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University of Washington Press E-Newsletter

In This Issue
Fall/Winter 2010 catalog
Coming up in August
August events
Follow us online!
Jeff Hou & Julie Johnson
John Keeble
Robert Mitchell
Frances McCue
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Fall/Winter 2010 catalog

In print or as a digital, interactive version

For video trailers of six new titles, please see our digital catalog here.
New books in August

For the Scandinavian film buffs out there, we'll be publishing two great new titles next month!

Lone Scherfig
Lone Scherfig's Italian for Beginners, by Nordic Film Classics Series Editor Mette Hjort (see her video trailer here)

Dagur Kari
Dagur Kari's Noi the Albino, by Bjorn Nordfjord
August events

Breaking Ground

Join Lynda Mapes, author of Breaking Ground, on August 6 at 7 p.m. at Jefferson County Historical Society in Port Townsend.

Calamity

Join Joann Byrd, author of Calamity, on August 12 at 6 p.m. at Orca Books in Olympia.

Totem Pole

Join Aldona Jonaitis, author of The Totem Pole, on August 24 at 7 p.m. at Elliott Bay Book Company.
Follow us online!


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 July 2010
Greetings!

Summer is officially here!
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And while our event schedule is a bit light, leaving time to enjoy these sunny days, rest assured that we're planning a full fall for you! If you haven't seen our Fall/Winter 2010 catalog and, with it, all-new trailers from six of our upcoming titles, see it here!

In July be sure to catch Jeff Hou & Julie Johnson at Village Books (the store is celebrating its 30th anniversary this month -- congratulations!) and Robert Mitchell, UW alumnus of the Comparative Literature program and current faculty member at Duke University, at Town Hall Seattle.

All the best,
Rachael
remann@u.washington.edu

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Jeff Hou and Julie Johnson
Greening CitiesGreening Cities, Growing Communities: Learning from Seattle's Urban Community Gardens

Although there are thousands of community gardens across North America, only Seattle and a few other cities include them in their urban development plans. While the conditions and experiences in Seattle may be unique, the city's programs offer insights and lessons for other cities and communities. Greening Cities, Growing Communities examines:

- Planning and design strategies that support the development of urban community gardens as sustainable places for education and recreation

- Approaches to design processes, construction, and stewardship that utilize volunteer and community participation and create a sense of community

- Programs that enable gardens to serve as a resource for social justice for low income and minority communities, immigrants, and seniors

- Opportunities to develop active-living frameworks by strategically locating community gardens and linking them with other forms of recreation and open space as part of pedestrian-accessible networks

Greening Cities, Growing Communities focuses on six community gardens in Seattle where there has been a strong network of knowledge and resources. These case studies reveal the capacity of community gardens to serve larger community issues, such as food security, urban ecosystem health, demonstration of sustainable gardening and building practices, active living and pedestrian-friendly neighborhoods, and equity concerns. The authors also examine how landscape architects, planners, and allied design professionals can better interact in the making of these unique urban open spaces, and how urban community gardens offer opportunities for professionals to have a more prominent role in community activism and urban sustainability.

Jeffrey Hou and Julie M. Johnson are associate professors of landscape architecture at the University of Washington. Laura J. Lawson is associate professor of landscape architecture at the University of Illinois at Urbana-Champaign.

Join Jeff and Julie on
Sunday, July 11 at 4 p.m. at Village Books, Bellingham
John Keeble

Yellowfish: A Novel

YellowfishWesley Erks, itinerant machinist and "high class jack-of-all-trades," takes a hefty fee for smuggling a group of illegal Chinese immigrants ("yellowfish") from Vancouver, B.C., to San Francisco in the 1970s. Three are teenaged "Hong Kong boys," one of whom has been grievously injured. The fourth, a fugitive and the son of a rich Chinese casino owner, means to settle a grudge with a Chinese American secret society, the Triad, but is himself being pursued. The tale of the perilous journey of these five men, along with a woman who becomes implicated in a double-cross, is filled with vivid fictional and historical characters. The whole of it conjures the story of the West itself.

