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Ron Knight
Ron Knight is one of the nation's leading Advanced media voice-over communications coaches and producer. He's been the voice of Nickelodeon, The Travel Channel, Sirius Radio, ABC Networks, Disney and Universal Resorts, as well as many series stemming from the 80's to current regional and national accounts. His Knight Mediacom studios produce cinema advertising, production for soundtracks, interactive media "trigger spots" for national cable media, plus projects with new production techniques for Avatar Animation. Voice-over career consulting is available by appointment, and Advanced Market Voice-over Workshops are offered twice annually - as a preliminary Teleclass, then in-studio in Southern California. His Demo production is regarded by many industry veterans and beginners alike, as the sure ticket win for bookings and representation. |
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Dear Voiceover Talent;
So do you remember when you read my Voiceover demo collateral on NEVER blindly sending out your Voiceover Demos to mass market agency lists? Because you know where they end up... in the trash can or under the delete key. But I'm happy to suggest the proof of pudding that works real well. Getting your national market demos produced at the hand of a great demos producer, with all the collateral and assets ready for your production, that keen third party perspective on what agencies want - and THEN - having that producer, by agency relationship and referral - refer you into an agency...knowing WHICH agencies are building which departments and need new talent. The process is golden when it comes to marketing and packaging up new talent. As a talent, the only way you succeed is with those golden fan club relationships, when casting directors become your fans. Those casting fans refer you into agencies, and you usually pick up more representation.
When a good, respected voiceover demo producer also becomes your ally and gets you ushered into agencies that he or she knows has agency position Voices to fill, you're getting a keen recommendation from a trusted ally of the agency; and usually, new representation agreements can get penned.
This just happened for two of our voiceover clients. Target needs are established at a new agency, or a long term relationship with the agencies, by us for example, as the demos producer. Two voiceover clients get brand new demos, the new demos get ushered by us over to that agency - and now both talent have Southern California representation... and they don't even live here.
Now mind you, it's not the job of the demo producer to put you into that distribution machine.
In the record business, when a producer makes a great song or album, they take an interest in a recording because they have their hand and vested interest in it to get the label placement, perhaps publishing and the sales returns. With a Voiceover Demo, you want a great, crackerjack and respected voiceover demos producer, and then it's up to you to do your marketing plan.
What if you got the best of both worlds? Where your highly regarded Demos producer also has a window to get you placed? It's a value to think about, but keep in mind that not every demo producer has to or should do that for you. Certainly, if we did it for our clients, it would ONLY be because we really think the productions being done, as demos, were just stupendous and worthy of getting placed on agency house representation sites - and certainly that the talent as a Voiceover talent was a contender; to warrant that any such producer would bother 'risking relationship perspective' and industry perception in doing the demos and then be putting Everyone into agency submissions. That would be impossible to submit everyone who was making a demo into every agency. The outcome? How do you say Used Car Lot?
We don't. But that's why we only produce 24 total client demos per year, and that we now look for the gem talent that need new demos to be produced, and BANKED... so that when we say we're proud to have done a demo for a Voiceover talent, we'll then usher that talent's demos over to the agency houses, where we've done the work, we'd like to be responsible for the outcome, so our demo work has real value added, and where we KNOW that there has been a desk shift, changes and new talent positions in new categories of the business, that are open for new talent to step in and fill the voice void. Because it helps US with that agency as well when they say, thanks for finding us a great new talent to put into our inventory.
Yes, we can do that for you, but only for the talent who can qualify that they're ready for these new agency pockets and that we should bother playing that card or chip.
If you want to see how I feel about playing chips, go back to John Florian's Voiceover Xtra, and read the story I wrote about a casting director who mutually unfortunate for both of us, had her boss call down to her to let me keep my scheduled audition time, as a kind favor for me. Risky practice at best to endeavor. Later, when I brought a toy company into that animation firm to do a hoped for production, there was really no deal on the table. That same boss looked at me and said, "you DON'T have anything concrete here, DO you?" That, after his wasting ONE chip, for me.
That was a lesson. So when it comes to broadcast and multimedia production relationships, I learned - when you get them or give them - use chips wisely, and otherwise... DON'T use chips.
So if you are a crackerjack VO talent, ready to do new demos, and you CAN benefit from the agency referral - yes we'll do that. But not for everyone. You show us that you're pro market, need a brand lift and expansion, ready to cover niche markets in new industries and we'll get you parked. Not everyone. Just those of you as talent who are ready to rise to the occasion. Everyone needs new markets, or reworking of their old ones. That's why we're here. If you need new polish on demos and don't need any further marketing, great. I'm really pleased that you're doing so well. If you're ready for the new doorway into new demos though and a positioning into these new markets that are opening up, then we can and will put you there as well. But only as required, and only by design.
