Logo
July / August 2010
 
Dear Metal Clay Enthusiast,

Hello!

Welcome to the August newsletter from the Metal Clay Academy. It's been a busy couple of months since our last newsletter, what with the PMC Conference taking place in Purdue at the end of July. Mitsubishi announced a brand new product for us all to play with called PMC Pro which is stronger than any other version of PMC. To have a look at some more information about this new product, click here for more information.

If you weren't lucky enough to get to the conference this year, have a look at the handouts and technical resources which have now been made available.

So in this newsletter, check out our regular articles;

Class Review
Hadar Jacobson made her first training trip to the UK in June. Debbie Carlton reviews her class for us.

Featured Artist
We are lucky enough to have Lesley Messam talk to us about her work. For those of you who don't know her work, have a look, you're definitely in for a treat! She shares her inspiration and her enthusiasm with us in this issue.

What's Your Inspiration?
Evelyn Pelati Dombkowski reveals her ideas and inspiration  talking in particular about her Art Deco inspired necklace.

Did you know?
Highlighting a specific area of the MCA website - it's a big place and we want you to find the information you need!

So please feel free to drop us an email with any suggestions you may have.

Best wishes
Emma Gordon

Look out for our next newsletter at the beginning of October. Please get in touch if you'd like to participate.
What's Your Inspiration?


Evelyn Pelati Dombkowski hails from Windsor in Connecticut. She has always had a creative side, having studied commercial art at Paier School of Art. Before she embarked on jewelry making about four years ago, she worked for more than 20 years as a graphic designer for packaging, mainly in the toy industry. She established her company La Bella Luna Jewelry last year and now works full time as a jeweler.

The piece which Evelyn submitted to us is a fine silver and amethyst Art Deco design pendant. She chose the piece because she says it's one her most recent pieces and a personal favorite of hers. The piece came about when she was given a beautiful amethyst stone as a gift from a friend who just happens to be an artist/geologist/mineral expert! She was drawn to the shape, size and color of the stone and felt compelled to make a pendant to do the stone justice. Once the decision on the pendant was made, Evelyn took out her sketch book and started to draw designs based around the stone.

Evelyn's Art Deco inspired piece
Evelyn Pelati Dombkowski Art Deco Amethyst Pendant
This is the typical way that Evelyn works, saying that an initial design will begin with one element that strikes her.

It seems that this element could be anything, ranging from a stone like the amethyst cabochon used in this piece, an old button, photograph etc.

Once the idea starts to take shape, Evelyn sketches around the design to ensure that the initial spark of inspiration is done justice.

Evelyn is drawn to the art and design of the early 20th century, naming Art Deco, Art Nouveau and the Arts and Crafts movements in particular. She admires the work of artists like Charles Rennie Mackintosh and Frank Lloyd Wright and says that the Japanese and Chinese design from that era is also highly inspirational. With this era in mind, Evelyn is now engrossed in making a body of work inspired by the costume designs of French artist, Erte.

Click here to see more of Evelyn's fabulous creations.
 
News

Do you know that the MCA website is updated regularly with the latest news from the metal clay world? Have a look at our home page for news like this:

  • The World Metal Clay conference details have now been announced - get the dates in your diary for the 14th - 16th July 2011 in the Hilton Chicago Indian Lakes Resort in Bloomingdale, IL. Reservations for this event are being taken now and more information can be found here.
  • Entries are being invited for the next Saul Bell competition. You should submit your entries by the 17th of September 2010. More information on how to do this can be found here.
  • We now have a Facebook page! Come and find us and add your 'Like'
If you have anything of interest happening, please let us know so we can update the website. We have lots of visitors each month, so what better way to advertise that special masterclass or that up and coming exhibition? If you are a metal clay teacher or supplier, make sure you're listed, it's free!

 
Featured Metal Clay Artist
 

Lesley Messam has just reached the dizzy heights of being only the second metal clay artist in the world to achieve the Metal Clay Masters Registry Level 3. So what makes such a talented and prolific artist tick? She was kind enough to let us know!

Lesley has been making and selling jewellery for the past 10 years after she completed a four year silver smithing course at her local college. She discovered the delights of silver clay about five years ago and says that she fell in love with it immediately. Once she was smitten, Lesley pursued her hobby with characteristic enthusiasm, getting all the training she could, before starting to sell her jewellery in the hardware shop she co-owns with her husband. The shop, David Messam, is located in Chichester, West Sussex and now currently houses Lesley's thriving Bead Cellar business in the basement - The Bead Cellar sells 'all things jewellery related'. She says starting this business was a natural evolution that had developed from an obsession.

