|
|
|
|
|
|
|
|
|
Available Now for Demo at Paragon! Wilson Sasha W/P Speakers

Throughout its evolution, the WATT was always a
self-contained, two-way loudspeaker. It had its own crossover; the WATT
always had the capability of being removed from the Puppy and operated
on its own. MAXX and Alexandria, meanwhile, were multi-cabinet
loudspeakers that integrated drivers through crossover modules mounted
in the bass cabinet, a design strategy that has many proven sonic
benefits. The WATT/Puppy platform itself became the obstacle to fully
leveraging the latest advances in cabinet materials, crossover design,
and proprietary driver design. Sasha makes all of those things
possible, while maintaining the central position in the Wilson product
line held by its illustrious predecessor. Sasha Specs: - Both the new midrange/tweeter module and the bass cabinet have greater volume than W/P System 8.
- The larger bass enclosure results in a 2Hz greater extension in the bass, and less congestion in the upper bass. Increased
volume in the upper module allows a new bracing architecture and
sidewall construction for greater rigidity and lower resonance.
- Sasha's
upper module utilizes Wilson's newest proprietary cabinet material for
its baffle, resulting in a lower noise floor and greater transparency
in the critical midrange.
- By
removing the crossover from the upper module, less midrange energy is
reflected through the midrange driver cone, again improving clarity and
transparency.
- Sasha incorporates both the 7" midrange driver and the tweeter from MAXX Series 3.
- Sasha's
woofers utilize a new motor/magnet assembly with more magnetic force
for the same cone mass resulting in improved dynamics and acceleration
in the bass region.
- The
crossover is housed in the bass module, with resistor access on a rear
panel. Custom wiring, hand-built at Wilson, connects all the drivers.
|
|
Introducing the New... NuVision Lucidium FX5 Series LCD TVs

The Lucidium FX5 Series combines proprietary Film Times Five (FX5) and Frame Forward Motion (FFM) technologies to create a true 120Hz picture.
Hollywood shoots motion pictures at a rate of 24 frames per second. Most HDTV's display video at 60 frames per second. When 24fps material is diaplayed on these displays, a mathematical algorithm is required to smooth the jittery motion that occurs when the camera moves. FX5 technology elimiates the need for the pulldown algorithm by simply displaying each fram 5 times on the display - creating an effective rate of 120 frams per second and a true motion picture experience.
NuVision FX5 displays feature unique NiDO IV - FX5 video processing algorithms that fully utilize the capabilities of the NuVision 120HzDCS Deep Black LCD panel. These include:
- NiDO IV enhanced video processing
- Signal compatible with 1080p/60 and 1080p/24fps
- FX5 True 120Hz Video Processing
- 1080i to 1080p four-field de-interlacing
- Pixel-by-Pixel detail enhancement
- Automatic Film Mode Cadence Processing
- HD/SD Multi-Direction Diagonal Filter
The Lucidium FX5 is surprisingly easy to operate, yet features a range
of professional settings which allow you to optimize the display for
every input. Features like: selectable color temperature, 4-level
adaptive noise reduction settings, an adjustable backlight, and more.
The line spans from TVs 42" to 65" in size.
For more information Click Here
|
McIntosh MA6300 Integrated Amp
 The MA6300 integrated amplifier is rich with all the premium
technologies that McIntosh is famous for, including Power Assurance
System and Silent Electromagnetic Switching. With 100 watts per channel
at 8 ohms and 160 watts into 4 ohm loads, the MA6300 can effortlessly
power virtually any speaker from one of seven source selections: CD1,
CD2, Tuner, Phono, Tape, TV and DVD. Only McIntosh can combine two basic audio components into a single
instrument and still retain traditional McIntosh performance, quality
and reliability. The MA6300 provides all of this in a more compact,
space-saving configuration. We invite you to experience the MA6300 at Paragon.For more information about this line Click Here | |
|