Again, two of our last voice over demo clients now have representation in Southern California. Still two others, placed with one up in Portland, and one in San Francisco... and none of these talent even live here on the West Coast!
Then of course, I also get really happy when I hear from the Voiceover talent that I've worked with, that not only are they booking, but they're booking big time.
" Ron - I nailed a national spot for Purina/Mighty Dog. Spot will air on
national TV Thanksgiving during the Purina sponsored Dog Show.I think the show will be on ABC. The agency heard my demo. They sent the script for the audition. Did the VO audition. Got a call that I was booked. 1-2-3-4" .
THAT's what I like to hear. Most likely, if you can walk the walk with the tools that we set you up with, than you can do it too.
The Voiceover Demo rates for 2010 are being dropped back to the 2007-2008 rate card. We know about the economy. We'll send you
our 2010 back-adjusted rate card on request, but certainly, if it's time for your new
and improved updated demos, under the direction of one of "the best
directors and producers in the nation" (see quotes below) I would reserve by April 1st and take advantage of the new discount, which can include the AGENCY SHUTTLE into the talent agencies, if you get them done by April 30th!
Best wishes,
Ron Knight
Advanced Voiceover Coach
Careers Consultant
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Voice-over Demos by Ron Knight - Susan Berkley
You don't need me to tell you that without a competitive demo you won't find work as a voice-over talent. Yet many beginners, emerging talent and even working pros are losing sleep over their demos. They struggle with finding the right copy, finding a good producer and producing an irresistible demo that will enhance their voice and present them the best possible light. Worse yet, some people spend a ton of money only to find out that their demo is worthless and doesn't get the job done.Many of my voiceover
students have been asking about demo production. Back when I had my voiceover school in NYC, Ron Knight was
one of the favorite instructors and demo producers. Not only is
Ron is a successful voice talent himself (he's done voices for
Nickelodeon, ABC Sports, AT&T, Travel Channel, Delta and Universal Studios), he's also
cast and directed voice overs in NY, LA, San Francisco and Orlando, and
produced many competitive demos that have helped launch successful
careers. His Demo production is regarded by many industry veterans and
beginners alike, as the sure ticket win for bookings and representation.If you can get in with Ron, we'll always tell you all about it!
Warmly, Susan Berkley
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Here is just some of what you get in your new Voiceover Demo for 2010:
 * Up to date and forecast trends and styling for next year and beyond; doing what's hot and avoiding what's not * Hooks for the listener in the new media formats - making your demo absolutely irresistible! * The best copy for your voice and signature casting core * New Music - hot out of the media oven, to make you sound very "right on time." * Showcase for your talents, work and production that get you noticed, gets you work or keeps you working! |
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Here's what top voice actors have to say about Ron Knight...
I worked with Ron as a director for my first voice over demo, and man was I in good hands. He worked with me on the copy, found my strengths and brought them out. It was a blast! I have a demo that gets me in the door thanks to Ron. Patricia Tallman, actress Babylon 5; Austin Powers: The Spy Who Shagged Me; Star Trek: The Next Generation;
Working with Ron Knight totally enhanced the way my media is being presented and the way I personally will be perceived. Much of this had to do with his instinctive direction, support, expertise, & confidence in the absolute understanding of who I am and what I was looking to attain in the shortest, most authentic way possible. I look forward to working with him in any medium.
Amy Gibson, Emmy Nominated Actress, Leading spokesperson in the U.S. on Female Hair Loss, WebMD, Los Angeles
Thanks for the demo Ron. Because of your valuable class and demo, I successfully completed my first television commercial: 'The Kool Zone' 30 second TV spot airing on Nickelodeon! Jeanne Intile, Harrisburg, NY
Ron! I am absolutely THRILLED with both demos! Three phone calls from three different agents! You were exactly right with their reasoning! Sandy DeLonga, Atlanta
Ron: Nailed a national spot for Purina/Mighty Dog. 'Heard my demo. Sent the copy, did the audition and booked 1,2,3,4."
"Agencies are referring me to the majors. Although I'm still doing broadcast imaging VOs, there have been a lot of narrations and commercial work come along either with or without my agents. A belated 'thanks' for the demos and coaching you helped me with. I wanted to make sure you knew you helped me...gave me a nudge in the right direction.
Mike Carta, Knoxville, TN |
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We're coming into Spring. 2nd quarter media planning for 4th quarter multimedia expenditures and media buys, mean 3rd quarter production cycles. Don't miss out on our dropped rate card. Get in and get out by April 30th and hit your clients and budgets for the media buys and expenditures coming up for late 2010.
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Sincerely, 
Ron Knight
Knight Mediacom
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