415) 346-5200 to request a copy be mailed to you.  The postmark deadline for submission of proposals is August 1, 2009.  ACTA staff is always available to discuss the program and is happy to work with first-time grant seekers.

The Living Cultures Grants Program is a project of the Alliance for California Traditional Arts in partnership with The Walter & Elise Haas Fund, The William & Flora Hewlett Foundation, and The James Irvine Foundation.

For More Information Contact

Lily Kharrazi
Living Cultures Grants Program Manager
(415) 346-5200
Email

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Opportunities & Resources

California Cultural Data Project Training Sessions

The California Cultural Data Project (California CDP) is the most ambitious and comprehensive effort ever to gather and analyze information about the contributions of the cultural sector to California’s economy and quality of life.  During the coming year, applicants to many California grant programs will be asked to participate in the California CDP.

The California CDP will host training sessions throughout California on April 28-30, 2009:

Sacramento
Tuesday, April 28, 2009 – 10:00 am
USC State Capital Center
1800 I Street
Sacramento, CA 95814

Sacramento
Thursday, April 30, 2009 – 5:30 pm
USC State Capital Center
1800 I Street
Sacramento, CA 95814

Please also visit the California Cultural Data Project’s website for updated training session schedules.

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Legacy Oral History Workshop

June 11-13, 2009
San Francisco, California

Presented by the Legacy Oral History Program of the Museum of Performance & Design, this three-day workshop will provide the training necessary for participants to launch their own oral history projects.  While drawing on references and examples in the performing arts, the workshop is designed to be equally appropriate for those involved in anthropology, cultural studies, institutional history, social history, regional history, family history, master’s or doctoral studies, or other projects.

The 15th annual oral history training workshop will be carefully designed to match the experience levels of all participants – beginning, intermediate, or advanced.  The lecture/discussion format will include opportunities to apply the material presented.  The workshop will cover:

  • Project Design
  • Legal/Ethical Issues
  • Technology  and Funding
  • Interviewing
  • Transcription and Editing: producing research-quality documents or other final products

Fee: $300 (Early registration: register by May 1, 2009).  $350 (After May 1, 2009). Pre-registration required. Major credit cards accepted.  A $50 discount will be given if you mention that you heard about the workshops through ACTA’s e-newsletter.

Fee includes a 200-page syllabus/guidebook containing all the material taught in the workshop, special readings, and other vital information.  In order to give personal attention to each participant and project, the workshop is strictly limited to 22 participants.

For more information or to register, visit the Legacy Oral History Workshops’ website.  To register, contact them via email or at (415) 255-4800, ext. *823.

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Disaster Relief Assistance
Craft Emergency Relief Fund

The Craft Emergency Relief Fund (CERF), a national organization supporting craft artists, would like to make sure that any professional craft artists who may have been affected by California’s wildfires is aware of the disaster relief assistance available from CERF.

CERF’s programs include:

  • Grants up to $1,500

  • Loans up to $8,000

  • Booth fee waivers at craft shows

  • Discounts on materials and equipment from craft suppliers

  • Assistance with business development

  • Disaster forums to facilitate craft community disaster preparedness and recovery

For more information visit CERF’s website.

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Americans for the Arts Archived Webinars

Americans for the Arts produces a series of webinars presented by field experts; topics range from leadership succession in the arts to arts in rural communities to the election’s impact on the arts.  Americans for the Arts has recorded and archived each webinar produced from September to December 2008 and has made them available for purchase and download.

The webinars are flexible enough to meeting demanding schedules and affordable enough for multiple use.  Each webinar is $85 for members and $125 for non-members.

For more information visit Americans for the Arts’ Webinars website.

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Health Insurance for Artists: Information and Resources

According to the Urban Institute's 2003 study, Investing in Creativity: A Study of the Support Structure for U.S. Artists, access to quality, affordable healthcare is one of the most difficult challenges facing artists today in the U.S.  Indeed, it is one of the most difficult challenges facing many Americans.  Artists in the workforce, in particular, exhibit a clear need for better information about healthcare and health insurance options, and about how to improve access to resources locally.

In an effort to deliver information and resources to artists, organizations, and communities on options for affordable, local healthcare and health insurance, The Artists Health Insurance Resource Center (AHIRC) and Leveraging Investments in Creativity (LINC), both in partnership with the Actors Fund, have compiled extensive information regarding health insurance and healthcare for artists.  The information is available to everyone without charge.

