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December 2010

Dear Metal Clay Enthusiast,

Hello!

Christmas is nearly upon us and we want to take this opportunity to wish you every happiness at this time of year and for the New Year to come. Hopefully you might even find time to be a little bit creative over the holiday period! Maybe something in our newsletter might trigger a new creative thought? We have the following tidbits to share with you.

Featured Artist
Lorrene Baum-Davis shares her thoughts and working practises with us. I, for one, felt very pleased to hear that she works in a messy studio but is able to focus entirely on her work without giving it a second thought - I felt it justified my own working environment!

What's Your Inspiration?
Our very own fabulous metal clay artist, Julia Rai has just been shortlisted as a finalist in the Saul Bell Design Competition in the Metal Clay category. How proud are we?? So of course, I just HAD to ask her all about it.

Did you know?
Highlighting a specific area of the MCA website - it's a big place and we want you to find the information you need!

Have a very good Christmas and a very creative New Year, from all of us here at the Metal Clay Academy. Thanks for all your participation and we look forward to providing you with more information next year. How exciting!

Best wishes
Emma Gordon and the rest of the MCA team.

Look out for our next newsletter in February. Please get in touch if you'd like to participate.
What's Your Inspiration?

 

When Julia announced that she was a Saul Bell finalist for the Metal Clay category, I just had to ask her about her inspiration for such a fantastic piece. I know she's part of the Metal Clay Academy, but sometimes the talent's right there on your doorstep and you just have to stop, look and learn!


Julia Rai's Saul Bell Design Award Piece
Julia Rai's Saul Bell Design Award Piece


Julia's piece was specifically designed to be entered into the Saul Bell competition. She wanted to make something that had lots of design elements incorporating both construction and dimension into the design. The piece was made with PMC+ and has an Oregon sunstone embedded into it along with some tiny pearls.


Julia Rai's Saul Bell Design Award Piece
Detail of Julia's Saul Bell Piece


The basic shape of the piece was inspired by something Julia saw on TV and she used a plastic tray on which pears are packaged as the basis for forming the shape. Julia says she loves to look at ordinary household items and think about how to use them in her work. She says that she is very influenced by the Fiction and Fantasy genres and reads these types of books and watches relevant TV and films regularly. She will often pause a film or TV programme if something catches her eye and whip out her sketchbook to capture the inspiration. In addition to this, she will occasionally get herself to the Victoria and Albert museum for a good look around their fabulous jewellery exhibits where she recently discovered the work of Rene Lalique. Julia says that Lalique's work is 'fantastical' which really appeals and that his use of colour  and his obvious imagination is truly inspirational.


Well, Julia we're all very proud of you and we wish you well in the competition!




News

Do you know that the MCA website is updated daily with the latest news from the metal clay world? Have a look at our what's new page for news like this:
  • New projects for beginners to whet your appetite and for you to try. Click here to have a look.
  • The 2011 Art Clay Festival Europe venue and dates have been announced along with a list of presenters who are to offer classes during the event. Visit the events page to see more details
     
  • A new competition has been announced from Art Clay Silver - 2011 Silver Accesories, with two possible themes; If or Open Theme. Have a look at the competitions page for entry details.

Featured Metal Clay Artist
Lorrene Baum-Davis
 


Fine silver wirth peridot and diamonds
Fine Silver piece set with peridot and diamonds

Lorrene has been involved with silver clay ever since she attended the first class held in the western U.S., held by Alan Revere at his Academy in January 1996.  An experienced hand at silver clay, she admits that this is by far her favourite medium to work in since her work is very labour intensive and she would not get a 'decent fare' for the base metal clays. This is a typically shrewd observation from a lady who says that metal clay is most definitely a business to her.


She runs the Sierra Foothills Studio based in Placerville, California where she refers to herself as a 'clay pusher' - i.e.  that it is one of her aims in life to get as many people addicted to either polymer or silver clay as she can! Lorrene runs a variety of polymer clay and Art Clay Silver classes from this studio as well as travelling around the US teaching. She also sells her work in galleries and to her own students. Taking commissions is not something she does very often, but will happily consider a potential project if it gets her creative juices flowing.


