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Organic Pigments



Enkaustikos enjoys a worldwide reputation for offering a unique palette of encaustic paint made with the finest inorganic and organic pigments. Most artists are familiar with traditional inorganic pigments like Cadmiums and Cobalts, and every painter has worked with natural earth pigments like the ochres and siennas. However, a lot of mystery surrounds some of the newer modern organic pigments that we offer. We are always searching for, and introducing, new organic pigments for encaustic artists and we want to share why we continue to expand our palette selection.

  

WHAT ARE ORGANIC PIGMENTS?
Organic pigments are simply man made pigments synthesized in a laboratory. You are probably familiar with common organic pigments like the phthalocyanine blues and greens that have been around for a while. Others like quinacridone gold, anthraquinone orange and isoindolinone (Indian) yellow are less familiar to most artists. Organic pigments are not made from metals or minerals but are carbon based pigments and they produce transparent or semi transparent paints. Since they are naturally translucent, they appear brighter to the eye because they allow light to pass through and reflect back.

We mill our paint by shearing pigments to their smallest particle size which, in the case of our organic pigments, increases their transparency. Think of a piece of colored glass, the thinner it is, the easier it is to see through. By their very nature, organic pigments do not gray down when mixed together. Instead, organic pigments maintain their vibrancy. When extended with wax medium they maintain their luminosity and never dull down. In fact, these pigments make the best choices for glazing techniques.

PROPERTIES OF ORGANIC PIGMENTS
TINTING STRENGTH
Organic pigments are typically the more expensive paints, but when you begin to work with them you will find that they are extremely powerful pigments, and a little goes a long way. Enkaustikos® paints contain the highest saturation of pigment that still allows for good working characteristics. You can feel confident in adding wax medium to any of our paints to extend your paint and stretch your dollar.

STABILITY
Not every pigment can be used safely in an encaustic studio. Some, like hansa yellow, will experience a color shift at low temperatures and even give off harmful fumes as they break down. The organic pigments that Enkaustikos® selects offer optimum stability and are ideally suited for encaustic techniques.

TRANSPARENCY
This fact makes them ideal for glazing.

LIGHTFASTNESS
All of our organic paints offer excellent lightfast ratings.

WHERE ARE THEY AVAILABLE?
All of our organic pigments are available in Hot Cakes®, Hot Sticks®, and a variety of sizes to meet your creative needs.  All colors are available in sizes from 29 ml to 472 ml. Please visit encausticpaints.com to find an Enkaustikos® dealer near you. You can also contact info@encausticpaints.com for more information.  

 

In the coming months, we will be mailing postcards showing a few examples of these high chroma mixtures obtained with Enkaustikos® paints. 


Sign up for our mailing list at encausticpaints.com   

Featured Artist: Eileen Goldenberg

 
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The center is Opal Aquamarine paint, Goldenberg also used Citron Green, Cobalt Aqua, and Nickel Yellow 

Eileen Goldenberg is an award winning artist and curator who has been supporting herself with her art for over 35 years. She started painting with encaustic about 12 years ago and has had much success with her work. She shows nationally at a multitude of juried art fairs and group shows. Eileen is one of the founders and past president of International Encaustic Artists.  

 

View her work and read her full bio and interview here

 
Enkaustikos FAQ
If you are using Hot Cakes for the first time

Cobalt Aqua Small
How long does it take to melt the paint
in the Hot Cakes tins?
When you open a new Hot Cakes tin you will find there is quite a bit of paint in them, actually 45 to 50 ml of wax paint. The wax paint in your tin will heat from the bottom and then along the metal sides of the tin since the heat coil from your griddle is in contact with the bottom of the tin.

You do not have to wait until the entire cake is liquefied to begin painting! After about 15 to 20 minutes of heating at 175 degrees F., take your brush and slowly dip it along the side of the metal tin and you will see there is liquefied wax. You can begin working with this paint immediately.

Eventually, all of it will be liquid, but dipping along the sides will speed it up and allow you to start painting right away. Use your griddle as a painting palette by taking your loaded brush and work it on the palette. This will keep your paint workable. It will also keep the bristles of your brush warm and more pliable giving you a better feel for the wax paint. Now, you can begin painting.


FREE Wax Snap Offer
Get a free 40ml Wax Snap when you purchase
3 Hot Cakes or 6 Hot Sticks

Wax Snaps are available through this promotion only and are a great way to try Enkaustikos products in a versatile, new shape. Snap off what you need for encaustic drawing techniques, painting, printmaking, and more!
 
Each snap is 40ml and measures 1 3/8" x 4 1/2".  
 
There are four Wax Snaps to choose from: Wax Medium, XD Wax Medium, Yellow Wax Medium, and Graphite.  
 
This offer is valid from 2/1/2012 - 7/31/2012. Proof of purchase is necessary to receive a free Wax Snap.
 

Download the coupon here or find a retailer near you!