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October 2010

Dear Metal Clay Enthusiast,

Hello!

Welcome to the October newsletter from the Metal Clay Academy. Are you busy gearing up for your Christmas rush? Are you in need of a little inspiration? Well have a look at the articles we have for your enjoyment! We have added lots of new suppliers to the website in the last couple of months and lots of new projects for both beginners and more advanced artists alike. If you're looking for something new, then check out our free tutorials - there are lots to choose from and who knows you could be inspired to try something a little bit different!

So in this newsletter, check out our regular articles;

Class Review
Holly Gage visited the UK with her new apprentice Erin Meharg in August and September. She ran several classes at the Mid Cornwall School of Jewellery and Julia Rai reviews the Repousse Effects in Metal Clay class.

Featured Artist
Paula Kroft speaks to us this issue about what motivates and inspires her. Have a look at her work, she loves working with bronze clay and has some absolutely gorgeous pieces.

What's Your Inspiration?
Emma Baird talks about the inspiration behind her Curve Ring, which has been featured in the The Art and Design of Metal Clay Jewellery 2011 calendar.

Did you know?
Highlighting a specific area of the MCA website - it's a big place and we want you to find the information you need!

So please feel free to drop us an email with any suggestions you may have.

Best wishes
Emma Gordon

Look out for our next newsletter in December. Please get in touch if you'd like to participate.
What's Your Inspiration?

 

Emma Baird is based in Edinburgh and runs Art Clay Scotland where she is a Senior Art Clay Instructor and lampwork artist. Emma's piece, her Curve Ring is to be featured in the 2011 Art and Design of Metal Clay Jewellery so we just had to ask her about her inspiration for this gorgeous creation.

The piece is made from ACS650 and features a large trillion cut green CZ. Emma says that she was inspired by the beauty and simplicity of the stone featured in her ring, saying that after learning how to set larger stones in metal clay that she wanted to create a simple ring which displayed the stone to its fullest.
Emma Baird Curve Ring
Emma's Curve RIng


She especially wanted something with simple clean lines and after spending some time with her sketchbook came up with the design.

Emma says she looks for inspiration all around her particularly in the architecture of the old buildings in Edinburgh. She admits she frequently walks around the city in which she lives with 'her head in the clouds' looking at old church spires and chimney pots. In addition to this, she tells us that she has a collection of jewellery 'eye candy' books which she loves to flick through, finding that these designs frequently spark off her own ideas.

When we asked her about who inspired her, she says that her artist friends and colleagues definitely help but that her students can get her out of her creative 'rut' if she finds herself in one. She tells us that their energy often reminds her to ease off the pressure she puts on herself and to enjoy creating a piece of jewellery simply for the sake of it.

Click here to view more of Emma's work.



News

Do you know that the MCA website is updated regularly with the latest news from the metal clay world? Have a look at our home page for news like this:
  • New masterclasses have been listed on our page for 2011. If you want to get the inside tips or learn new techniques from inspirational and exceptional teachers, then check this out!
  • We have a whole new lot of projects added by us on behalf of PMC Connection for you to enjoy. From beads to boxes, enamel to pod necklaces - there's a treasure trove of resource for you.

Featured Metal Clay Artist
 

Paula Kroft has been working with metal clay for the past six years. Her passion for metal clay started initially with silver clay, after completing her certification with Tim McCreight.

Bronze Hollow Forms Paula Kroft
Bronze Hollow Forms

Since then she has gone on to establish herself as a teacher and artist in her favourite medium. She currently co-owns the on-line shop One Sweet Bead with her lampwork artist daughter Stacey, where she sells her work and offers workshops in metal clay. Paula was kind enough to let us in to have a little peek at her world and her work.


Paula loves working with metal clay, in particular silver and bronze, confessing that she has a preference for working with bronze. She loves, she says, the richness of the bronze and the unpredictability of the patinas. Working with bronze is less costly than silver and this gives her opportunities to experiment with different techniques without thinking too much of the cost. She tells us that it frees your mind to create larger and more dynamic pieces and if it works, she can recreate the piece in silver if she so chooses.


When asked to describe her style, Paula believes it's very eclectic - loving primitive textures and simple lines, she says that her style changes as she grows and learns. To that end, she's very enthusiastic

Kachina Doll Paula Kroft
Paula's Favourite Piece

about trying new techniques and combining the metals for the effects. Designing textures is also something she enjoys doing and is planning to have them reproduced onto her own line of texture sheets. So what's her favourite piece? That remains, it seems, a constant. It was a reproduction of a Hopi Kachina doll, originally made in wood that she shrunk down from 6" to 2" and made in silver. She's proud of the fact she managed to keep the detail that was in the original she carved and put it into the silver replica.