Lorrene's studio is most definitely a chaotic place when

This piece won an Award of Merit at the CA State Fair
she's not teaching workshops. She readily admits that she will work on a project until she drops, ignoring any mess and disorganisation as she gets caught up in creating her 'big, artful and abstract' pieces of jewellery. As such Lorrene regards her studio as a peaceful place because she is able to employ this single minded approach and enjoy the process of creating. It must help the feeling of serenity that she doesn't even go into her studio to create if she's not feeling the kernel of inspiration, instead Lorrene will cook up a batch of popcorn and watch a favourite movie! She tells me her main challenge when designing, is the engineering side of things, how items fit and work together and having made mistakes in the past she now approaches this with a sketchbook in hand.

When asked about her favourite piece, she says it's always changing and depends on the newest technique she's currently employing.

Lorrene's Legends Series

At the moment, she is working on a series of rings called Legends which incorporate gem stones, fused glass and clever uses of texture, making sure that the shank of the ring is the same as the sides. Lorrene is well known for her fantastic capability in metal clay stone setting which may come in part as a result of her formal jeweller's training. Indeed, she has published a book on the subject called Setting Gemstones in Metal Clay which is an excellent reference guide on the subject.


One of Lorrene's beautifully set Legend rings.


Lorrene is quite candid about her approach to working - she tells me that she loves to just jump right on in and enjoy the process of making. She always makes the jewellery as her muse guides her and if someone wants to buy it, then that's a fantastic by-product of the process which enables her to buy more clay.


Lorrene's Celebration piece







To see more of Lorrene's work or perhaps book a course with her, have a look at her website where you can  also  find her own  favourite tool, the FingerBRUSH  (pat pend) which she developed herself after identifying a need. Her book, Setting Gemstones in Metal Clay is currently sold out and out of print, but, she is in the planning stage for an updated, step by step, instructional issue.




In This Issue
What's Your Inspiration?
News
Featured Artist
PMC Pro Review
Did you Know...?

PMC Pro Review

Our good friend Hattie Sanderson has provided us with an excellent document on her recent experiments with PMC Pro and ring making. She's done the hard work, so we can be aware of the different elements for consideration before we go ahead and make rings.

PMC Pro has recently been released by Mitsubishi and has been promoted as the strongest PMC yet, which makes it ideal for tough, hard working jewellery - perfect for ring making.

It has less silver content than its PMC counterparts, namely 90% silver content with 10% copper content and requires a wholly different firing schedule than fine silver.

Hattie breaks down her experiments into clear segments, offering up the reasons for the tests she has decided to undergo.

She discusses amongst other things, her reasons for suggesting a two hour firing schedule rather than the endorsed one hour schedule from Mitsubishi.

She also tests whether HattieS Patties work with this form of PMC and if they affect the sintering process or not. A really useful experiment, given that PMC Pro has a shrinkage rate of 15 - 20%.

If you are looking at incorporating PMC Pro into your range, then we would recommend that you read this document - it may save you some time, tears and money. Click here to download the full article.
   
 



Did you know?

This section of our newsletter is aimed at highlighting all those hidden gems, that are on the MCA website. Each issue we'll take a different section and give you a little bit of encouragement to go and read it.

This issue we are highlighting our Supplier pages. We update this information on a regular basis and it's not just metal clay related - it's much more than that! If you're looking for anything jewellery related, then this really should be your first stop, why take time trawling Google when you can browse here at your leisure. We list suppliers for;
Metal Clay (obviously!)
Beads, Tools, Kilns, Findings, Moulds and Textures, Stones (both natural and artificial), Glass and Enamel. We could go on and on, but why don't you have a look for yourself?

And, if you are a supplier or offer training courses, then advertising on the MCA website is free and month on month our visitor numbers are growing. During November 2010 we had 27,358 unique visitors - that's a record for us!

And if you'd like to appear on every page of the Metal Clay Academy website, why not sponsor us? $200 for three months exposure to a growing audience of metal clay enthusiasts.

What have you got to lose?