|
|
|
|
|
|
of note celebrates the arts of our diasporas. It is a space where art meets activism, empowerment, and social responsibility.
Founder Editorial Director Grace Aneiza Ali
Executive Editor Art & Film Editor Sandrine Colard
Photography Editor Julien De Bock
Film Contributor Shahnaz Habib
Book & Music Editor Clarence Haynes
Dance Editor M. Soledad Sklate
Theater Editor Stella Vincenot-Dash
www.ofnotemagazine.org
|
|
|
|
|
|
notable
"...are we looking at the artwork, or is the artwork looking at us?" The particular appeal of Anish Kapoor's works, exhibited at the 21st street Gladstone Gallery, is that his sculptures erase their own contours to absorb and shape the reality surrounding them. In polished stainless steel, the three sculptures' curves are the threshold to an alternative dimension. Acting like distorting mirrors, they turn the viewer into Alice walking through a looking glass: successively dwarfed, stretched, swelled, and thinned down, the spectator is swallowed and plunged into the artwork's own sublimated reality. Homi Baba described this dynamic interactivity between the sculpture and the spectator in Kapoor's work as a "living tissue, a contingent, and relational medium." It also makes us wonder: are we looking at the artwork, or is the artwork looking at us? Or, are we the artwork's artwork? Kapoor's experience on the matter (also visible at the second Gladstone Gallery venue, on West 24th street) opens a world of endless possibilities and viewing experiences, perfectly illustrating Marcel Proust's reflection: " The true discovery of travel does not consist in looking for new landscapes, but in acquiring new eyes." Anish Kapoor's gift to the visitor is to offer them these new eyes.Image: Anish Kapoor, courtesy of Gladstone Gallery
Sandrine Colard sandrine.colard@ofnotemagazine.org
|
|
|
|
|
|
|
|
Nitin Mukul: I Woke Up Somewhere Else On view June 19 - July 17 Opening reception: Thursday, June 19 @ 6 pm
 New Delhi-based artist Nitin Mukul's work negotiates the tense and productive spaces between geographies, visual cultures, and identities. Mukul paints with the sensibility of a postcolonial transplant, combining pop cultural references from India's media-saturated visual environment with biological structures, ritual images, and architecture. The Guild, NY 45 West 21st Street 2nd Floor New York, NY 10010
|
|
Re-Imagine Kenya Thursday, June 19 @ 6 pm
|
|
Listening to Our Ancestors: The Art of Native Life Along the North Pacific Coast On view through July 20
 Listening to Our Ancestors explores how Native people along the coast of Washington State, British Columbia, and Alaska continue time-honored practices in an ever-changing modern world. The exhibition features more than 400 ceremonial and everyday objects, as well as commentary from representatives of eleven contemporary North Pacific Coast Native nations. Each object reflects the creativity of people whose art has been collected by museums worldwide for more than a century. Image: Detail of mask to be worn in the Clam Dance, ca. 1900. 9/2227. Photo by NMAI Photo Services. National Museum of the American Indian Alexander Hamilton U.S. Custom House One Bowling Green btw Broadway & State Streets New York, NY 10004 |
Sosua: A Refuge for Jews in the Dominican Republic On view through July 25 In 1938, when openings for Jewish refugees were hard to find, the Dominican Republic offered to resettle 100,000 Jews. Sosúa, an abandoned banana plantation, would become a refuge to hundreds of Jews, and grow into a town that still thrives today. This exhibition tells how the settlers were recruited, what awaited them in Sosúa, and how they worked with their Dominican neighbors to establish the settlement. Sosúa speaks poignantly to one chapter in a shared Dominican and Jewish story.
