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Metal Clay Academy Newsletter
Summer to Autumn 

August/September 2011
In This Issue
News
What's Your Inspiration
Did You Know...?
Featured Artist
Quick Links


Greetings!

 

Hello!

There's been a lot of things happening since we last got together. Silver prices have been yo-yoing all over the place, people are seriously considering how they use every gram that they have. And is that necessarily a bad thing? Tonya Davidson did a really great article about the changes to the prices of silver and how it might affect your work and prices. It's called 'No need for twists and popsicle sticks yet!' Check it out, click here for more details. Have a look at our News section for other developments in the Metal Clay community.

Each issue of our newsletter we try our hardest to bring you some inspirational people and stories from around the Metal Clay community; in this issue we are very lucky to have two very talented and well respected ladies who were happy to talk to us about what makes them tick. We hope you love reading the articles. Joy Funnell talks to us about her extensive collection of beautiful work and Wanaree Tanner shares the inspiration behind her award winning piece, Anam Cara.

Remember, if you want to participate or see your work featured, drop us an email.
Have fun with your clay!

 


Emma Gordon 
News
Over the last 10 years, the Mid Cornwall School of Jewellery has built a reputation for high quality courses in both traditional silver smithing and jewellery making as well as metal clay. MCSJ have just announced that their prestigious Silver Metal Clay Diploma programme is now available as a home study course. Grade 1 of the Silver Metal Clay Diploma Home Study course will be available from 1st September. Allowing students to study at their own pace at home, this is the first home study metal clay qualification anywhere in the world. And it will be supported by a carefully selected team of Diploma Support Centres across the UK, Ireland, Greece, Germany and Austria. To find out more, click here

The Art Clay Guild UK is holding its 2011 conference in Peterborough. For the first time they are opening it up to non-members, so if you are interested, click here for more details.

The PMC Guild has announced it will close its doors to new members from the end of June 2011 and cease trading in June 2012. Here is the complete announcement.

 

"Effective at the end of this month, the Guild will no longer accept new members. We will honor our obligations to current members with Annual 5 and four more issues of Fusion. In response to financial realities, the journal will shift from a printed publication to one that members will receive electronically.

We want to thank the thousands of dedicated PMC artisans whose enthusiastic support has made the Guild such a vital organization. This conference will mark the termination of the PMC Guild. We hope you will join us at this historic event next year to celebrate the successful conclusion of the Guild."

 

 

 

 

What's Your Inspiration?

WANAREE TANNER

 



Wanaree Tanner has burst onto the Metal Clay scene with a massive bang! Her work is instantly recognisable and hard to forget. The piece which she has chosen to share with us is Anam Cara which won the Presidential Prize at the recent Art Clay World 2011 North American Design Competition. A well-deserved accolade, I am sure you will all agree.

 

What's interesting about Wanaree's work, apart from the obvious skill and talent she shows when constructing such an intricate piece, is that there is a depth of meaning to each item she makes. Anam Cara, Wanaree tells us means spiritual friend and she believes a true spiritual friend is someone who will guide us past all the beauty and distraction of our many layers to the truth that resides within.

So what are the layers and the meanings to each? Wanaree tells us in her own words here;

 

"Generally I believe everybody is at least three people, the person the world sees, the person our loved ones see, and our true self. Sometimes I think we tend to close ourselves off from the outside world, work very hard to decorate our outer selves, and hope that that's all people will see us for and yet hate it when they do. To me it's the deepest conflict of self, this desire to have the world embrace who we truly are, yet afraid of the vulnerability this position puts us in. 

 

The beautiful Anam Cara crafted from copper and silver metal clay and fire agate 

The thistles, griffons, hounds and interlace knots are worked on the outside of the vessel. Griffons and hounds are mythological beasts associated with protection and guardianship; thistles are thorny hardiness surrounding a beautiful bloom. All of this is meant to communicate the complexity of the armor we build around our true self.

On the top of the vessel is my "Luck and Love" knot, this has been pierced to allow light to shine through because often it seems it is only with a little luck that we allow that light of love to be cast through our defenses.  

With the doors open you can see the fire agate collected and cut by  Gordon Eslava 

The doors open and we can begin to see the beauty of the stone that lies within. We make ourselves a little more vulnerable to the world, but still remain relatively comfortable within our protective shell. You can see the "Luck and Love" knot casting itself upon the stone. I like to think this is akin to the idea that the love we feel from the outside is actually just a reflection of the love that resides within us, merely a shadow dance pointing to the true source.

 

The fire agate pendant is shown here beside the container

The pendant itself is us when we love one another. We always keep a little hidden, but for the most part leave ourselves exposed. The clasp on the stone's cradle is worked with my "Two Hearts Joined" knot, when we surrender ourselves completely to another, the line between "I" and the other blurs. I believe this is the door to the soul, what can be called our Buddha nature, or that space before a thought arises.

The fire agate - revealed. 