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Online Training Courses to Master Proposal Writing

The Foundation Center hosts several online training courses in proposal writing.  The Statement of Need helps novice or inexperienced grantseekers master a critical component of proposal writing – preparing a statement of need.  The Project Description is an in-depth look into the preparation and writing of the project description section of a proposal.  The Budget demystifies the preparation of the project budget included in funding proposals.  The Comprehensive Course is a thorough, step-by-step guide to preparing an effective proposal for foundation support, covering every section of the proposal.  The courses include interactive exercises and assignments, case studies, a final exam, and a printable certificate of completion.  Lessons can be taken at any pace, and can be reviewed often.  For more information visit the Foundation Center’s website.

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FEATURES

What's New

Funding

Events

Opportunities & Resources

ABOUT ACTA

The Alliance for California Traditional Arts strives to "ensure California's future holds California's past" by providing programs and services to support the state's diverse living cultural heritage. The Alliance cultivates the growth of traditional arts and culture through Stewardship, Services to Artists, and Connection-Making.

Support ACTA

CONTACT ACTA

Website:
http://www.actaonline.org

Staff:
Amy Kitchener, Executive
Director
akitch@actaonline.org
559.237.9813

Sherwood Chen, Associate Director
sherwood@actaonline.org
415.346.3800

Lily Kharrazi, Living Cultures Grants Program Manager
lilyk@actaonline.org
415.346.5200

Suzanne Hildebrand, Administrative Coordinator
The New Moon Editor stoler@actaonline.org
559.237.9812

BOARD OF DIRECTORS

Melanie Beene
Executive Director, Community Initiative Funds
San Francisco Foundation
San Francisco, CA

Emmett Castro, V.P. of Finance and Administration
Certified Public Accountant, Castro Accountancy Corporation
Fresno, CA

Jo Farb Hernandez, Secretary
Director, Natalie and James Thompson Art Gallery, School of Art and Design, San Jose State University
Director, SPACES
Principal, Curatorial and Museum Management Services
Watsonville, CA

Joel Jacinto,
Executive Director, Search to Involve Pilipino Americans
Los Angeles, CA

Sojin Kim, Ph.D.
Curator,History Department, Natural History Museum of Los Angeles County
Los Angeles, CA

Amy Kitchener (ex officio)
Executive Director, ACTA
Fresno, CA

Frank LaPena
Professor Emeritus, American Indian Studies, CSU Sacramento;
Traditional Maidu dance master; Visual Visual Artist
Sacramento, CA

Malcolm Margolin
Founder and Publisher, Heyday Books
Executive Director, Heyday Institute
Berkeley , CA

Libby Maynard
Co-founder and Executive Director, Ink People Center for the Arts
Eureka, CA 

Chike Nwoffiah, V.P. of External Development
Executive Director, Oriki Theatre
Mountain View, CA

Amy Rouillard
Senior Programs Manager, California Council for the Humanities
San Diego, California

Charlie Seemann, Board President
Executive Director, Western Folklife Center
Elko, NV

Daniel Sheehy, Ph.D.
V.P. of Governance
CEO, Smithsonian Folkways Recordings
Washington, D.C.

Deborah Wong, Ph.D.
Professor of Music
University of California, Riverside

Honorary

Bess Lomax Hawes
Retired Former Director, Folk & Traditional Arts Program, National Endowment for the Arts
Woodland Hills, CA

FUNDERS

California Arts Council

Fresno Arts Council

National Endowment for the Arts

The James Irvine Foundation

Walter & Elise Haas Fund

William and Flora Hewlett Foundation

The San Francisco Foundation

THE COLUMBIA FOUNDATION

San Francisco Arts Commission

California Community Foundation

EAST BAY COMMUNITY FOUNDATION

EVENTS

Shibui – The Subtle Beauty of Japanese Craft

She Made It! – The Tradition of Women’s Arts and Crafts in Santa Clara Valley

The Costumes of Korean Dance and Drumming

Hula for Kupuna

Kumeyaay: Indigenous People of Southern California

Esperanza and Luz: A Tale of Two Immigrant Women

San Francisco Festival of Mandolins 2009

Master Kathak Class and Lecture Demo

5th Annual CubaCaribe Festival

Shakti through the Decade: 1989-1999

13th Annual California Herdelijezi Festival

Tercera Raiz

Festival of the Silk Road

Seri Indian Artisans

Viva el Cinco!

11th Annual Rebozo Festival

9th Annual Sts. Kiril & Methody Bulgarian Festival

Ramayana – Annual School Show

The Tamburitzans of Duquesne University

31st Annual Ethnic Dance Festival

Dia de Portugal Festival

Great Wall Youth Orchestra

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