Museum of Jewish Heritage36 Battery Place New York, NY 10280 |
|
Zhang Huan: Blessings On view through July 25
 Zhang Huan first began developing his Ash Paintings upon moving to Shanghai in 2006, after eight years of living in New York City. Back in China the artist was struck by the number of Buddhist devotees who would pray to the deity for hours on end and burn incense as offerings. The ash soon became the medium for both his paintings and sculpture. For Huan, "all the dreams, aspirations, all the spiritual longings, all the ideas that people have" are infused into the ash. "It's the collective spirit and collective thinking, and collection wishes of the people in China." Image: Wang Jie, 2007, ash on linen Pace Wildenstein 534 West 25th Street Manhattan, NY 10001 |
|
The New Spell On view through July 30
 South African artists are teasingly subverting contemporary politics and societal norms with a liberated sense of detachment and satiric self-reflexivity. The resultant works are consciously current, sometimes self-consciously hip, and self-consciously oppositional. Bringing together the work of six artists, Nandipha Mntambo, Michael MacGarry, Maja Maljevic, Themba Shibase, Nina Barnett, and Robyn Nesbitt who share an affinity for a particularly vulgar aesthetic, The New Spell invites viewers to consider relations of power in South Africa with a greater sense of intimacy - and perhaps even humour - by moving beyond the binary categories such as autonomy versus subjection or resistance versus passivity. Image: Michael MacGarryDavid Krut Projects526 W. 26th Street btw 10th & 11th Avenues Chelsea Manhattan, NY |
|
Reflections on Community Development: Stories from Bedford Stuyvesant Restoration Corporation On view through August 31
 "Reflections on Community Development: Stories from Bedford Stuyvesant Restoration Corporation" provides a local and national narrative of the rise and importance of community development corporations (CDCs) from their inception during the late 1960s into the present. Using the Bedford-Stuyvesant Restoration Corporation, one of the first CDCs in the country, the exhibit will present the story of how federal and state elected officials joined with local community activists, politicians, and business leaders to create a truly cooperative public-private partnership whose mandate was nothing short of completely transforming an economically depressed, physically blighted urban community into a vibrant, dynamic, safe, stable place to live and work. Brooklyn Historical Society 128 Pierrepont Street @ Clinton Street Brooklyn, New York 11201 |
|
The Last Aliyah from Yemen: A Photographic Exhibition On view through October 31
 The Jews of Yemen have always oriented themselves towards Israel throughout their history. The Silwa settlement in the late 19th century preceded the Aliyah Bilu (1881-1903.) The well-known Magic Carpet or "Eagles' Wings" of 1949-1950, the major modern Yemen aliyah operation, is thus only one episode, albeit a significant turning point, in the history of Yemenite Jews in the Land of Israel. This exhibit will focus on the last Jews to make aliyah in 1992, with the considerable efforts of the then U.S. Senator Alphonse D'Amato to gain their freedom. Photograph: Sampson Giat, 1992
|
Breaking Ground with Bill T. Jones Wednesday, June 18 @ 7: 30 pm
Join choreographer, Bill T. Jones, in the third in a series of invigorating community dialogues. Jones convenes with guests - Omar Freilla (Founder, Green Workers Cooperative), Bakari Kitwana (Author, "The Hip-Hop Generation"), Voza Rivers (Executive Producer, New Heritage Theatre Group) and Beatrice Sibblies (Real Estate Developer) - in a visionary discussion on "naming" the future of Harlem.
In addition, Harlem's IMPACT Repertory Theatre's Oscar-nominated youth performance group will open the evening by lifting their voices in song.