John Keeble is the author of four novels, including Yellowfish and Broken Ground, a collection of short stories, Nocturnal America, and a work of nonfiction, Out of the Channel: The Exxon Valdez Oil Spill in Prince William Sound.

Join John on
Monday, July 12 at 8 p.m. at the University of Alaska, Anchorage.
Robert Mitchell

Bioart and the Vitality of Media

BioartBioart -- art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice -- now receives enormous media attention. Yet despite this attention, bioart is frequently misunderstood. Bioart and the Vitality of Media is the first comprehensive theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory.

Mitchell begins by sketching a brief history of bioart in the twentieth and twenty-first centuries, describing the artistic, scientific, and social preconditions that made it conceptually and technologically possible. He illustrates how bioartists employ technologies and practices from the medical and life sciences in an effort to transform relationships among science, medicine, corporate interests, and the public. By illustrating the ways in which bioart links a biological understanding of media -- that is, "media" understood as the elements of an environment that facilitate the growth and development of living entities -- with communicational media, Bioart and the Vitality of Media demonstrates how art and biotechnology together change our conceptions and practices of mediation. Reading bioart through a range of resources, from Immanuel Kant's discussion of disgust to Gilles Deleuze's theory of affect to Gilbert Simondon's concept of "individuation," provides readers with a new theoretical approach for understanding bioart and its relationships to both new media and scientific institutions.

Robert Mitchell is associate professor of English at Duke University. He is the author, with Catherine Waldby, of Tissue Economies: Blood, Organs, and Cell Lines in Late Capitalism and, with Phillip Thurtle, of Data Made Flesh: Embodying Information and Semiotic Flesh: Information and the Human Body.

Join Robert on
Wednesday, July 14 at 7:30 p.m. at Town Hall Seattle, Downstairs with University Book Store.
Frances McCue

The Car That Brought You Here Still Runs: Revisiting the Northwest Towns of Richard Hugo

Car Still RunsRichard Hugo visited places and wrote about them. He wrote about towns: White Center and La Push in Washington; Wallace and Cataldo in Idaho; Milltown, Philipsburg, and Butte in Montana. Often his visits lasted little more than an afternoon, and his knowledge of the towns was confined to what he heard in bars and diners. From these snippets, he crafted poems. His attention to the actual places could be scant, but Hugo's poems resonate more deeply than travelogues or feature stories; they capture the torque between temperament and terrain that is so vital in any consideration of place. The poems bring alive some hidden aspect to each town and play off the traditional myths that an easterner might have of the West: that it is a place of restoration and healing, a spa where people from the East come to recover from ailments; that it is a place to reinvent oneself, a region of wide open, unpolluted country still to settle. Hugo steers us, as readers, to eye level. How we settle into and take on qualities of the tracts of earth that we occupy -- this is Hugo's inquiry.

Part travelogue, part memoir, part literary scholarship, The Car That Brought You Here Still Runs traces the journey of Frances McCue and photographer Mary Randlett to the towns that inspired many of Richard Hugo's poems. Returning forty years after Hugo visited these places, and bringing with her a deep knowledge of Hugo and her own poetic sensibility, McCue maps Hugo's poems back onto the places that triggered them. Together with twenty-three poems by Hugo, McCue's essays and Randlett's photographs offer a fresh view of Hugo's Northwest.

Frances McCue is a writer and poet living in Seattle, where she is writer-in-residence at the University of Washington's Undergraduate Honors Program. She was the founding director of Richard Hugo House from 1996 to 2006. McCue is the author of The Stenographer's Breakfast, winner of the Barnard New Women Poets Prize.

Mary Randlett is a Northwest photographer noted for her portraits of artists and writers. Mary Randlett Landscapes celebrates her photographs of the natural world.

Watch the book trailer: http://www.youtube.com/user/UWashingtonPress#p/a/u/2/J8_W1FZn06w

Join Frances on
Thursday, July 15 at 6:30 p.m. at King County Library at Greenbridge, White Center, with Elliott Bay Book Co.

Saturday, July 17 from noon to 2 p.m. at Costco, White Center, Seattle, WA

Sunday, July 18 from noon to 2 p.m. at Costco, Aurora Village, WA