Paula's workspace is rather chaotic, she confesses. She works on more than one project at a time, with her 'production' work - i.e. the pieces that she sells in her shop, mostly findings and spacer beads, always on the go and her more 'artistic' creations being worked on whenever there's time. She does try to find a balance between complete chaos and a blank canvas to ensure that any ideas can be captured straight away. Paula is currently working on a set of amulets and talismans to give the wearer a sense and source of personal power and 'magick' to use in their daily lives.

Signature Piece Paula Kroft
A signature piece by Paula


This inspiration has become particularly poignant since the sudden death of her husband in the very recent past she says, because her talisman will hold her intentions for the future, reminding her of her own strength and power as she moves forward in her life without her beloved husband by her side.

When Paula is stuck for inspiration, her solution is to sit down and roll out some bronze clay. She says that usually gets the ideas flowing, but if not, she will go to the internet or look through old National Geographic magazines for ideas on textures which she often finds inspiring, saying that the photos she finds take her out of her four walls and into the world.


So what keeps Paula going? She says it's keeping an open mind to try anything and being grateful for everything that comes your way. She thinks she is blessed to be part of the exciting and growing field of metal clay and being able to express herself in such a diverse and limitless medium.

Click here to see more of Paula's work and perhaps attend one of her classes.




More examples of Paula Kroft's work

Layered Tribal Toggle Paula Kroft
Toggle clasp - an example of 'production' work
Mixed Metal Trio Paula Kroft
Mixed Metal Trio
Lentils Paula Kroft
Silver Lentil Earrings
Shield Focal Paula Kroft
Focal shield Bead in bronze

In This Issue
What's Your Inspiration?
News
Featured Artist
Class Review
Did you Know...?

Class Review

Have you recently attended a class which you felt you wanted to shout about? The class was so good that you just had to share? Well let us know and we might just ask you loads of questions about it! This issue, Julia Rai talks about Holly Gage's Repousse Effects in Metal Clay class which ran at the Mid Cornwall School of Jewellery, Cornwall, UK


What made you choose this class?

I love Holly's work and really wanted to take a class with her. The repousse effect has lots of possibilities for me and I wanted to learn it from an expert.

Julia's Repousse Effect Experiment
Julia's Repousse Experiment
What did you make?
I made a pendant which was inspired by a stone carving my sister photographed in Dubai.

What was the best tip you picked up in the class?
There were so many! Holly is such a generous teacher. I'd never used Bend and Bake polymer clay and this was a revelation - so useful for making molds that actually flex and bend. Holly also introduced us to some wonderful polishing tools for the Dremel/ Flexshaft called Advantedge. There's a whole bunch of different sizes and shapes. I made an order straight away!

Holly demonstrating
Holly demonstrating Advantedge
What was the best part of the class?
It was great to see Holly's work up close but the best part for me was seeing everyone else's work materialise. Holly talks about the ugly stage of your creations and we all experienced this - the time when you think you're just going to start again. But Holly encouraged everyone to stick with it and it really paid off. And she also got us all to critique each others work over lunch on the second day. Lots of ideas for how to improve our work were suggested in a supportive and safe environment. It was great.


Critique over lunch
Critique over lunch
What would you like to have seen more of?
Well I could spend time with Holly and her apprentice Erin forever! Holly is so inspiring to be around and really encourages good design which is something you don't get much of in many classes. I thought the balance of the class was perfect.

Would you attend another class with Holly?
Absolutely, in a heartbeat! I'd recommend Holly to anyone if you want to see good teaching alongside artistry.

Holly and Erin
Holly and Erin
What was the venue?
The Mid Cornwall School of Jewellery in Cornwall, UK. The workshop is very well equipped and we had lovely sunny weather so we could eat lunch outside.

Has what you learned changed the way you work? How?
I can see me using this technique much more for increasing the depth and dimensionality of my work. I want to experiment more by combining the repousse technique with hollow forms. And in bronze and copper clay.


Did you know?

This section of our newsletter is aimed at highlighting all those hidden gems, that are on the MCA website. Each issue we'll take a different section and give you a little bit of encouragement to go and read.

This issue it's the importance of photography for taking pictures of your jewellery. Photographs can make such a difference to how your work looks when advertising or displaying on your website. If you want to sell your jewellery or market your workshops, then good photography is a must.

We have a list of tutorials to take you through the dos and donts if you are a complete beginner or for the more proficient photographer, there are documents discussing essential equipment such as lightboxes.

Good luck and happy snapping!