Harlem Stage 150 Convent Avenue New York, New York 10031
|
Eminent Domain: The American Dream on Sale Wednesday, June 18 @ 7 pm
Eminent Domain: Contemporary Photography and the City features the work
of five contemporary New York-based photographers whose works intersect
and resonate with current concerns about the reorganization of urban
space, and its public use, in New York City. Between 1949 and 1973 urban renewal, a program of the U.S. government,
bulldozed 2,500 neighborhoods in 993 American cities and dispossessed
one million people. Marshall Berman, Mindy Fullilove, Tom Angotti, Brian Berger and Michael Galinsky discuss the American Dream. Does it mean having a "better life" by creating a home and a community, living together for generations, building and tending relationships to one another and to a place? Or do we create a "better life" by moving up, moving out, removing the old, replacing with the new? Image: Thomas HoltonNew York Public LibrarySouth Court Auditorium Fifth Avenue & 42nd Street Enter at Fifth Avenue |
|
Reading & Conversation: Fae Myenne Ng Tuesday, June 17 @ 7 pm
 "No story matters till it is finished and the only stories that need telling are the ones whose endings do not fulfill us," writes Fae Myenne Ng in Steer Toward Rock (Hyperion 2008). Steer is the eagerly awaited follow-up to Ng's first novel Bone (Hyperion 1993), a classic of Asian American literature. Not since Bone, has a work so eloquently revealed the complex loyalties of Chinese America. Set in a McCarthy-era San Francisco, Steer Toward Rock is the story of a man who chooses love over the law, illuminating relationships that are complicated by the process of immigration. The Asian American Writers' Workshop16 West 32nd Street Suite 10A New York, NY 10001 |
|
Playing in the Light by Zoe Wicomb Tuesday, June 17 @ 8 pm
 Set in a beautifully rendered 1990s Cape Town, Zoe Wicomb's celebrated novel, Playing in the Light, revolves around Marion Campbell, who runs a travel agency but hates traveling, and who, in post-apartheid society, must negotiate the complexities of a knotty relationship with Brenda, her first black employee. Playing in the Light is as powerful in its depiction of Marion's personal journey as it is in its depiction of South Africa's bizarre, brutal history. Zoë Wicomb was born in South Africa in 1948 and returned in 1991, after twenty years of voluntary exile, to teach at the University of the Western Cape. The author of two previous works of fiction, she currently lives in Glasgow and teaches at the University of Strathclyde, Scotland. The Studio Museum in Harlem144 West 125th Street New York, New York 10027 |
|
Susan L. Taylor at the Harlem Arts Salon Sunday, June 22 @ 3 pm
 If there is one word that defines the spirit of Susan L. Taylor, it is love. It's how she branded a magazine: first as editor - in - chief of ESSENCE for 19 years and then as its editorial director, making the publication not only a must-read for Black women but also a guiding light for a people still too often stumbling in the dark. She instinctively understands love's transforming power-that love affirms and motivates; it heals and is redemptive. In the Spirit, Susan's monthly column, is filled with this power. In this space, Susan has never been afraid to tell us her own stories-of struggle, of uncertainty, of tripping before she found her way to higher ground. True love, Susan has said repeatedly, begins with the love of self. This is the God love, the supreme love from which all other love will flow, natural and healthy. Love marks her personal style of humility. RSVP. Limited Seating. Harlem Arts Salon 1925 Seventh Avenue Apt. 7L, Harlem, NY 10026 |
bodies that matter
"Going Backward to Move Forward"
"BEST OF" of Alvin Ailey American Dance Theater at BAM presented by The Joyce Theater
To call a program "Best Of" is risky, especially when it comes to a dance company such as the Alvin Ailey American Dance Theater (AAADT) with such an extensive and diverse repertoire of over 200 works by more than 70 choreographers to choose from. But the company presented at BAM from June 3 to June 7 certainly lived up to its title.
The show opened with "The Golden Section," a piece created and choreographed by Twyla Tharp in 1983. Beautiful golden costumes provided the performance with a consistent color theme. The repetition of and insistence on backward movements - jumps, leg extensions, walking, shoulder and hip rotations, and turns - became a consistent theme throughout Tharp's piece as well as throughout the evening's performance.
"The Groove to Nobody's Business" (2007), choreographed by Camille A. Brown and set to Ray Charles' blues was gracefully acted as it was danced. It featured funny and exaggerated representations of a jealous girlfriend with her flirtatious boyfriend, a homeless man, a shy girl new to the city, a "bad attitude" lady, a businessman managing to read his newspaper without disruption, and other characters typical to our daily subway rides. As diverse as the group of characters was, common among them was a universally human experience: they were all trying to get somewhere, but seemed unable to move forward.
Mr. Ailey's masterpiece, "Revelations" (1960) closed the program, transplanting the audience to an aesthetic and spiritual climax. Set to traditional gospel music, the movements of the dancers flowed as smoothly as water running over a sinner's forehead to cleanse the soul. And there it was, the message I had been looking for since the beginning of the show: sometimes, you ought to be dirty to be cleansed; sometimes, you've got to move backward to move forward.