 

The full beauty of the stone is only revealed when all of the exterior housing is abandoned. Although man has shaped it, it existed before our conception of it... natural, raw, and filled with the light that sparks every atom in the universe, beyond our comprehension but imbued in every aspect of us."

 

 

So, with all that going on in the conception of her piece, it is fortunate indeed that Wanaree has the skills and talent in her fingers to make her vision a reality. When asked where she gets her inspiration from, she tells us that she looks around the world for the stories and mythology which brings allegorical imagery to the fore. This allows her to tap into her subconscious creative self to explore and deliver the stories she wants her work to tell. We are certain this is only the beginning of Wanaree's storytelling and we are excited to see what comes next.

To view more of Wanaree's Artware, click here.

 

 

 

Did You Know....?
The Metal Clay Academy has lots of information to browse through and this section just highlights an area you may have missed or have not looked at for a while.

The MCA is dilligently updated on a daily basis with new suppliers, course providers and events - so it really is the place to check out before you go making any craft related purchase or investing in training courses. We aim to give an unbiased, information rich forum.

We talk a lot in our articles about inspiration, where it comes from and how it influences you as an artist. In the Metal Clay Academy, we have a page devoted to precisely that! In our Gallery we've an Inspirational Metal Clay Pictures section where you can drool over lots of eye candy from great artists. These guys include; Pam East, Hadar Jacobson, Ivy Solomon and Gordon Uyehara to name but a few. So if you're stuck for a moment, contemplating that inert ball of clay wondering what to do with it, get yourself browsing through some of these gorgeous  photos. We're certain you'll find something to love and inspire!
Featured Metal Clay Artist
JOY FUNNELL

Joy Funnell is a silver clay artist and enamellist who is internationally known for her beautifully crafted Carnival Masks.

 

Joy's iconic Carnival Masks

Spirito de Venezia (LH) and Carnival Venizia (RH)

 

Joy has been working with silver clay since 2005, when she became totally enamoured by it. Desperate to leave her 'day job', she jumped in with both feet in 2006 making metal clay and handcrafted jewellery her full time occupation and she's never looked back. Joy teaches all levels of silver clay including certification and enamelling. She has, over the past two years been teaching workshops at some of the most prestigious conferences in the metal clay calendar; the Art Clay Guild UK conference in '09 and '10, the annual Guild of Enamellers conference and the Metal Clay World Conference this year.

 

Joy tells us she prefers using Art Clay Silver; it's the metal clay she learned with, she always finds it reliable and enjoys working with it so she sticks with it. She has tried AC Copper but says that she doesn't enjoy working with copper and since most of her work is enamelled no other metal clays have appeal. When we asked Joy about her style, she admits that's taken a while to evolve but she believes that  

'Radiance' - a project in mixed media 

people now recognise her work quite easily, especially her enamelled pieces.  

 

Her signature look is fine silver accent wires with her Enamelled Accent technique coupled with a decorated back using another technique developed by her friend Lynne Glazzard. Her Enamelled Accent technique can be seen in one of her favourite pieces 'Carnival Venezia' which she considers to be a major turning point in her metal clay work, encouraging her to look at the way she created things differently. She is also justifiably proud of another mask in her series called 'Spirito de Venezia' which was the piece which took her the longest time to make. Working on and off over a period of three weeks, it was a real challenge to achieve the draped effect of the material and when it worked out, she says she was very satisfied with the result. And no wonder!

 

So is Joy's working space chaotic or a peaceful retreat? Well, she admits that she is always in chaos. She has a small studio space and has far too many things in there. Even when she starts out with a clear workspace it's always cluttered and messy after a few hours, since she likes to surround herself with her tools and never stops to tidy up. Joy is working on a few projects just now as she is taking part in the Bird a Week challenge, which has meant that she has several birds half made.

 Joy's Bird A Week projects 

She also has ideas for three major pieces which she would like to make a start on the near future, but not being a person who draws her ideas on paper, they will float around her head until she starts to create.

 

Joy tells us that if she has a moment when she's struggling then she puts on her favourite Country and Western song, by Joni Harms called Millie. Not that struggling with inspiration is something that bothers her, when that happens she is very philosophical, she will get up and do something else to avoid the frustration. She does however, have a bookmarked list of inspirational websites which she visits on occasion when she wants to get her brain fired up.

 

So, what are her challenges when coming up with a piece? She sells her work and so any piece she says has to be viable commercially and although she puts a lot of time and love into what she creates, Joy admits that she often has to rein herself in. This is the main reason why she particularly enjoys submitting her work into competitions. This gives her 'permission' to take that extra time and put in a little more effort. If someone is willing to pay for it at the end of it, then that's just the icing on the cake. Joy appears to be a person who believes in herself and her work. Her motto for working is that she can do anything if she really tries; telling us it is all down to attitude.

As much consideration goes into the back of Joy's  work as the front.

 

If you tell yourself that you can't do something then you will probably prove yourself right. Be positive and it will usually work out. Great advice for all us artists out there!

 

If you want to follow Joy on her adventures have a look at her blog or have a look at her work and classes here.