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It goes with you everywhere you go. You cannot hold it or touch it but it has the greatest impact on your life and everyone around you. What is it?
Iacono Ballroom Center An Imperial Society School
" We lead; the rest of the world follows."
2 211 Kensington Avenue
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Finding the Beat !
How do we identify the beat in the music that we are dancing to? How does the pattern relate to what we are hearing in the music? Most people often find this a bit confusing when learning to dance. They often ask: Where in the music does it tell us where to dance the patterns we are learning? These are all very good questions. Rest assured that everyone learns to hear the beat and dance to it!
I know that beginning dancers do not have the confidence that they will achieve this goal, but in all the years I have been teaching, I know that we can teach you to hear the beat, identify the music and dance! When you see our dancers at the studio having a great time and kicking up their heals remember that they all started just like everyone else; they just stuck with it and it all came together!
Music is mathematical. We will start with a common time signature: 4/4 timing. This means that there are four beats to the measure, 1-2-3-4. The 1 and the 3 are "downbeats" and the 2 and the 4 are "upbeats". In Swing and Foxtrot the upbeats are usually more stressed or louder. This creates a very easy pulse to hear for the beginning dancer. 1,2, 1, 2...At our Open Houses I always ask the group to tap their foot to a Foxtrot that we play for them. Invariably everyone has always been able to tap their foot to these two beats!
So if you are learning social Foxtrot, how does the box step relate to these beats we are hearing and where are the 'slows' and 'quicks'? The music does not tell us where to dance the box step, promenade etc.. , and, most importantly, neither does the singer! You have to identify the beats or 'pulse' in the music. At first I like to tell a student who does not have any musical background that all the patterns in Foxtrot are combinations of Slows (two beats) and Quicks (one beat); therefore, we can simply count the ones and twos only and dance the pattern. The understanding of the measures can come later.
So let's look at some examples in Foxtrot and Single Swing:
Box Step (Foxtrot):
Slow 12 Two beat step.
Quick 1 One beat step.
Quick 2 One beat step.
Slow 12
Quick 1
Quick 2
Promenade Walk (Foxtrot):
Slow 12
Slow 12
Quick 1
Quick 2
Basic Single Rhythm Swing Pattern:
Slow: Side 12
Slow: Side 12
Quick: Back 1
Quick: Replace Forward 2
The timing correlates with how long I am on one foot or the other. The speed or tempo of the music will dictate how fast or slow these beats are coming together.
These are some basic examples for starting to understand timing and dancing. Later we will cover other dances such as Cha Cha, Salsa, Rumba and more - the examples above are the easiest to start with. As always ask your instructor to explain this further for you. So start having some fun with this; tap your foot to music on a regular basis so you start training your ear and you will find that you too will learn to "feel the beat" and find a new found freedom on your dancing!
Coming later this year: Video Dance Tips!
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Why We Dance!
Hear It From Our Instructors!
I dance because I can't help myself. I dance because I've been moving my body to music for as long as I can remember. All music has a pulse - whether it's a jazzy Lindy or an ethereal Waltz, and that pulse makes me move. Sometimes it's explosive, other times it's a slow melt. There's a sense of freedom when you allow yourself to be moved - by the music or a partner or both! There's also a sense of control when you realize you can create patterns that match moods in the music. It's a wonderful feeling of connection. A connection to another, to something bigger, to yourself. I've danced in some form my entire life and I know I'll be dancing until the end. Lihann Jones
Dancing for me started out as a way of making a living. I applied to a dance studio not really thinking anything would come of it; just thinking it would be an easy paycheck. As soon as I stepped into this world of ballroom dance I was immediately drawn to it and taken with it. It was the first time I truly felt free and inspired by what I was doing. I felt dance allowed me to express myself in ways other careers of my life never had in the past. There is a certain satisfaction that I feel when I am dancing or performing that exhilarates and makes me want to strive to be a better dancer and performer.
Phoxay Bouthsavong |
| IN THE KNOW:
March 2009 Calendar |
Friday, 03/13/09 St. Patrick's Dance 9-11
Waltz Lesson 8:15
Friday, 03/20/09 Dance Party 9-11, Swing 8:15
Friday, 03/27/09 Dance Party 9-11; Polka 8:15
* Open House: 7:00 - 8:00
*Iacono Ballroom Students $10; General $15
March 2009 Group Classes:
Monday, March 2nd:
6:45 Cardio Class #1 (sneakers suggested)
7:30 Beginner I Ballroom & Rhythm (continuting)
Tuesday, March 3rd:
6:45 Beginner II Latin #1
7:30 Intermediate Class: Swing #1
8:15 Advanced Class: American Tango #1
Wednesday, March 4th:
6:45 Cardio Class #1
6:45 Beginner I Ballroom & Rhythm #1
Thursday, March 5th:
6:45 Beginner II Ballroom & Rhythm #1
7:30 Beginner I Latin (continuing)
Saturdays 10:00AM:
Children's Ballroom (ongoing)
* SAVE with multiple class discounts,
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