Image: Camille Brown, photo by Matt Karas, courtesy Dance Place
M. Soledad Sklate soledad.sklate@ofnotemagazine.org
"bodies that matter" represents the empowerment of bodies as essential actors to social change and advancement.
|
|
Abakuá Afro-Latin Dance Company Thursday, June 19 - Saturday, June 21
 Abakuá Afro-Latin Dance Company (Abakuá) is the first dance company in history to successfully combine Mambo ("salsa"), with elements of Afro-Caribbean folkloric dances. The resulting creation resonates Latin and urban tones with notes of Modern, Jazz and Ballet; a unique performance art simply entitled Afro-Latin Funk. After thrilling and entertaining audiences all over the world, Abakuá is poised to deliver its first official New York performance of the year, featuring the US premiere of "Island Fever." Led by world-acclaimed dancer and choreographer Frankie Martinez, Abakuá will take audiences on an unforgettable journey through an eclectic blend of inspired choreography that will excite the mind, body and soul. TRIBECA Performing Arts Center199 Chambers Street Manhattan, NY 10007 |
Adhen Friday, June 20 @ 7 pm at FIAF Sunday, June 22 @ 2 pm & 6:50 pm at BAM
 Algerian-born Ameur-Zaďmeche, whose previous film played in the 2006 Cannes Film Festival, crafts a tale set in the depths of a desolate industrial park. A Muslim owner of a truck repair company opens a mosque, designates the imam without consulting his workforce, and then demands that they pray there. When some of his workers refuse, violence erupts. Opening Night, U.S. Premiere & Meet the Director Rabah Ameur-ZaimecheFrench Institute Alliance Français (FIAF)Florence Gould Hall 55 East 59th Street Manhattan, NY 10022 BAMPeter Jay Sharp Building 30 Lafayette Avenue Brooklyn, NY 11217 |
Double Screening: Life on Earth and The Little Girl Who Sold the Sun Sunday, June 22 @ 4 pm
Life on EarthAbderrahmane Sissako, who lives in France, returns to the small Malian city, Sokolo, to find his father. For much of the world's population, "life on earth" is still conducted on foot, by donkey cart, or bicycle. Sissako's "fictional documentary" chronicles the struggle to adapt to the changes of the 20th century, while the 21st century rapidly approaches. The Little Girl Who Sold the SunEveryday, Sili, a twelve year old girl who is crippled, begs in Dakar while caring for her blind grandmother. There, selling newspapers has always fallen under the domain of Senegalese boys. One morning, when a young newsboy shoves Sili, she decides to stop begging and to forge a new life as a newsgirl. She quickly establishes friendships with other newsboys, yet jealousy follows as everyone struggles against poverty and adversity. |
Brick Lane Opens Friday, June 20
 Nazreen's life is turned upside down at the tender age of seventeen. Forced into an arranged marriage to an older man, she exchanges her Bangladeshi village home for a block of flats in London's East End. In this new world, pining for her home and her sister, she struggles to make sense of her existence and her duty to her husband. A man of inflated ideas (and stomach), he sorely tests her compliance. Set in multicultural Britain, Brick Lane is a truly contemporary story of love, cultural difference, and ultimately, the strength of the human spirit. |
|
7th New York Asian Film Festival @ IFC June 20 - July 6
|
|
Redemption: The Stanley "Tookie" Williams Story Saturday, June 21 @ 11 am
 Join the Abyssinian Directed Paths Film Ministry for a screening of the film "Redemption" starring Jamie Foxx, as Stanley "Tookie" Williams (co-founder of the Crips Gang). An in-depth discussion about gang violence, incarceration, black identity, and redemption will follow the screening. Abyssinian Baptist Church132 Odell Clark Place 138th Street & Adam Clayton Powell, Jr Blvd. Harlem New York, NY 10030 |
music matters
Finding the 'Real' in Passing Strange
In an Amsterdam café, immediately connecting with a waitress/abstract artist, a professor who moonlights as a sex worker, a tantric meditation expert, and a liberationist who believes people should be naked all the time.