Whilst she has a large working knowledge of lots of different materials and products, she confesses her first love is still silver clay. She loves the flexibility and versatility of this medium and that it can be combined with so many different mediums. Describing her style, Lesley says that it is Art Nouveau with a large twist. She loves nature and in particular flowers, and strives to make her pieces three dimensional to show depth.

Lesley works from a studio, which she says is her pride and joy. She admits to being a bit of a tool addict with a wide array of equipment for metal clay, Fimo, glass and silver smithing. Her favourite tool is a pick tool which Lesley uses to cut out really fine detail on her jewellery pieces made with silver clay.

Currently working on her Level 4 Masters Registry projects, she is finding this experience very challenging and rewarding. Lesley relishes the challenges that these projects have presented and is very confident in her ability to solve problems when it come to metal clay - she prides herself on being able to think outside the box. This ability can be seen in her current favourite project, which was a submission for Level 3 - a pair of miniature scissors which are designed to cut! This was a project that she readily confesses is something that she would never have considered before. However she completed the project with tenacity and says that the benefit of selling scissors in her shop meant she could dissect scissors without considering the cost!

Lesley's current favourite!
Picture courtesy of the Metal Clay Masters Registry
Lesley Messam Scissors

The philosophy that keeps Lesley going is 'The joy of making something new every time' - this is certainly apparent in her pieces, her obvious enthusiasm for her work and the medium of silver clay.

If you want more information about the Masters Registry or to view all Lesley's submissions, click here.

Lesley also offers a wide variety of classes based in Chichester, UK, find out more here.

Did you know?

This section of our newsletter is aimed at highlighting all those hidden gems, that are on the MCA website. Each issue we'll take a different section and give you a little bit of encouragement to go and read.

This issue, we are looking at our Video Tutorial Section

We have a wealth of information in this section and we've added the best possible videos to help you. There might be a technique that you're having difficulty with or it might be something to set you on the right road for a project you've been considering, so have a look. We have all the main sections covered; from Beginners Information and Projects - learn how to make a simple pair of silver earrings or a bail for a pendant, to working with glass, creating molds and textures and more advanced projects and information.

If you know of any good video which is not in our library, get in touch. We want to make sure our information is as complete as it can be!
 
In This Issue
What's Your Inspiration?
News
Featured Artist
Did you Know...?
Working with Clay
Class Review
Working With Clay

Technical Corner

We have added some excellent new video tutorials in the past month all about hand firing Prometheus Bronze and Copper clay.
Many thanks to Sabine Alienor for her contributions!
Have a look at our Copper Clay videos and Bronze Clay videos for more information.
You will find a wealth of information here about working with both of these fairly new mediums and as you know, here at MCA we're not brand specific so we've ensured all brands are discussed.
Class Review

Have you recently attended a class which you felt you wanted to shout about? The class was so good that you just had to share? Well let us know and we might just ask you loads of questions about it! This issue, we did just that with Debbie Carlton who attended Hadar Jacobson's Bronze and Copper Clay Masterclass at Craftworx's studio in Yorkshire, UK.


What made you choose this class?

I wanted the opportunity to use and explore the potential of these products and to meet Hadar, whose work I admire greatly.


What did you make?
Bronze and copper earrings, lots of test pieces combining the bronze, copper and silver clays. I also made a piece with Hadar's brand new Pearl Grey Steel clay.

What was the best tip you picked up in the class?
I picked up lots of really good tips. Firstly, how to mix the powders to create the clay. How to use deeply etched textures to inlay or overlay the metals. We also did a lot of work with the Dremel which was really useful to have the various sanding and polishing heads explained.

What was the best part of the class?
Seeing Hadar's work in the flesh, so to speak. I have been looking at it for years and to be able to see it up close was amazing.


What would you liked to have seen more of?
One can never get enough in classes like these! But we covered a lot of ground.

Would you attend another class with Hadar?
Yes, I would and I would recommend it to others too.

What was the venue?
Craftworx in Beverley, East Yorkshire. It was a very nice venue, bright and airy on what was a very hot weekend.

Has what you learned changed the way you work? How?
I think more about the benefits of finishing the metal after it has been fired, as well as before. I also use my Dremel a lot more!


Examples of Lesley Messam's Work


Fine silver necklace with lampwork focal bead
Angela Baduel Crispin
Fine silver box with friction lid
Lesley Messam 3


Fine silver necklace
Lesley Messam 5
Fine silver pendant with matching earrings
Lesley Messam 6
Fine silver ring with focal lampwork bead
Lesley Messam 8
Fine silver bezel set rings
Lesley Messam Rings