For the "benefit" of Berliners, taking on the persona of a ghetto head immersed in street life when, in fact, you grew up middle-class.
Accepting the keys from a White woman for her flat when she barely knows you. Loving Mama though you have a deep disregard for her church and home.
This is where I want to be, and this is the glory of Passing Strange, the musical on Broadway which just won a Tony award for Best Book for a Musical, written by Stew. The autobiographical Strange chronicles the story of a Black boho from Los Angeles who travels to Europe to find "the real" through art, yet runs away from the "real" in authentic human connection.
The songs (which are more pop/rock than show tune) are wacky, sexy, funny as all hell and liberate folks of all colors from the boxes we think of as home. In my parallel universe, tunes like "Come Down Now," "Keys," and "Love Like That" are Top 40 radio staples.
I laughed and laughed, and cried over my mom who recently died. I was reminded that being free as an artist and individual is a one-on-one intimate thing. Check out the play; have the live experience framed by versatile, uplifting performers. The soundtrack is currently available on itunes and song samples can also be found on www.myspace.com/passingstrange (CD available July 15th.)
Image: Carol Rosegg
Clarence A. Haynes clarence.haynes@ofnotemagazine.org
|
|
Gospel/Jazz Convergence: Mahalia to Miles with the Tyrone Birkett Group Friday, June 20 @ 7:30 pm
 Gospel/Jazz Convergence is an exploration of gospel and jazz and the lament, triumph and celebration common to both genres. The Tyrone Birkett Group re-interprets the work of gospel pioneer Thomas A. Dorsey, along with original selections ranging from gospel shout, Coltraneish excursions, and smooth ballads to electric jazz adventures. Members of the Tyrone Birkett Group have played with artists ranging from Cassandra Wilson to Shirley Caesar to Barbra Streisand. The River Room of Harlem Riverbank State Park Riverside Drive @ 145th Street · New York, NY 10031
|
|
URBALT Festival Saturday, June 21 @ 12 pm
 The third annual URB ALT Festival brings the bleeding edge of multi-cultural music and film artists to New York City. On the first day of summer and in conjunction with the city-wide Make Music NY, the URB ALT Festival launches from the Harlem Stage Gatehouse terrace on June 21 with a 7-hour outdoor concert event. The three-day festival celebrates the legacy of Sun Ra as fused through the musical and visual creativity of internationally recognized and underground artists. Harlem StageThe Gatehouse 150 Convent Avenue @ West 135th Street Harlem, NY 10031 |
|
JVC Jazz Festival New York: Zap Mama & Sergio Mendez Saturday, June 21 @ 8 pm
 Sergio Mendes, the man who introduced Brasil 66 to the world, is back in town with a new CD and opening-act partner! Performing music from his latest recording, Encanto, the King of Brazilian Samba is joined by the Grammy Award-winning group Zap Mama, which brings together musical cultures from around the world with its irresistible brand of "Afropean" music. Photo: Thomas Rusch
Carnegie Hall 57th Street & 7th Avenue Manhattan, NY 10019 |
About Us
For
many of us, the arts are central and inspirational to our life, work,
and activism. As people of color, we are making great strides in terms
of our representation on the stage, yet we are not equally represented
in the audience. Even when it is work celebrating our histories,
experiences, and cultures - we are often scantily present in the
theaters, auditoriums, galleries, etc.
Out of that absence, of note was
created. Its mission is to increase our access
to and participation in the arts that celebrate people of color. The artistic works presented by of note demonstrate a commitment to global citizenship and social change.
Grace Aneiza ali grace.ali@ofnotemagazine.org
Sandrine Colard sandrine.colard@ofnotemagazine.org
Julien De Bock julien.debock@ofnotemagazine.org
Shahnaz Habib shahnaz.habib@ofnotemagazine.org
Clarence Haynes clarence.haynes@ofnotemagazine.org
M. Soledad Sklate soledad.sklate@ofnotemagazine.org
Stella Vincenot-Dash
stella.vincenot@ofnotemagazine.org
www.ofnotemagazine.org
© of note 2008. All Rights Reserved.
|
|
|